The Wire's Scores

  • Music
For 2,879 reviews, this publication has graded:
  • 51% higher than the average critic
  • 7% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 SMiLE
Lowest review score: 10 Amazing Grace
Score distribution:
2879 music reviews
    • 80 Metascore
    • 80 Critic Score
    [Bachman] offers a pretty good idea of where he's coming from. If it sometimes feels like the stream of America pimitivist fingerpicking artists is neverending, Bachman does at least apply his digits to a variety of instruments. [May 2015, p.56]
    • The Wire
    • 77 Metascore
    • 60 Critic Score
    If anything, it sounds over-finessed at times, the slick mixing resisting the rawness and density that is the album's most vital quality--the duo is at their best when the few fragments of eclectic prettiness get swamped in cacophony. [May 2015, p.58]
    • The Wire
    • 84 Metascore
    • 80 Critic Score
    Much thought has gone into the arrangements and programming, and that provides surprises as well as variety, but the consistent bottom line is respect for the songs, which is surely the best way to pay tribute to Collins herself. [May 2015, p.52]
    • The Wire
    • 80 Metascore
    • 80 Critic Score
    Where the 1982 take was hollow and grating, the gaps and silences gradually roaring with accumulating noise, this version is euphoric and transparent. [Jun 2014, p.42]
    • The Wire
    • 74 Metascore
    • 50 Critic Score
    Boosie's attempts to remain commercially relevant in today's rap climate, however, makes the album a diluted draught of medicine and mediocre chart fodder. [Jul 2015, p.57]
    • The Wire
    • 80 Metascore
    • 80 Critic Score
    Their latest effort, All Tense Now Lax, impresses both for the nuances of its industrial abstractions as well as how vigorously it avoids recognisable styles. [Jul 2015, p.48]
    • The Wire
    • 80 Metascore
    • 80 Critic Score
    Sonnet isn't as compelling as Hymnal, with its fine balance between abstraction and form, but it's an illustration of Meluch's abilities as a skilled purveyor of rural psychedelia. [Jun 2015, p.52]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    Sauna Youth are a tight unit, their constituent parts meshing into a formidable wall of sound, but it might be an idea to lose a member or two, subtract an element and make space for uncertainty. [Jun 2015, p.52]
    • The Wire
    • 77 Metascore
    • 70 Critic Score
    His voice is better suited to confiding, but it's slapped on top rather than properly featured, and this seems symptomatic of the muddy arranging, But the aim is to swagger and excite, and the group's ragged fervour is not in doubt. [Jun 2015, p.50]
    • The Wire
    • 78 Metascore
    • 70 Critic Score
    Toure's tone is richly sonorous, his vocal strength such that he actually buttresses and strengthens the tracks... It's a great shame that the sound quality falters on the later tracks. [Jul 2015, p.58]
    • The Wire
    • 88 Metascore
    • 80 Critic Score
    The album is imbued with the expectant, febrile energy that comes with having forged ahead into unknown spaces with out the means or desire to backpedal. [Jul 2015, p.58]
    • The Wire
    • 80 Metascore
    • 80 Critic Score
    Oddisee is a hyper-eloquent, charismatic rapper, and this album is buoyed with lyrical wit and lush instrumentation. [Jul 2015, p.57]
    • The Wire
    • 81 Metascore
    • 80 Critic Score
    So many groups enthused by punk's initial promise have done little more than dance around in its corpse. Sleaford Mods have managed to animate its ghost. [Jul 2015, p.52]
    • The Wire
    • 75 Metascore
    • 80 Critic Score
    Again and again the same transition is repeated, as the album slips between the utopian and the real. [Jul 2015, p.49]
    • The Wire
    • 76 Metascore
    • 80 Critic Score
    It feels like a resumption of a music that has been going on uninterrupted, in private, like it was music playing itself forever. [Jul 2015, p.48]
    • The Wire
    • 87 Metascore
    • 80 Critic Score
    Each artist has taken her songs on their own terms, with out grandstanding, and this approach has yielded some inspired performances. [Jul 2015, p.46]
    • The Wire
    • 78 Metascore
    • 80 Critic Score
    Everyone Was A Bird is a lot more than a pictorial guide set to music. [Jun 2015, p.46]
    • The Wire
    • 79 Metascore
    • 80 Critic Score
    Baird's mixture of history-steeped elements keeps her songs from being tethered to any given time period, including the present, which makes them apt vehicles for words about relationships fraught with uncertainty. [Jun 2015, p.42]
    • The Wire
    • 69 Metascore
    • 80 Critic Score
    An album whose sustained brilliance reveals both an artist liberated from the need to try too hard, and finally armed with more to express than sarcastic teenage angst. [Jun 2015, p.55]
    • The Wire
    • 71 Metascore
    • 60 Critic Score
    They're indubitably human this time around. [Jun 2015, p.54]
    • The Wire
    • 79 Metascore
    • 80 Critic Score
    Sol Invictus is a looser, more relaxed record than its predecessors, occasionally dropping into a lounge ballad mode that suits Patton's vocals. [Jun 2015, p.52]
    • The Wire
    • 73 Metascore
    • 50 Critic Score
    His latest disc is only occasionally compelling. [Jun 2015, p.50]
    • The Wire
    • 86 Metascore
    • 80 Critic Score
    The album's so-called simple songs might be ambiguous enough to leave you wondering what they're about, even as you're thinking that they were written just for you. [Jun 2015, p.49]
    • The Wire
    • 78 Metascore
    • 80 Critic Score
    A warmer, more deeply hued record than previous productions. [Jun 2015, p.49]
    • The Wire
    • 68 Metascore
    • 50 Critic Score
    The atmosphere is underwrought, miserable, monochrome. [Jun 2015, p.46]
    • The Wire
    • 74 Metascore
    • 80 Critic Score
    The Clearing isn't a work of artfully suspended melancholy which leaves the listener wanting and wondering00it gestures ahead toward comfort and resolution. [Jun 2015, p.48]
    • The Wire
    • 70 Metascore
    • 60 Critic Score
    Cave and Ellis have created a brave and fittingly incongruous score. As a standalone album, however, it doesn't walk so tall. [Jun 2015, p.45]
    • The Wire
    • 79 Metascore
    • 80 Critic Score
    Out of a dangerous, pitfall-laden area of song, she makes a variety of riches. [Jun 2015, p.48]
    • The Wire
    • 84 Metascore
    • 80 Critic Score
    Dean McPhee's guitar sound is both richly textured and strikingly direct. [Apr 2015, p.63]
    • The Wire
    • 83 Metascore
    • 80 Critic Score
    His drumming combines an organic sense of living pulse, but preserves a precision and sparseness that pulls it back to the rock-tick of motorik. [Apr 2015, p.63]
    • The Wire