The Observer (UK)'s Scores

For 1,640 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Enys Men
Lowest review score: 20 Book Club: The Next Chapter
Score distribution:
1640 movie reviews
  1. Mya Bollaers is a magnetic presence in this Belgian-French film that approaches the story of an adolescent trans girl and her estranged father with good intentions but a thuddingly unsubtle directorial approach.
  2. Save the Cinema is the kind of plucky underdog feelgood slop that the British film industry churns out on a regular basis, largely to the indifference of audiences.
  3. Letts gives thoughtful context to the way he was able to straddle the racially delineated worlds of dub reggae and punk rock, drawing parallels between the merging of subcultures in 1970s London, and the intersection of hip-hop and rock’n’roll in 1980s New York.
  4. With the help of a couple of outstanding performances from Ziętek and Agnieszka Grochowska, as Jurek’s mother, and its obsessive attention to period detail, the film finally unravels the serpentine coils of corruption.
  5. [An] impressive drama.
  6. The always impressive Spall elevates this low-key mood piece a little, but even his skill as an actor can’t save the stultifying pacing.
  7. Part oral history, part archive, this is a thoroughly researched account of the role of the Lancaster bomber in the second world war. It’s solid, no frills film-making, but that’s entirely appropriate given the sobering stories recounted by surviving members of Bomber Command, now in their 90s.
  8. Using a combination of verité and poetic reconstructions, Fiore paints a sobering portrait of a bright, personable kid whose destiny is preordained.
  9. The decent quality of the animation of this English-language French production is rather let down by some shockingly poor voice performances and a couple of ear-bleeding musical numbers.
  10. It’s dour, certainly, but the sense of bone-tired exhaustion and crushed hope that linger like pipe smoke works rather effectively for this particular case.
  11. This documentary shares Scorsese’s theme of obscene greed, while Kuala Lumpur’s neon nightscape gives the feel of a Batman villain’s origin story. The Penguin, probably.
  12. Allan Brown, a textile artist, speaks eloquently of the rich symbolism of taking something that is a source of pain, stripping it of its sting and, over the years, gradually reshaping and repurposing it into a thing of beauty.
  13. Tim Mackenzie-Smith’s slightly breathless and overstretched documentary aims for a Buena Vista Social Club-style story of late-life rediscovery but gets a little bogged down in a few too many hagiographic quotes from high-profile fans. Still, the music is sublime.
  14. The picture also doubles as a fascinating psychological study of fanaticism, with Poots’s expressive performance unpeeling the layers beneath Dugdale’s fervent belief in her cause.
  15. This is a film that is precision-engineered to hit the commercial sweet spot between extreme-sports mountain-climbing adventure docs such as Free Solo, The Alpinist and Touching the Void and feelgood tales of overcoming adversity. And as such, it works.
  16. Seedily handsome cinematography captures a city full of secrets and simmering violence.
  17. Familiarity doesn’t lessen the impact of this excellent documentary by Peter Middleton, directing solo here, having previously collaborated with James Spinney on the acclaimed Notes on Blindness.
  18. It’s affecting enough, with both Harris and Stevenson capturing the wrenching, protracted grief of not knowing, but I found myself wishing that the film had maintained a sense of mystery rather than dumping a chunk of inelegant exposition at the end.
  19. The combat sequences and SUV shootouts are grimly efficient, but the picture is baggily paced.
  20. A delicate gem of a film, with a powerhouse turn from Franky.
  21. This lovely, compassionate documentary, which recently won the audience award at the Glasgow film festival, is more than a character study. It’s a portrait of a friendship between Smith and film-maker Lizzie MacKenzie.

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