For 2,973 reviews, this publication has graded:
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53% higher than the average critic
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2% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | Paterson | |
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| Lowest review score: | Life Itself |
Score distribution:
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Positive: 1,806 out of 2973
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Mixed: 937 out of 2973
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Negative: 230 out of 2973
2973
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Richard Corliss
Towers, while not quite so varied as Fellowship in its moods and settings, has a grave gusto that energizes every moment...a thrilling work of film craft.- Time
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Reviewed by
Richard Schickel
Maid in Manhattan is not so much a movie as a collection of career moves. J. Lo needs a comedy hit to support her principal activity, adorning magazine covers. Fiennes needs to warm his austere British image if he hopes to become a true international star.- Time
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Reviewed by
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- Time
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Reviewed by
Richard Schickel
The movie ends in a burst of violence that we are unprepared for and don't believe. Maybe it's the film's final joke. It's a miscalculation -- though a calculated one -- but it does not erase one's fond memories of all the odd, deeply humorous behavior that preceded it.- Time
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Reviewed by
Richard Corliss
A coda that will have the movie's audience gasping in exhilarated exhaustion, whispering astonished gratitude to Sokurov for having created vigorous art out of 21st century video technique and asking themselves, "What's the Russian word for Wow!?"- Time
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Reviewed by
Richard Corliss
This is a chase movie (Simon Legree after three Little Evas) across parched outback terrain, captured with rapturous authenticity by cinematographer Christopher Doyle.- Time
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Reviewed by
Richard Corliss
Can't touch the 1972 film's austere poignancy, and McElhone lacks the bewitching beauty of Natalya Bondarchuk in the original Solaris. But the project's gravity and ambition can't be denied.- Time
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Richard Corliss
May leave viewers emotionally disconnected from this distinctly unchipper Mr. Chips.- Time
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Reviewed by
Richard Corliss
As thoughtful as it is handsomely acted. Caine's subtle, bold performance should guarantee him an aisle seat on Oscar night.- Time
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Richard Schickel
Carrera's handsome film offers a richly detailed portrait of a church not so much corrupt as morally lazy after centuries in command of an overwhelmingly Catholic country.- Time
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Richard Schickel
There's something old-fashioned and dauntless about the way the film pushes past our initial resistance to its setting and subject matter, past pain, past defeat, to make this point. Because it rejects easy victories, this may be one of the few inspirational movies that could actually inspire someone, somewhere, sometime.- Time
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Richard Schickel
Ironizes without parodying an antique screen manner, then reaches out from beneath this smooth cover to grab us.- Time
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Reviewed by
Richard Corliss
Take a while to get their vehicle to sail and soar. But when it does, this Planet is a treasure.- Time
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Reviewed by
Richard Corliss
Donen got it gloriously right the first time. Why do it again? And why do it like this?- Time
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Richard Schickel
Julie Taymor's inventiveness has diminished to a kind of strained cuteness. Everything that makes an artist an artist -- the obsessions, the egotism -- is ignored in favor of upbeat movie conventions.- Time
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Richard Schickel
An edgy, watchable film, but one that makes you feel more squeamish than screamish.- Time
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Reviewed by
Richard Corliss
Schrader's objectification of sad and stupid material is neither tragic nor transgressive. It is just undramatic and uninvolving.- Time
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Reviewed by
Richard Corliss
Sex, drugs and rack 'n' ruin; pretty people doing nasty things to one another...honestly, what more could you want in a movie?- Time
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Richard Corliss
Rambunctious, disturbing, often hilarious new documentary.- Time
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- Time
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- Time
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Reviewed by
Richard Schickel
There is something arresting about it too. The damned thing keeps gnawing at your mind -- if only for its almost perfect lack of conventional sentiment. Or movieness.- Time
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Reviewed by
Richard Corliss
This darkly seductive, flawlessly acted piece is worlds removed from most horror films. Here monsters have their grandeur, heroes their gravity. And when they collide, a dance of death ensues between two souls doomed to understand each other.- Time
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Richard Corliss
The film (directed by Andy Tennant) has more problems than Melanie, and they're insoluble. Its lazy calculation telegraphs each plot turn and underlines emotions with corn-pone music.- Time
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Richard Corliss
The film is full of sharp acting and home truths, but its ambition to be different finally surrenders to its need to be loved.- Time
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Richard Schickel
Dolman's comedy isn't exactly a barrel of emotional surprises, but its great cast underachieves admirably. There are worse ways to pass 94 minutes.- Time
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Richard Schickel
Writer-director Shainberg seems to be aiming for a dark comedy, but mostly his movie is coy without being funny, ugly without being truly transgressive, stupid when it needs to be smart.- Time
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Reviewed by
Richard Corliss
Seduction is more important than deduction in this chic display of star quality to the eighth power.- Time
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Reviewed by
Richard Corliss
Artful but not arty, Spirited Away is a handcrafted cartoon, as personal as an Utamaro painting, yet its breadth and heart give it an appeal that should touch American viewers of all ages.- Time
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Richard Schickel
Simone is a funny, smart, improbably successful satire on contemporary celebrity obsessions, the waning summer's most delirious comedy.- Time
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