The A.V. Club's Scores

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For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,574 out of 10419
  2. Mixed: 3,737 out of 10419
  3. Negative: 1,108 out of 10419
10419 movie reviews
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  1. Raising Helen
    The strange thing about Raising Helen is that nothing out of the ordinary ever really happens.
  2. My Mother Likes Women
    Zips along on smooth formula plotting and some energetic performances, but its farcical elements have the tepid rhythm of a bad situation comedy, with silly misunderstandings and embarrassing moments that could have easily been avoided.
  3. Stateside
    A mess.
  4. Love Me If You Dare
    The film's attempts at meaning do it in. The longer it goes on and the darker it grows, the further it drifts from any kind of human experience, outside of its protagonists' particular flavor of madness.
  5. Control Room
    Remarkable and timely film.
  6. S21: The Khmer Rouge Death Machine
    A harrowing, unblinking look at the crimes committed by the Khmer Rouge, the genocidal regime that by some accounts killed off more than a quarter of Cambodia's population between 1975 and 1979.
  7. Shrek 2
    The lovable characters remain, but they never do much of interest in a sequel that's safely above average but superfluous.
  8. With All Deliberate Speed
    At once inspirational and deeply depressing, With All Deliberate Speed, directed by "Hoop Dreams" producer Peter Gilbert, is too candid and forthright about the current state of race relations to allow for the sort of cheery, unambiguous uplift favored by civil-rights documentaries.
  9. Carandiru
    Babenco's hard work is undercut by his squarely theatrical notion of realism: Specifically, how did the touring company for "West Side Story" wind up in such an awful spot?
  10. Breakin' All the Rules
    Written and directed by Daniel Taplitz, Breakin' has a hard time building up steam and an even harder time distinguishing itself from any number of UPN sitcoms.
  11. A Slipping-Down Life
    The two leads help create an atmosphere of quiet surety, but they can't elevate the film beyond its self-imposed smallness.
  12. Strayed
    Strayed moves forward with an absorbing ruthlessness, yet without sacrificing those tiny incidental details that lend it singularity and power.
  13. Springtime in a Small Town
    Has the suffocating intensity of great chamber drama.
  14. Coffee and Cigarettes
    As the film goes along, themes and even lines of dialogue resurface, and Jarmusch's comic sensibilities grow more assured.
  15. Troy
    Troy does look good--so good, in fact, that it takes a while to reveal itself as a thundering dud with much action but little personality, human drama, or brains.
  16. The Mudge Boy
    An auspicious debut for writer-director Michael Burke, the film makes a superb actor's showcase for Hirsch as well as Guiry.
  17. Godzilla
    Why it works is anyone's guess. It's fair to argue--and the film makes this argument itself, with no great subtlety--that Godzilla embodies Japan's nuclear anxieties in the aftermath of Hiroshima and Nagasaki.
  18. Valentin
    It takes mere seconds for every charming moment to go from "Ahhh..." to "Aarrggh!"
  19. Oasis
    In a sense, Oasis is an unabashed tearjerker, but Lee keeps knocking the melodrama off-balance, making all the big emotional payoffs a little discomforting, because they're not that far removed from something really disturbing.
  20. Super Size Me
    Spurlock's film proves yet again that the phrase "crowd-pleasing documentary" doesn't have to be an oxymoron.
  21. Van Helsing
    A work of staggering stupidity.
  22. Seeing Other People
    Eventually finds its rhythm with late flashes of dark humor and bedroom hijinks, but it takes too much time to get there.
  23. New York Minute
    An unabashedly pop confection, but it's flat where it should fizz, lumbering when it should skip.
  24. Superstar in a Housedress
    Plays like a 90-minute wake, albeit a warm and humorous one.
  25. Laws of Attraction
    Moore works to feign vitality where none exists, but that just makes it even more embarrassing to watch her writhe around fruitlessly in the most thankless and ill-fitting of roles.
  26. Since Otar Left
    Julie Bertucelli spends part of the film letting her characters worry whether they've made the right choice, but mostly contents herself with capturing a place where hard choices have become unavoidable. Though her decision to pace the film to Gorintin's old-lady rhythms sometimes kills the dramatic momentum, in the end it's time well spent.
  27. Godsend
    It mostly serves as a warning to stay away from future films involving director Nick Hamm and screenwriter Mark Bomback.
  28. Envy
    In short, every element suggests Envy ought to be amusing, but the only comparably disastrous movie in recent memory involves Ben Affleck, Jennifer Lopez, and a rapping retarded man.
  29. Bobby Jones: Stroke of Genius
    Duller than a rain delay on the Golf Channel.
  30. The Saddest Music in the World
    Maddin films have a higher rate of invention per frame than the majority of his peers can muster.
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