The Wire's Scores

  • Music
For 2,879 reviews, this publication has graded:
  • 51% higher than the average critic
  • 7% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 SMiLE
Lowest review score: 10 Amazing Grace
Score distribution:
2879 music reviews
    • 82 Metascore
    • 80 Critic Score
    No One Deserves Happiness alternates between bleak and industrialised grindcore and a powerful poetic presence that effectively conveys a sense of loss. [Apr 2016, p.46]
    • The Wire
    • 77 Metascore
    • 80 Critic Score
    Anenon's third album represents a confident shift in gear. [Apr 2016, p.46]
    • The Wire
    • 79 Metascore
    • 70 Critic Score
    The way Baird and Jones mix room tone with the intruding outdoors invites consideration of human impermanence, but the sweet affection that Jones's melodies impart wards off the blues. [Mar 2016, p.54]
    • The Wire
    • 79 Metascore
    • 80 Critic Score
    Arcology is dense, detailed and melodic. [Mar 2016, p.51]
    • The Wire
    • 77 Metascore
    • 70 Critic Score
    Oldham's rewriting of his own songs sometimes turns into a queasy compulsion.... There are some stunning revisions in this collection. [Mar 2016, p.62]
    • The Wire
    • 69 Metascore
    • 80 Critic Score
    The music works on its own--laser-sharp, energetic and gloriously fun. [Mar 2016, p.55]
    • The Wire
    • 76 Metascore
    • 80 Critic Score
    Finland's anti-band continue their primal journey along intergalactic motorik highways, shifting toward more popular dimensions but without losing any intensity, energy or theatrics. [Mar 2016, p.55]
    • The Wire
    • 84 Metascore
    • 70 Critic Score
    His long awaited first album polishes up the summer sounds for a new crowd and, even if it's not visionary, his electro-pop grooves still go somewhere. [Mar 2016, p.55]
    • The Wire
    • 76 Metascore
    • 50 Critic Score
    It's only when that rhythm programming is either stripped right back or broken apart that you get a sense of overabundant glee in playing with the blurts and splurts of the synth timbres, and this feels like more than the generic, albeit impeccably executed IDM record that the title rightly suggests. [Mar 2016, p.53]
    • The Wire
    • 83 Metascore
    • 80 Critic Score
    This is music for pleasure now. [Mar 2016, p.49]
    • The Wire
    • 77 Metascore
    • 80 Critic Score
    Despite the unorthodox weaving of disparate threads of material in evidence, there is harmony and majesty here, commensurate with the awe-inspiring scale of Inarritu's film. [Mar 2016, p.48]
    • The Wire
    • 84 Metascore
    • 80 Critic Score
    A poised and playful opus of 11 tracks dominated byt the sound of maxed-out 1980s 8-bit videogame soundtracks zapped 300 years into the future. [Mar 2016, p.47]
    • The Wire
    • 67 Metascore
    • 50 Critic Score
    The momentum doesn't dip through the sunny but sinister celebration of "T-Shirt Weather In The Manor," Kano's rapid flow over electronic rowdiness on "new Banger" and the stunning dancefloor swagger of "3 Wheel Ups."... The album peters out after that. [Mar 2016, p.46]
    • The Wire
    • 80 Metascore
    • 80 Critic Score
    The guitar duels still give plenty of heat and smoke, but they're more smouldering and linear than Comets' intemperate explosions. [Mar 2016, p.46]
    • The Wire
    • 72 Metascore
    • 70 Critic Score
    The production throughout is a heavy slurry of deep bass and wavering, churchical keys, and songs that are not explicitly about his medical troubles are about the perennial problems of untrue friends and false lovers. [Mar 2016, p.42]
    • The Wire
    • 73 Metascore
    • 70 Critic Score
    There are moments of serene beauty, like "Oubliette" and the seductive gondola romance of "Fragmentation," but the album's action scenes feel glossy and detached, picturesque rather than visceral. [Mar 2016, p.42]
    • The Wire
    • 82 Metascore
    • 70 Critic Score
    These eight tracks feel like a consolidation of his practices, interspersing sombre classical suites with footwork-indebted rhythms that flicker like distant pulsars. [Jan 2016, p.69]
    • The Wire
    • 69 Metascore
    • 50 Critic Score
    An album remarkable only for just how bland it gets, despite every effort to the contrary. [Feb 2016, p.60]
    • The Wire
    • 71 Metascore
    • 80 Critic Score
    Sometimes he might repeat tricks, but his is a freedom few will ever know. [Feb 2016, p.60]
    • The Wire
    • 77 Metascore
    • 80 Critic Score
    A lovely collection full of ethereal evocations of the past. [Feb 2016, p.60]
    • The Wire
    • 71 Metascore
    • 60 Critic Score
    Likeable but fairly forgettable listen. [Feb 2016, p.57]
    • The Wire
    • 76 Metascore
    • 70 Critic Score
    The expanded bag of references and methods that he draws from on The Rarity Of Experience indicates that Forsyth and company aren't settling for what they know they can do, but using it as a starting point to figure out where to go next. [Feb 2016, p.50]
    • The Wire
    • 82 Metascore
    • 80 Critic Score
    On The Gospel, they're at their weirdest and best. [Feb 2016, p.48]
    • The Wire
    • 78 Metascore
    • 90 Critic Score
    A conceptually intriguing and emotionally powerful masterpiece based around the antihero of the title. [Feb 2016, p.59]
    • The Wire
    • 71 Metascore
    • 70 Critic Score
    Is it fun? Well, yes, even if it does end up sounding like 15 different musical assemblages from an equal number of historical periods playing at once. [Feb 2016, p.59]
    • The Wire
    • 75 Metascore
    • 70 Critic Score
    On the third album by Bishop's trio with drummer Chris Corsano and guitarist Ben Chasny, the [Middle Eastern] influence is more explicit than ever.... "Spiro Agnew" brings the intercultural connection full circle, with an extravagant strut that calls to mind the grand drama that Turkish guitar hero and pioneer of saz rock Erkin Koray brought to his fuzzed out interpretations of lachrymose Arabesque ballads. [Feb 2016, p.58]
    • The Wire
    • 85 Metascore
    • 80 Critic Score
    It's an unlikely triumph of personality, a glacially slow decay of his icy facade revealing an earnest dedication to his craft, in its own way every bit as spiritual as his brother's more orthodox practice. [Feb 2016, p.56]
    • The Wire
    • 53 Metascore
    • 50 Critic Score
    Phase One impresses more on first listen [than Phase Two].... But it wears thin quickly. [Feb 2016, p.54]
    • The Wire
    • 63 Metascore
    • 40 Critic Score
    Even in the midst of the fairly wretched Phase Two there are gems but you sure have to dig for them. [Feb 2016, p.54]
    • The Wire
    • 87 Metascore
    • 80 Critic Score
    It is a fine, unnerving album. [Mar 2016, p.45]
    • The Wire