The New York Times' Scores

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For 20,269 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,377 out of 20269
  2. Mixed: 8,428 out of 20269
  3. Negative: 2,464 out of 20269
20269 movie reviews
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  1. DC League of Super-Pets
    This brand of arch, inside-baseball riffing is a scourge on modern family films, present in almost every animated movie with an all-star cast. But it’s especially grating delivered by Johnson and Hart, who, despite the vocal talent they have shown in the past, give two of the least inspired voice performances in recent memory.
  2. We Met in Virtual Reality
    Hunting’s documentary catches up with where many people are finding their dreams realized, and understands that sometimes the dream is simply to be yourself.
  3. Skies of Lebanon
    The movie’s openheartedness eventually wins the day.
  4. The Wheel
    The story ends with an ambitiously staged sequence that reaches for another level of feeling, but it’s hard for anything to match the bruising depiction of Albee and Walker’s rough road to that point.
  5. The Reverend
    Canfield’s debut feature is infused with its own measure of that gentling spirit. It is also blessedly low on piousness.
  6. Art of Love
    It’s a tired and male-serving narrative one wishes might be retired.
  7. My Old School
    Its fascination with Brandon becomes a kind of credulity, a willingness to accept uncritically the mystifications of a proven liar.
  8. Anything's Possible
    Unlike its lead characters, Anything’s Possible never quite figures out if it wants to be distinctive or just another kid at school.
  9. Alone Together
    Its simplicity and lack of cinematic fancy strikes a tone of surprising relief.
  10. The Gray Man
    The caffeinated cuts and pacing never allow the audience to find its footing in the film’s large, expensive set pieces, which prevents the action from becoming truly thrilling.
  11. A Dark, Dark Man
    The mystery aspect is handled obliquely. The film is more of a mood piece, and much of its pitch-black humor derives from the contrast between the barren landscape and the sheer number of horrors it contains.
  12. The Day the Music Died: The Story of Don McLean’s American Pie
    The movie really comes alive when it is recreating the recording session for the song, showing how the ace studio keyboardist Paul Griffin transformed the tune with his energetic gospel-style piano.
  13. My Donkey, My Lover & I
    My Donkey, My Lover & I is yet another story about a woman who ventures out into the wild and finds herself. But to the writer and director Caroline Vignal’s credit, this low-key romantic French comedy proves friskier and more idiosyncratic than its reliance on this trope of feminist empowerment would suggest.
  14. Nope
    There are some fascinating internal tensions within the movie, along with impeccably managed suspense, sharp jokes and a beguiling, unnerving atmosphere of all-around weirdness.
  15. Aftershock
    Aftershock is a moving ode to Black families in a society where too many forces work to tear them apart.
  16. Queen of Glory
    The child of Ghanaian parents herself, Mensah traverses the polyglot turf well, infusing details with astute affection and understated laughs. Even the occasional slapstick proves more sweet than silly.
  17. Marx Can Wait
    It’s a complicated and painful story, humanely and sensitively told.
  18. From Where They Stood
    His film can feel overly cerebral—a bit like being plunged into a seminar—and the text cards do a lot of explanatory heavy lifting. But Cognet’s forensic approach does insist on memorializing these events in an important, physically specific way and, intentionally or not, queasily anticipates a world without any living eyewitnesses to these horrors.
  19. Zombies 3
    This is not your mother’s Disney Channel, and thank god. All of the “Zombies” movies are brimming with camp delights, as though the crew watched “But I’m a Cheerleader” while dropping acid. This is particularly true for Zombies 3.
  20. Gabby Giffords Won't Back Down
    Even during more analytic or crusading sections, the documentary’s mood never strays from inspirational.
  21. Costa Brava, Lebanon
    If a fuller sense of their humanity is sometimes lost to the ideas they serve, Akl has nonetheless produced a smart and sensitive film.
  22. She Will
    Blending sensuous imagery with jabs of feminist wit — at one point, a vibrator is weaponized against a male intruder — Colbert sends her heroine on a transformative journey of revenge and renewal.
  23. Paws of Fury: The Legend of Hank
    Despite its risqué origins, “Paws of Fury” manages to dish out lighthearted fun, swashbuckling action and surface-level messaging about following your dreams, though not every joke lands.
  24. The Deer King
    The film is tenderly wrought and brilliantly animated, with transitions that emphasize the communion between the land and the human body.
  25. Don't Make Me Go
    Cho and Isaac’s stellar performances expose the gulf between familiarity and intimacy.
  26. Persuasion
    The story’s heroine, its dialogue and even its themes of regret and loneliness seem to be swallowed up by the need to maintain an appearance of contemporary cheek.
  27. Earwig
    Hadzihalilovic is an expert conjurer of other worlds, and “Earwig” unearths a startlingly seductive array of visual and sonic textures that don’t quite add up to much more than a powerful mood.
  28. Mrs. Harris Goes to Paris
    Despite its gleeful showcasing of beautiful clothes and vibrant midcentury Parisian sights, the film is caught between its fantasies and its principles, landing somewhere more annoyingly clueless — and dull — than it ought to be.
  29. Anonymous Club
    Barnett muses on the contradiction of how, in one performance, she might be “vivid and alive” and in the next “distant,” even though she’s going through the same motions with each show.
  30. My Name Is Sara
    The film is sharp at illustrating how Sara is never totally safe, and how survival requires improvising again and again.
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