For 1,641 reviews, this publication has graded:
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46% higher than the average critic
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3% same as the average critic
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51% lower than the average critic
On average, this publication grades 3.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Enys Men | |
|---|---|---|
| Lowest review score: | Book Club: The Next Chapter |
Score distribution:
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Positive: 894 out of 1641
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Mixed: 714 out of 1641
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Negative: 33 out of 1641
1641
movie
reviews
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Reviewed by
Wendy Ide
The beauty of Wham!, a key part of the appeal of the band, came from the perception that they were a self-contained unit, a guaranteed good time seemingly impervious to negativity. And for a while, that was true.- The Observer (UK)
- Posted Jul 5, 2023
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Is Inside Out 2 as memorable as the original? To borrow a word popular with Ennui, “Non!” Is it a must-see? Oui oui.- The Observer (UK)
- Posted Jun 18, 2024
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Charming, elegiac tragicomedy, scripted by playwright James Goldman, about being middle-aged in the Middle Ages. [03 Jan 2010, p.22]- The Observer (UK)
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Reviewed by
Wendy Ide
Jordan is doing double duty here, directing as well as starring in this solidly by-numbers chapter in the ongoing Creed saga. He does a workmanlike job – the fight sequences are thrillingly visceral, but his weakness for cheesy montages and the film’s formulaic screenplay ensure that the picture was never going to take the franchise anywhere new.- The Observer (UK)
- Posted Mar 7, 2023
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Wendy Ide
With its all too timely themes of bullying, corrupt leaders and the demonisation of difference, this is a movie that promises a froth of pink and green escapism but delivers considerably more in the way of depth and darkness.- The Observer (UK)
- Posted Nov 26, 2024
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Simran Hans
Hadjithomas and Joreige thoughtfully explore trauma while remaining joyful, animating Maia’s photos, which fizz, crackle and dance to life on screen.- The Observer (UK)
- Posted Jan 23, 2022
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Wendy Ide
This is a singularly subdued kind of storytelling. Passions run deep, but there’s a reticence in the film-making that makes them feel like a whispered secret in a church pew rather than a grand, soul-baring declaration.- The Observer (UK)
- Posted Jul 26, 2021
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Wendy Ide
Some talk eloquently, some glare at the camera with cagey mistrust. But the point of this worthwhile and frequently fascinating project is that all have the opportunity to be heard.- The Observer (UK)
- Posted Jul 19, 2022
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Wendy Ide
For all its affable charm, there’s something slippery and disingenuous about this film.- The Observer (UK)
- Posted Apr 10, 2023
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Wendy Ide
The latest instalment of John Wick makes an art of pain in a way that is curiously life-affirming.- The Observer (UK)
- Posted May 18, 2019
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Wendy Ide
The camerawork is unnecessarily showy, full of swirls and flourishes, which further distracts from the central story.- The Observer (UK)
- Posted Mar 26, 2019
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- The Observer (UK)
- Posted Aug 22, 2022
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Reviewed by
Mark Kermode
While the result may occasionally get bogged down by dramatic contrivance, it’s generally buoyed up by a pair of likably bickering performances from the two leads.- The Observer (UK)
- Posted Jun 27, 2021
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Simran Hans
Poehler, herself a gifted comedian, doesn’t include her own voice in the film, though we still get a sense of her feminist perspective.- The Observer (UK)
- Posted Apr 5, 2022
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Wendy Ide
Carey Williams’s smart satire of the daily realities of racial profiling is a switchback ride that lurches between comedy and nerve-shredding tension, but loses focus in an extraneous coda.- The Observer (UK)
- Posted May 22, 2022
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Xan Brooks
Funny Pages spins a hilarious tale from the fringes of the underground comics scene, powered by a wonderfully sour performance by Daniel Zolghadri as Robert, a teenage cartoonist who strikes out on his own.- The Observer (UK)
- Posted Sep 20, 2022
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Wendy Ide
Demoustier so supercharges her performance with charisma, she almost seems to sparkle.- The Observer (UK)
- Posted Aug 22, 2022
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Wendy Ide
This French and English-language drama is a film about taking ownership over the end of life; about dying personally and, if necessary, selfishly.- The Observer (UK)
- Posted Jan 21, 2023
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Wendy Ide
This Shrek spin-off is a breezily entertaining DreamWorks animation that harnesses the familiar appeal of the self-aggrandising feline (Antonio Banderas), while also adopting a distinctive and original graphic visual style.- The Observer (UK)
- Posted Feb 17, 2023
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- The Observer (UK)
- Posted Dec 16, 2024
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Wendy Ide
This open-sore autobiography feels like the missing piece in the puzzle of this frequently brilliant, invariably self-jeopardising actor.- The Observer (UK)
- Posted Dec 8, 2019
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Mark Kermode
The result is a spicy nerve-jangler served with a chargrilled side order of jet-black gallows humour – a divine comedy barrelling towards inevitable tragedy, played out in hell’s kitchen where someone is bound to get burned.- The Observer (UK)
- Posted Jan 9, 2022
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Wendy Ide
This thorough and informative documentary, from the team behind RBG, shines a light on a brilliant and uncompromising firebrand who paved the way for generations to come.- The Observer (UK)
- Posted Sep 23, 2021
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Wendy Ide
A terrific Penélope Cruz makes up for the lack of colour with her enjoyably strident turn as Ferrari’s permanently furious wife, Laura.- The Observer (UK)
- Posted Dec 26, 2023
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Mark Kermode
I found this a rewarding and entertaining drama, heavy with the weight of the past, yet buoyed up by the possibilities of the future.- The Observer (UK)
- Posted Feb 14, 2021
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Mark Kermode
While the film may be flawed by some dramatic missteps, it remains buoyed by the surefootedness of Polster’s performance, which is engaging, believable, and wholly sympathetic.- The Observer (UK)
- Posted Mar 18, 2019
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Reviewed by
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- The Observer (UK)
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Denis’s usual panache with mood and imagery doesn’t mitigate that awkwardness, nor does it alter the feeling that, although both leads individually portray impassioned suffering brilliantly, there’s little chemistry between them.- The Observer (UK)
- Posted Sep 10, 2022
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- The Observer (UK)
- Posted Mar 21, 2022
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Low-budget, sci-fi classic, one of the key Hollywood nuclear-angst pictures. [23 Jul 2000, p.10]- The Observer (UK)