The A.V. Club's Scores

For 10,435 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10435 movie reviews
  1. In many ways, Fugitive Pieces is a beautiful film. But it's a bit TOO beautiful.
  2. What do you call it when someone pulls a gender reversal on someone else's movie? If that movie is "My Best Friend's Wedding," you call it Made Of Honor.
  3. Has its moments of wonder and beauty, but the film is obscure by design, and meant to appeal to those who favor the alternative canon of directing greats: the one that includes the likes of Alejandro Jodorowsky, David Lynch, Crispin Glover, John Cassavetes, Claire Denis, Abel Ferrara, and Vincent Gallo.
  4. The film unravels a bit in the last few moments, amid unanswered story questions and a simplistic climax, but until that moment, Redbelt is Mamet's richest film of the decade.
  5. The shooting of the movie-within-a-movie offers the brightest moments in Son Of Rambow, a testament to the innocence of the boys' creative impulse and the sheer unlikely pleasure of their friendship.
  6. Biller obviously feels for these plywood people she's created. She surrounds them with rich color and eye-popping décor, and fills them with the awareness that as awkward as their sex games may be, they may one day miss what they stood for.
  7. It's not without laughs--Poehler and Fey, as ever, have strong chemistry, and there's a truly bizarre scene in which Martin offers Fey a strange "reward" for a job well done--but there's a lot of arid space between them.
  8. The dynamic between Jackman and McGregor bears an uncanny resemblance to that of Aaron Eckhart and Matt Malloy from "In The Company Of Men": the cool, suave, experienced philosopher of excess and his weaker, more earnest pupil.
  9. The big payoff, of course, is Neil Patrick Harris reprising his role as "Neil Patrick Harris."
  10. Roman De Gare's neatest trick is Pinon's performance, which draws out a hitherto unseen leading-man allure.
  11. With Standard Operating Procedure, the Iraq War finally has its Hearts And Minds.
  12. With Midler missing in action much of the time, the film drowns in a sea of thudding earnestness.
  13. Goes from sleepily hypnotic to riveting over the course of 90 minutes.
  14. To think that a semi-major studio financed a production this low-rent and listless is amazing: Since when did MGM start making student films?
  15. There's no question of the mood Puiu means to capture, the sullen anomie of a rootless generation, but too often, he's just spinning his wheels.
  16. Actually, it's pretty much the definition of absurd.
  17. At best, The Forbidden Kingdom counts as an amiable time-waster for kids, but much more should be expected from the momentous union of two kung-fu titans.
  18. Segel has always played more a serial monogamist than a horndog, and his earnest, self-deprecating screen persona graces the film's crudest moments with a kind of innocence.
  19. Perelman's follow-up, The Life Before Her Eyes, finds him clumsily trying to outdo M. Night Shyamalan.
  20. Much like "Crank," it's the guiltiest of guilty pleasures.
  21. While the film's gags don't always jibe with its sincere interviews of Middle Eastern citizens, or its worrisome encounters with the soldiers serving in dangerous territory--the constantly shifting tone provides as many hit bits as misses.
  22. Currently stopping by theaters briefly en route to DVD, the film tries to position Jameson as the next Linnea Quigley, the B-movie queen behind such enduring titles as "Hollywood Chainsaw Hookers" and "Sorority Babes In The Slimeball Bowl-O-Rama."
    • 20 Metascore
    • 0 Critic Score
    Surely there's a more nuanced argument to be made in favor of ID than pinning the old "bad as Hitler" canard on pro-evolution scientists?
  23. As fascinating as Glass often is, it's simultaneously too conventional and not conventional enough.
  24. "May" uses the quirks and well-worn traditions of horse racing as a vehicle to quietly explore idiosyncrasies of the human condition.
  25. There's really nothing much to Prom Night: No twists, no atmosphere, no big Grand Guignol setpieces, not a single moment when it tries to do something novel with the event, the killings, the villain, or the victims. It's a little like going on a tour of the slaughterhouse, where death is meted out with mechanical regularity, but visitors are kept at a safe, PG-13 distance from all the butchering.
  26. After all the actorly fireworks, Street Kings concludes that the LAPD is an institution where even the well-intentioned can't work clean. Okay. What else?
  27. Like few of his filmmaking peers, McCarthy understands and respects the power of quiet, and how a whisper can be as explosive as a shout.
  28. The big reason Chaos Theory doesn't work is that the gears are visibly grinding away, cranking out neat little ironies and life lessons without any liberating surprises.
  29. Dennis Quaid could stand in for Jeff Daniels' similarly toxic snob in "The Squid And The Whale," if only he were a little smarter and a little better-dressed.

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