The Skinny's Scores

  • Music
For 1,576 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Aa
Lowest review score: 20 Heartworms
Score distribution:
  1. Negative: 5 out of 1576
1576 music reviews
    • 56 Metascore
    • 40 Critic Score
    For an indie record, Open Book does what it does well, and with charm, but there’s an unshakeable sense of wasted potential here.
    • 56 Metascore
    • 80 Critic Score
    An indelible soundtrack of intelligent and bittersweet beauty.
    • 56 Metascore
    • 40 Critic Score
    In what should have been a return to form for Lupe Fiasco, Drogas Light falls short, instead feeling too rushed and confused to make for any kind of anticipation for the rest of the trilogy that is still to come.
    • 56 Metascore
    • 60 Critic Score
    Some tracks, like Pretty Good WiFi, fail to hit the spot leaving the singer somewhat exposed at times. Still, with his parent band said to be writing album number four, it won’t hurt to add another string to the bow.
    • 55 Metascore
    • 40 Critic Score
    Hard-partying techno heads will love the anxiety-inducing tone of Operator; others may see this as a missed opportunity, after a regenerative five-year hiatus, for MSTRKRFT to explore creative nuance over noise.
    • 55 Metascore
    • 40 Critic Score
    JT’s smug family life is the single thread uniting this 16-track jumble of songs that swing between batshit and bland, and romance comes in two forms: soppy odes, or sloppy humblebrags about shagging.
    • 55 Metascore
    • 40 Critic Score
    The best tracks here are those which delve into the power ballads that we know Lavigne can produce so effectively. But other than the album's self-titled lead single and It Was In Me, with soaring orchestrals and subtle keys paving the way for her lung-bursting croons, it feels much like a lost Lavigne seeking a sound that’ll just keep her afloat.
    • 55 Metascore
    • 40 Critic Score
    Lead track The Love Within opens the record and remains a bizarre mess; Kele Okereke's distinct vocal parting for a mostly one-note synth line that causes a genuine flinch. All is perhaps not lost: Fortress is a somewhat pretty, minimal electro ballad while Different Drugs speaks for the entire record; flirting with a series of ideas before simply fading out of sight and mind. We expected so much more.
    • 54 Metascore
    • 40 Critic Score
    The RATM members still manage to stir genuine, potentially powerful emotions, but the tracks never get too far before ruinous effects, puerile 'all right' choruses, and chiming end rhymes cause them to collapse.