A nagging sense of incompleteness means that Civil War isn’t quite as satisfying as the first ‘Avengers’ (it’s all building up to the ‘Infinity War’ two-parter in 2018). But overall, this is Marvel at their best: a pacey, intelligent super-sized blockbuster and a roaringly fun night out.

There are some gorgeous comic touches.

What you take from Miss Violence depends both on your stomach for this kind of brutality, and whether you appreciate its cold, mannered formalism – one viewer’s stylistic tour de force is another’s grating Haneke pastiche. Still, this is punchy stuff.

Ignore the ridiculous [spoiler omitted] ending of this film, and you have a much more fatalistic exercise in which Coppola eschews easy laughs in favour of the exposure of feeling and the fact that these people's lives, however empty, matter to them. Turner is in the Oscar class.

A ferociously paced, wildly silly pastiche of those comic-book blockbusters we’re all getting a bit sick of.

You forget how limited so many movies’ ideas of women are until Amy Schumer launches into an extended tampon joke: nothing is off-limits as she kapows through expectations of female characters.

It’s most fascinating when dealing with the fallout from her divorce from first husband Petter Lindstrom and very public affair with director Roberto Rosselini – a reminder of how much gossip, scandal and public opinion were at the heart of Hollywood long before Twitter.

The creature effects are charming.... But the pig-chasing antics and cartoonish corporate nastiness that dominate much of the film become seriously grating.

Rogue Nation is an uneven film.

Overall this is a terrifically watchable, heartfelt documentary and a valuable glimpse into a singular life.

It's stunningly beautiful, mesmerising, exhausting, uplifting, amazing - all the things you could possibly expect from a masterpiece.

It's an endearingly loopy, occasionally half-cooked but always ambitious film.

This tense New York drama from the co-directors of Bee Season and The Deep End is sensitive and almost unwatchably perceptive about dysfunctional families – and it’s acted with knife-sharp precision.

It’s a small, successful sketch of now-great lives.

At once compassionate, engrossing from start to finish, and utterly relevant.

Even just watching this impressive documentary, you feel a little unhinged by the scale of suffering.

Against a backdrop of tensions between French and Flemish speakers, this is a forceful presentation of social divisions and the urgent need for change from within.

Low key and occasionally frustrating it may be, but Computer Chess is a supremely intelligent, beautifully constructed film, interweaving comedy and character, satire and subtext, and loaded with more ideas than some filmmakers manage in a lifetime.

Hogg displays a welcome desire to draw on global film influences and ignore the unwritten rules of what British cinema should or should not seek to achieve, especially in the realm of films about the monied and unsympathetic.

Rush is fast, slippery, stormy and dangerous.

‘Bodies’ gets under your skin and stays there. And the gospel handclapping soundtrack feels like it’s drawing you into a dream.

Ultimately, the film amounts to little more than a consummate study of suspense technique, all dressed up with nowhere to go.

His film is the product of tough-love, arresting, unexpected and worth your time.

It’s a bold, beautiful cosmic adventure story with a touch of the surreal and the dreamlike, and yet it always feels grounded in its own deadly serious reality.

Despite the film's conspicuously minuscule budget and shaky narrative structure, it is funny. If you value enthusiasm and imagination more than glossy sophistication, you'll laugh.

What makes The New Girlfriend special is that is has something to say about sexuality (feminine, masculine, gay, straight, and everything in between – it’s complicated).

Far from Men is a character study — a two-hander expertly acted by Mortensen and Kateb (best known for the terrific French cop show Spiral).

There is one lovely character, though - Orville the albatross, who runs an airline service armed with goggles, scarf, and a sardine tin for his passengers to sit in.