Time Out London's Scores
- Movies
For 1,246 reviews, this publication has graded:
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48% higher than the average critic
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4% same as the average critic
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48% lower than the average critic
On average, this publication grades 1.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 64
| Highest review score: | Dark Days | |
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| Lowest review score: | The Secret Scripture |
Score distribution:
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Positive: 512 out of 1246
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Mixed: 673 out of 1246
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Negative: 61 out of 1246
1246
movie
reviews
- By Date
- By Critic Score
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- Critic Score
A particularly nice touch is the ability of one of the teenagers to pull people into her dreams, allowing Langenkamp and the threatened kids to gang up against Freddie. The neat script also fills in a little more of the Freddie mythology, including a suitably tasteless account of his conception. A creepy score and Russell's sure grasp of the skewed logic of nightmares helps to sustain the ambiguity between the 'real' and 'dream' worlds, while Englund's Freddie now fits like a glove.- Time Out London
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Reviewed by
Trevor Johnston
Yamada’s creative direction shows a filmmaker with a distinctive way of looking at the world, following in the footsteps of other maverick Japanese talents like Ozu, Kitano and Miyazaki. Yep, she’s that good.- Time Out London
- Posted Mar 30, 2017
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Four bombed-out astronauts journey endlessly through the galaxy, whiling away the time with jokes, sunlamp treatment, personal diaries on videotape, and games with their own pet alien. Sheer delight.- Time Out London
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Reviewed by
Dave Calhoun
In what is surely his finest hour, Tom Hardy plays both brothers. Much more than a gimmick, it’s like watching one side of a mind wrestle with the other – literally, in one explosive, fun-to-unpick fight scene.- Time Out London
- Posted Sep 3, 2015
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Dave Calhoun
If anything, this doc reminds you that all relationships are strange, hopeful experiments in intimacy. And it’s that same hope the filmmakers lend to Dina and Scott’s story: you find yourself willing them along, wanting their marriage to work. You end up feeling honoured to have shared these special moments with them.- Time Out London
- Posted Oct 18, 2017
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Reviewed by
Anna Smith
A startling movie, I Am Not a Witch is many things. It’s a magic realist fable set in present-day Zambia that has plenty to say about gender and superstition. It’s also a satire, a tragedy and a comedy. And, impressively, debut writer-director Rungano Nyoni makes this heady mix work.- Time Out London
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- Time Out London
- Posted Jan 21, 2014
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Reviewed by
Dave Calhoun
It’s full of sharp dialogue and entertaining characters and fuelled by a wryly enlightened view of our world and how it can be at once cruel and caring. For a story built on such dark foundations, it’s weirdly reassuring. It’s also enormous fun.- Time Out London
- Posted Sep 9, 2017
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I’m So Excited is the closest Almodóvar has come in years to early romps like ‘Labyrinth’, ‘Pepi, Luci, Bom’ and ‘What Have I Done to Deserve This?’- Time Out London
- Posted May 3, 2013
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Reviewed by
Dave Calhoun
Scarecrow’ feels like an existential fairytale squarely rooted in the reality of America’s fraying backroads and small towns. It’s all a little rambling and anarchic, but later scenes in a jail have real bite. And when the sadness behind Lion’s smile is revealed, it’s also genuinely moving.- Time Out London
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Cath Clarke
It’s a film with the texture and truth of life, and at its heart is a beautiful performance by Cliff Curtis, who never in a million years will be nominated for an Oscar, but deserves one.- Time Out London
- Posted Nov 13, 2015
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Tom Huddleston
These young women have already witnessed enough horror to last a lifetime, and in this unforgiving society their lot seems unlikely to improve. A grim but necessary watch.- Time Out London
- Posted Jan 17, 2017
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Reviewed by
Tom Huddleston
The overall impression is one of unbridled enthusiasm on the part of the film’s makers, both for its predecessors and for the brave new universe Abrams and his crew are exploring.- Time Out London
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Cath Clarke
Thorncroft is a gem of comedy creation – played to perfection by Barratt.- Time Out London
- Posted May 12, 2017
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True to the spirit of the title, writer-director Lee organises the sprawling mess of Mija’s personal life with the control and grace of a master, each digression and seemingly arbitrary encounter all building upon his elderly protagonist’s spiralling sense of distress.- Time Out London
- Posted Dec 14, 2016
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Moonraker is mercifully much better than recent Bondage, with fantastic special effects, some excellent buffery (cracks at Star Wars, Close Encounters, Clint Eastwood, to name but a few), and the usual location-hopping style that makes Versailles feel like Disneyland.- Time Out London
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Reviewed by
Trevor Johnston
The film’s unwillingness to judge either the decent yet doubt-wracked pastor, or the damaged souls seeking a new start, effectively draws us in to a whole cluster of gnarly dilemmas, where humane intentions prove counter-productive and the truth only makes matters worse.- Time Out London
- Posted Oct 28, 2014
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Reviewed by
Geoff Andrew
Too full of incident to reflect a typical night in reality, it's nevertheless funny, perceptive, pepped up by a great soundtrack, and also something of a text-book lesson in parallel editing as it follows a multitude of adolescents through their various adventures with sex, booze, music and cars.- Time Out London
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Tom Huddleston
Low key and occasionally frustrating it may be, but Computer Chess is a supremely intelligent, beautifully constructed film, interweaving comedy and character, satire and subtext, and loaded with more ideas than some filmmakers manage in a lifetime.- Time Out London
- Posted Nov 19, 2013
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Trevor Johnston
A somewhat dour, slightly clenched viewing experience perhaps, but delivered with admirable insight, control, and nuanced subtlety by all concerned. It stays in the mind long afterwards.- Time Out London
- Posted May 8, 2017
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Trevor Johnston
This dizzying, courageous, utterly humane and slightly unhinged film is a unique achievement.- Time Out London
- Posted Aug 6, 2015
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This captivating drama exists on another level: the devastating ending left me sobbing.- Time Out London
- Posted Jun 28, 2017
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Reviewed by
Cath Clarke
The whole thing goes down with a few bucketloads of sugar. What keeps it from becoming sticky schmaltz is Thompson, who plays Travers with wit and warmth, adding a spoonful of spoilt child to help the battleaxe go down.- Time Out London
- Posted Nov 26, 2013
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Tom Huddleston
A nagging sense of incompleteness means that Civil War isn’t quite as satisfying as the first ‘Avengers’ (it’s all building up to the ‘Infinity War’ two-parter in 2018). But overall, this is Marvel at their best: a pacey, intelligent super-sized blockbuster and a roaringly fun night out.- Time Out London
- Posted Apr 21, 2016
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Reviewed by
Trevor Johnston
Even after The Hurt Locker and Zero Dark Thirty, this brings us chillingly closer to the real story of the post-Iraq shitstorm.- Time Out London
- Posted Nov 26, 2013
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Tom Huddleston
As a portrait of power gained and lost, of unchecked self-absorption and what drives people like Assange to do what they do, it’s absolutely fascinating. Watching it feels like history unfolding in close-up.- Time Out London
- Posted Jun 28, 2017
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Trevor Johnston
Some accuse the filmmaker of being just like the politicians who turn up, look around and do nothing. It adds a confrontational edge to the film’s already startling combination of immersive aesthetics and humane empathy.- Time Out London
- Posted Aug 9, 2017
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Reviewed by
Cath Clarke
If you’re the person who watches weepies with a cynical curl of the lip, this isn’t the film for you. Everyone else, prepare to have your heartstrings plucked.- Time Out London
- Posted Sep 17, 2016
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The plot, concerning the battle of wits between an honest cop and an ambitious politician for possession of the key witness in a Mafia exposé, is serviceable but nothing special. But the action sequences are brilliant, done without trickery in real locations (including a great car chase which spawned a thousand imitations) to lend an extraordinary sense of immediacy to the shenanigans and gunfights.- Time Out London
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The cautious chemistry between the three characters means the atmosphere is never less than taut, and it provides the perfect launchpad for a tense, poignant finale that marks Fingleton out as a name to watch.- Time Out London
- Posted Apr 21, 2017
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