The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. Less a parable of literary ethics than a showcase of literary personality, and it is in the end more touching than troubling.
  2. There's nothing remotely surprising in the entire film. But the generally winning -- and freakishly good-looking -- cast, endowed by Jacob Aaron Estes's script with intelligent, if occasionally overwritten dialogue, makes for viewing that is easy on the eyes and the ears.
  3. Those whose tolerance of Greatest Generation war stories isn't exhausted, not to mention those who still thrive on them, will find the group of men who called themselves the Ritchie Boys good company.
  4. The worst that can be said of the first two-thirds of Tideland is that it is tiresome. Toward the end it becomes creepy, and not in a good way.
  5. A novel teenage comedy with an astute understanding of adolescent sexual confusion and the nebulous nature of desire, Zerophilia suggests an elastic view of gender that's alternately gleeful and terrifying.
  6. Mr. Pettyfer is no Sean Connery, no Roger Moore, no Pierce Brosnan, no Timothy Dalton and no George Lazenby even, but the director, Geoffrey Sax, compensates for his zero of a hero by indulging the exceedingly amused and amusing supporting cast.
  7. Purely for curiosity’s sake this unusual, intermittently hypnotic quasi monster flick is worth checking out, at least until the initial "what is this?" effect wears off and it becomes as tiresome as listening to someone relate long-winded tales about nightmares or drug-induced exploits.
  8. Despite its immersion in tragedy and decline, So Much So Fast is leavened by unexpected humor.
  9. What helps make The Departed at once a success and a relief isn't that the director of "Kundun," Mr. Scorsese's deeply felt film about the Dalai Lama, is back on the mean streets where he belongs; what's at stake here is the film and the filmmaking, not the director's epic importance.
  10. The result is a movie that is challenging, accessible and hard to stop thinking about...But in too many recent movies intelligence is woefully undervalued, and it is this quality -- even more than its considerable beauty -- that distinguishes Little Children from its peers.
  11. Employee of the Month is more tired than a Wal-Mart greeter at the end of a Saturday shift. One can only hope its halfhearted suggestion that winning isn't everything is some comfort if the movie's grosses are as disappointing as its jokes.
  12. Mindlessly repeats the archetypal "Chainsaw" scenario.
  13. Suzy's marriage, Nick's divorce, Paul's work history: none of it is my or anyone else's business. But these things -- these people -- have become, through Mr. Apted's films, a vital part of modern life, which seems to grow richer every seven years, when the new "Up" movie comes out.
  14. One of the most disquieting (and challenging) statistics is left for last: if Africa's share of world trade increased by only one percentage point, it would generate $70 billion a year, five times what the continent receives in aid. Who wouldn't want that?
  15. The script, by Chris Haddock, leaves numerous questions unanswered. It also reflects the character depth and conversational complexity of a 14-year-old’s first effort at fiction.
  16. When it finally seems likely to happen, the film crashes to a sudden and unsatisfying conclusion. But this is the first part of a projected trilogy and, assuming these characters’ lives -- or deaths -- will be further explored, it’s really just the beginning.
  17. Depending on your age, sex and mechanical inclinations, Tales of the Rat Fink will convince you that Mr. Roth should either have been canonized or smothered at birth.
  18. Premised entirely on nonsense.
  19. An ode to the joy and sweet release of sex, the film manages to be a sincere, modest political venture that finds humor where you might least expect it, notably in a ménage à trois featuring a cheeky rendition of "The Star Spangled Banner."
  20. As much a work of sculpture as of cinema, this 71-minute movie, 13 years in the making, is the handmade brainchild of Christiane Cegavske, an artist who dabbles in film but whose talents and sensibility align more naturally with those of the contemporary-art world.
  21. A clear-eyed and utterly ruthless dissection of the battle for Ohio in the months leading up to the 2004 presidential election.
  22. Best approached as an admiring portrait of a likable, creative powerhouse at midcareer. No disapproving voices interrupt the stream of praise for his politics and his art. Mr. Kushner’s place in the history of American theater and in American culture, in general, is left unexamined. These are subjects well worth exploring in another, deeper film.
  23. A sublimely nimble evisceration of that cult of celebrity known as the British royal family.
  24. An action movie, a basic training movie, a swaggering sea adventure, a home front melodrama and an inspiring tough-love heroic teacher fable. If the aggregate of all these movies is exhausting and occasionally overwrought, some of the parts are stirring and effective, though not exactly fresh.
  25. Periodic bursts of cleverness and eye-popping imagery, further enhanced in the 3-D Imax version, can't disguise that this is just another movie full of jive-talking computer-generated animals with little new to say.
  26. Billy Bob Thornton's leer is much in evidence in the shoddy comedy School for Scoundrels, though the tackiness of the film, its lazy direction and its self-satisfied stupidity may mean that Mr. Thornton curled his lip about the production rather than for it.
  27. hough the picture is wrenching, at times devastating, it leaves you with that buoyant feeling of having encountered a raw, authentic work of art.
  28. Boring people who made extraordinary music, the Pixies are inexplicable. In attempting to demystify them, the directors Steven Cantor and Matthew Galkin achieve the opposite.
  29. The fact that her story of triumph over unimaginable odds doesn't come freighted with mystical and religious bromides makes it all the more inspiring.
  30. Mr. Hernández doesn't always grab what he's reaching for -- his talent soars untethered by discipline -- but the thrust of his effort lights up the sky.

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