For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
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- By Critic Score
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Reviewed by
Stephen Holden
Many of the faces that emerge through the murk appear bug-eyed. And much of the dialogue, which is frequently shouted, is only semi-intelligible.- The New York Times
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Reviewed by
Dana Stevens
After Jimmy Neutron was over, I felt glassy-eyed and a little headachy. But the boy genius who accompanied me to the screening could not take his eyes off the screen. I think he's in his room right now, building a shrink ray to try out on his dad.- The New York Times
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A.O. Scott
A handmade dream, cobbled together from dirt, wood and more imagination than most of us can muster in our most fevered states. Because this Czech master refuses to work in the scrubbed, antiseptic manner of most animators, this fable comes to life as hilarious and creepy.- The New York Times
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- The New York Times
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Reviewed by
Elvis Mitchell
The playful spookiness of Mr. Jackson's direction provides a lively, light touch, a gesture that doesn't normally come to mind when Tolkien's name is mentioned.- The New York Times
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A.O. Scott
Kandahar feels like a Magritte painting rendered in sand tones, and your eyes are drawn to the screen. There aren't enough of these moments, though, and Mr. Makhmalbaf lessens their power by repeating them.- The New York Times
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Dana Stevens
Astonishingly well acted film, so much so that it seems unfair to single out any of the performances. Mr. Lawrence's camera sense is as sure and unobtrusive as his feel for acting. The movie just seems to happen, to grow out of the ground like a thorny plant, revealing the intricate intelligence of its design only in hindsight.- The New York Times
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Reviewed by
Stephen Holden
It is a career-defining performance that could catapult the 37-year-old actor beyond bland romantic leads and into the kinds of juicy anti-heroic parts once gobbled up by Mr. Hoffman and Robert De Niro.- The New York Times
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A.O. Scott
Rarely does a movie feel as leaden-footed as Iris, especially when it tries to bounce back and forth. The audience is transported between two very obvious stories and becomes slightly irritated by the grinding inevitability of both of them. As a result, Iris Murdoch gets lost in the shuffle.- The New York Times
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Dana Stevens
A happy, nasty and frequently hilarious assault on 20 years' worth of youth pictures.- The New York Times
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Reviewed by
Dana Stevens
At once endearing and unbearably show-offy, it seems to be the product of a sensibility formed by age-inappropriate reading.- The New York Times
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Reviewed by
Stephen Holden
Highly entertaining, erotic science-fiction thriller that takes Mr. Crowe into Steven Spielberg territory.- The New York Times
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Reviewed by
Dana Stevens
The blend of grim violence with romantic whimsy tilts toward sentimentality. Mr. Salles has the confidence of a storyteller too entranced by his tale to worry about the resistance of his audience, which he thus effortlessly overcomes.- The New York Times
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A.O. Scott
Has a lovely, unadorned, though distended sentimentality.- The New York Times
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Reviewed by
Dana Stevens
Mr. Akin pursues his happy, silly love story without embarrassment, and In July is ultimately more endearing than irritating.- The New York Times
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Reviewed by
Dana Stevens
It could easily have become either prurient or moralistic, but Mr. Goldman's stance is that of a sympathetic observer, and his style combines ground-level realism with a touch of Almodóvarian extravagance.- The New York Times
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Dana Stevens
The lovely clarity of this story, which seems to have been drawn from the literature of an earlier age, is well served by the artful subtlety of the telling. Mr. Majidi prefers imagery to exposition, and his shots are as dense with meaning, and as readily accessible, as Dutch paintings.- The New York Times
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Reviewed by
Dana Stevens
The movie is quiet, modest and sympathetic almost to a fault; its scenes of emotional discord, accompanied by a swooning, sniffling score, seem best suited to cable television. It's like a Lifetime movie about men.- The New York Times
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Reviewed by
Stephen Holden
Helmer's wildly whimsical debut film, Tuvalu, is the kind of movie that might one day find itself in the hall of fame of surreal movie weirdness alongside cult favorites like "Eraserhead," "Delicatessen" and the avant-garde frolics of Guy Maddin.- The New York Times
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Dana Stevens
Though its story is fuzzy, the acting and direction in Final give it an air of quiet, dignified ambition.- The New York Times
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Reviewed by
Dana Stevens
Like finding that perfect stage of moderate drunkenness in which the senses are sharpened rather than dulled, and time passes with leisurely grace.- The New York Times
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A.O. Scott
The picture is so predictable that the bad acting becomes a distraction.- The New York Times
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Reviewed by
Stephen Holden
With an intensity that few movies have mustered, The Business of Strangers makes you feel the acute loneliness of it all.- The New York Times
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Reviewed by
Stephen Holden
One of the movie's dark running jokes is that everyone seems to speak a different language and has trouble communicating. The continual struggle of people to make themselves understood becomes a metaphor for the war itself.- The New York Times
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A.O. Scott
Soderbergh rallies a seismic jolt of enthusiasm, and the movie is an elating blaze of flair and pride.- The New York Times
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A.O. Scott
It is intermittently engrossing, though a little overextended for the deadpan approach that Mr. Bitomsky uses.- The New York Times
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Dana Stevens
This violent meatball western deserves to be forgotten quickly.- The New York Times
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- The New York Times
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Reviewed by
Anita Gates
Haneke, who wrote and directed, is a skillful, minutely observant filmmaker who trusts his audience to be able to put two and two together. Unfortunately, he's often too cryptic, which leaves viewers still trying to make connections when they should already be reacting to the moral lessons implied by them.- The New York Times
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Reviewed by
Stephen Holden
It strings along its joke just long enough to keep from wearing out its welcome.- The New York Times
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