Time Out's Scores

  • Movies
For 6,370 reviews, this publication has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 3.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Pain and Glory
Lowest review score: 0 Surf Nazis Must Die
Score distribution:
6370 movie reviews
  1. Helter-skelter, a bit mad and full of heart, it bounces along with the out-of-control energy of the early adolescence its depicts. When it pauses, it also offers a seriously touching snapshot of mums and their daughters, as well as a smart critique of why the burden of family expectations and the inevitability of teenage boundary-pushing usually results in carnage.
  2. Red Rocket is an engrossing state-of-the-nation comedy designed to make us feel so dirty that no amount of washing will remove the sweat from our nether parts.
    • 70 Metascore
    • 60 Critic Score
    La Mif (slang for ‘the fam’) is sensitively written and superbly acted. There are non-professional actors here who would put a few of their formally-trained counterparts to shame.
  3. And Pattinson? He’s solid enough, but the role seems to neutralise his greatest strengths, stifling his edgy, eccentric charisma under a morose, dutiful shell. He’s just another ever-searching crusader in a shadowy world. Hopefully next time he’ll be able to find the fun.
  4. One token racism subplot aside, it juggles big ideas of social justice with more intimate moments of family life beautifully.
    • 79 Metascore
    • 80 Critic Score
    The director is a huge fan of This is Spinal Tap and although Flux Gourmet isn’t up to the formidable standards of that masterpiece, it boasts one or two Stonehenge moments of its own.
  5. There are some hilarious new songs (look out for ‘Gotham City Guys’) and the jokes are more meta than ever, with Arnett’s Batman still invariably the funniest figure in the room. But the comedy feels like overcompensation for a story that gets more convoluted as it shifts back and forth between the human and Lego worlds.
  6. Featuring some brilliant camerawork by Liu and the late Dylan Sakiyama, Minding the Gap is an impressive feature that provides an intimate and grounded examination of racism, violence, manhood and economic anxiety in the US. It will warm your heart but possibly break it a little too.
  7. System Crasher may veer towards being over-sympathetic in its approach to its violently problematic protagonist – Benni is a wrecking ball at times – but it delivers a powerful exposé of the limitations of the foster system. And with its impressive young star to the fore, it is heartbreakingly intimate.
  8. Stillwater’s leap is admirable – it’s just a shame about the landing.
  9. There still hasn’t been a truly great film based directly on a video game, and the characterisations here are more likely to annoy than delight the hardcore fans, but the jetsetting and sunshine here is a welcome break from more serious action movies, and Holland will just about hold the interest.
    • 66 Metascore
    • 60 Critic Score
    It’s an old-fashioned film that always wears its heart on its sleeve – even when its main character keeps his hidden.
  10. There’s an innately camp, silly quality to these star-crammed murder-mysteries. Embracing that would make Branagh’s adaptations more of a scream.
  11. That’s a lot of years to wrangle into one biography – even before you take in the rags-to-riches, zero-to-hero-to-popular-villain arc of his life – but this snappy and searching doc makes a very solid fist of it.
  12. It’s comforting to know that when Johnny Knoxville, Steve-O and pals put themselves through the most dangerous, juvenile stunts they could imagine, a hilarious time will be had.
  13. It’s a compelling, edgy story of exploitation with no easy answers.
  14. Nighy has never been better than in this richly rewarding ’50s-set drama about a repressed and terminally ill man who discovers life just as it comes to an end.
    • 70 Metascore
    • 80 Critic Score
    Without exactly revolutionising the form, Semans’s debut delivers an unsettling tale of psychological torment and the kind of creeping dread and shocking climax that hallmarks some of the best horror.
  15. Navalny is a barely believable brew of activism, resistance, poisonings, death squads, exiles and homecomings. Most of all, it’s a story of courage in the face of ruthless repression and one of those all-too-rare geopolitical stories where the bad guys actually get some comeuppance.
  16. Campion reveals her characters slowly, drawing out crucial details that we should have seen all along with a subtly that will make repeat watches richly rewarding. It’s a triumph. A ten-year wait for her next film would be too much.
    • 77 Metascore
    • 80 Critic Score
    For three decades Clifton Collins Jr has been bringing a memorable spark to relatively small parts in everything from Capote to Pacific Rim. Jockey is his turn in the spotlight, giving the veteran character actor a nuanced lead role to inhabit in a slice-of-life racetrack drama.
  17. Plaza, who follows up Black Bear with another darker turn, is great in a role that lets her badass side out for a rampage.
  18. Dreamweavers, visionaries, plus actors… filmmaking pair Justin Benson and Aaron Moorhead’s latest DIY sci-fi bubbles with mad ideas and eerie pre-apocalyptic vibes.
  19. This is a smart, meaningful first film, with nods all over the place to classics like The Shining and Rosemary’s Baby, as well as more recent obvious touch points like Get Out. It’s not all subtle, but then neither is prejudice.
  20. While you know the stakes are high, Call Jane never seems particularly interested in proving it.
  21. A mesmerising John Boyega lights a fuse under this poignant but by-the-numbers depiction of an Atlanta bank siege in 2017.
  22. This film is about wonder, not balance, and it turns us delirious in the white heat of this pair’s chaotic, unflinching passion.
  23. What Sing 2 does offer is more big musical numbers (‘Bad Guy’ by Billie Eilish backdrops a great visual gag involving a floor polisher), lots of eye-popping animation and a sugar-high ending that will delight kids and U2 fans alike
  24. T​his​ smart and taboo-defying social ​​horror draws you in before abruptly bearing its teeth.
  25. With the faintest debt to The Exorcist and HR Giger, and a barnstorming turn from Imelda Staunton turn as a nun with some dark secrets of her own, Garai has found an arresting way to position male sexual violence: as an age-old curse that brings with it the bitterest of consequences.

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