The Wrap's Scores

  • TV
For 256 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average TV Show review score: 66
Highest review score: 100 All The Way (2016)
Lowest review score: 10 Bad Judge: Season 1
Score distribution:
  1. Mixed: 0 out of 159
  2. Negative: 0 out of 159
159 tv reviews
  1. A compulsively compelling series that grows richer and more emotionally nuanced as it gains momentum, The Man in the High Castle milks its provocative what-if premise for plenty of smart suspense and subtle shading.
  2. Despite the 17 years that have passed since the end of “Mr. Show,” the format still works and the guys are still funny, despite not doing much to get with the times.
  3. It’s a unique blend with four very distinct but compelling stories, proving there’s plenty of drama to be mined from real life. It doesn’t hurt that each of the actors is perfectly cast in his or her role, driving home the beautifully written scenes that often pose pertinent and universally relatable questions.
  4. From one episode to the next, it’s always a bit of a surprise which character will become the story’s central figure, the writers seemingly able to make any of its dramatic players utterly gripping.
  5. The fact that so much of the show relies on Oliver means he bears the burden of getting the tone exactly right. And right now, he's a little more angry than funny.
  6. Writer and creator Julian Fellowes provides a sweet parting gift, indulging fans with closure on so many dangling storylines, while offering fiery and long-overdue exchanges between some of the most popular characters.... His ensemble of actors is equally generous, each giving such steadfast performances in these last episodes of the award-winning series.
  7. While Frank may not be as wily as he once was, he’s still not someone you want to cross. Departing showrunner Beau Willimon is proving that while he’s leaving the show after this season, he’s leaving with a bang.
  8. There is a lot to love about Masterpiece: Indian Summers on PBS. The nine-part historical drama is beautifully shot and costumed, culturally inclusive and sensual. But the best part about the soapy series is star Julie Walters.
  9. House of Cards has traded in the fun of watching Frank shuck and jive in exchange for accomplishing his long game, which isn’t as fun as watching all the manipulative plays go down on each episode. In certain ways, Frank and Claire are being forced to grow up and have grownup jobs to prove it.
  10. Smart, sincere and punctuated by four-letter obscenities in the way Burr’s stand-up routine is.
  11. Despite first impressions that can feel one-note, all the characters turn out to be complicated and intriguing.
  12. Fresh off the Boat has soul, flavor and an incredible cast. Time will tell if the comedy finds the audience it richly deserves.
  13. Liza’s wonderfully written interactions with each of these characters, especially the women, will undoubtedly draw you in and keep you watching.
  14. The production managed to capture the overall cheesy tone present in the original while moving through the many numbers with lightning speed. The three hours flew by quicker than expected at the outset thanks to giggle-worthy moments and fun numbers, with things really picking up in terms of overall entertainment and production value at the two-hour mark.
  15. An intriguing debut is marred by silly missteps, rough dialogue.
  16. The show doles out morsels of information slowly, like a trail of bread crumbs, which makes for a satisfying viewing experience and feeds your curiosity while making you question other aspects even more.
  17. Underground celebrates the small, exceptional group of black and white heroes who risked it all for the sake of freedom. And it’s that story, the amazing cast and the historically accurate writing behind the drama that make this series worth the investment.
  18. Show creator Rob Thomas‘ touch on iZombie is a marriage of his tenacious super-sleuth “Veronica Mars” and his irrepressible love god “Cupid” (remember that 2009 Jeremy Piven gem?) with just the right mix of sleuthing and snogging.
  19. We're getting the character we knew she was capable of being, with the added layer of new motherhood.... Admittedly, it's too early to declare definitively that Homeland is back, but I will say it's back to being a show I'm looking forward to watching, rather than one that made me angry as it lost its credibility mostly and lost its way completely.
  20. The 8-episode series (only six episodes were made available to critics) mostly succeeds by sheer force of will. The viewers are so bombarded by jokes that something is bound to tickle you eventually-–though truth be told it may take awhile.
  21. God what a good show this is. Who cares who killed who?
  22. While a subplot involving a John Brown-type Synth liberator, Leo (“Merlin’s” Colin Morgan), is a heavy-handed distraction, Humans holds up as a slightly humorous, thought-provoking, creepy piece of sci-fi filled with sympathetic performances and solid writing.
  23. Westworld gives you a lot to consider, and immerses you so completely in its manufactured reality that you’re never distracted from its complicated questions. The best thing I can say about it is that after seeing the first four episodes, I’m very eager for more.
  24. In all, The Flash pilot is an entertaining hour. It doesn't ask for too much of its audience except to sit back and let the new adventure unfold.
  25. Looking is a good show. It will reward viewers who can hang on beyond the first episode and can adapt to its much slower pace and more naturalistic shooting style..... But, Looking will make you work to get there.
  26. In the end, those hate-watchers had little to complain about other than occasional uneven camera angles, a missing Toto (he disappeared after the first scene) and the long three-hour running time; strong performances, fun dialogue and dazzling numbers rounded out an overall solid outing this time around.
  27. In season three, it’s clear the complex web of relationships will deepen and tangle even further. The show’s writers continue to craft the story with expert care, giving each character moments to shine. Masters of Sex continues to be a Sunday TV must.
  28. Despite the occasional creakiness and lapses into melodrama Downton Abbey remains a show to watch, notable for its dreamy production values and the real depth of feeling it portrays between the classes.
  29. Agent Carter hits the screen a much more confident show than “Agents of S.H.I.E.L.D.” did last season. This is a show with a clear vision, a powerful acting ensemble, and the perfect Marvel blend of action, excitement, pathos and humor.... [It is] easily one of the most entertaining premieres of the season.
  30. At times Famuyiwa is so concerned with including the myriad supporting players that the film can be more of a competent procedural than a riveting, insightful exploration of a crucial moment in American politics. But those worries are mostly tempered by the slow reveal of the film’s true agenda.

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