The Observer (UK)'s Scores

For 1,641 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Enys Men
Lowest review score: 20 Book Club: The Next Chapter
Score distribution:
1641 movie reviews
  1. The beauty of Wham!, a key part of the appeal of the band, came from the perception that they were a self-contained unit, a guaranteed good time seemingly impervious to negativity. And for a while, that was true.
    • 73 Metascore
    • 80 Critic Score
    Is Inside Out 2 as memorable as the original? To borrow a word popular with Ennui, “Non!” Is it a must-see? Oui oui.
    • 73 Metascore
    • 80 Critic Score
    Charming, elegiac tragicomedy, scripted by playwright James Goldman, about being middle-aged in the Middle Ages. [03 Jan 2010, p.22]
    • The Observer (UK)
  2. Jordan is doing double duty here, directing as well as starring in this solidly by-numbers chapter in the ongoing Creed saga. He does a workmanlike job – the fight sequences are thrillingly visceral, but his weakness for cheesy montages and the film’s formulaic screenplay ensure that the picture was never going to take the franchise anywhere new.
  3. With its all too timely themes of bullying, corrupt leaders and the demonisation of difference, this is a movie that promises a froth of pink and green escapism but delivers considerably more in the way of depth and darkness.
  4. Hadjithomas and Joreige thoughtfully explore trauma while remaining joyful, animating Maia’s photos, which fizz, crackle and dance to life on screen.
  5. This is a singularly subdued kind of storytelling. Passions run deep, but there’s a reticence in the film-making that makes them feel like a whispered secret in a church pew rather than a grand, soul-baring declaration.
  6. Some talk eloquently, some glare at the camera with cagey mistrust. But the point of this worthwhile and frequently fascinating project is that all have the opportunity to be heard.
  7. Air
    For all its affable charm, there’s something slippery and disingenuous about this film.
  8. The latest instalment of John Wick makes an art of pain in a way that is curiously life-affirming.
  9. The camerawork is unnecessarily showy, full of swirls and flourishes, which further distracts from the central story.
  10. [An] impressive and wrenchingly sad documentary.
  11. While the result may occasionally get bogged down by dramatic contrivance, it’s generally buoyed up by a pair of likably bickering performances from the two leads.
  12. Poehler, herself a gifted comedian, doesn’t include her own voice in the film, though we still get a sense of her feminist perspective.
  13. Carey Williams’s smart satire of the daily realities of racial profiling is a switchback ride that lurches between comedy and nerve-shredding tension, but loses focus in an extraneous coda.
  14. Funny Pages spins a hilarious tale from the fringes of the underground comics scene, powered by a wonderfully sour performance by Daniel Zolghadri as Robert, a teenage cartoonist who strikes out on his own.
  15. Demoustier so supercharges her performance with charisma, she almost seems to sparkle.
  16. This French and English-language drama is a film about taking ownership over the end of life; about dying personally and, if necessary, selfishly.
  17. This Shrek spin-off is a breezily entertaining DreamWorks animation that harnesses the familiar appeal of the self-aggrandising feline (Antonio Banderas), while also adopting a distinctive and original graphic visual style.
  18. Essential viewing.
  19. This open-sore autobiography feels like the missing piece in the puzzle of this frequently brilliant, invariably self-jeopardising actor.
  20. The result is a spicy nerve-jangler served with a chargrilled side order of jet-black gallows humour – a divine comedy barrelling towards inevitable tragedy, played out in hell’s kitchen where someone is bound to get burned.
  21. This thorough and informative documentary, from the team behind RBG, shines a light on a brilliant and uncompromising firebrand who paved the way for generations to come.
  22. A terrific Penélope Cruz makes up for the lack of colour with her enjoyably strident turn as Ferrari’s permanently furious wife, Laura.
  23. I found this a rewarding and entertaining drama, heavy with the weight of the past, yet buoyed up by the possibilities of the future.
  24. While the film may be flawed by some dramatic missteps, it remains buoyed by the surefootedness of Polster’s performance, which is engaging, believable, and wholly sympathetic.
    • 73 Metascore
    • 60 Critic Score
    It's flat, unrevealing, but powerfully sincere. [11 Apr 1999, p.6]
    • The Observer (UK)
    • 73 Metascore
    • 60 Critic Score
    Denis’s usual panache with mood and imagery doesn’t mitigate that awkwardness, nor does it alter the feeling that, although both leads individually portray impassioned suffering brilliantly, there’s little chemistry between them.
  25. Basholli understands that healing is possible, even if closure isn’t.
    • 73 Metascore
    • 80 Critic Score
    Low-budget, sci-fi classic, one of the key Hollywood nuclear-angst pictures. [23 Jul 2000, p.10]
    • The Observer (UK)

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