The New York Times' Scores

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For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,400 out of 20312
  2. Mixed: 8,446 out of 20312
  3. Negative: 2,466 out of 20312
20312 movie reviews
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  1. Elektra Luxx
    Elektra Luxx has some scattered witty notions, but it is not funny.
  2. 3 Backyards
    Mr. Mendelsohn's ability to evoke a child's-eye view of a suburban environment is the most seductive element in a movie whose primary attraction is an atmosphere so heady that you can almost taste it.
  3. Monogamy
    With modest resources, some nice digital camerawork and an appealing cast - the likable Ms. Jones draws you in easily - Mr. Shapiro keeps you engaged even when his story falters.
  4. Certified Copy
    The Iranian filmmaker Abbas Kiarostami's delicious brain tickler, Certified Copy, is an endless hall of mirrors whose reflections multiply as its story of a middle-aged couple driving through Tuscany carries them into a metaphysical labyrinth.
  5. Battle: Los Angeles
    As it lurches from Act II to Act III, Battle: Loss Angeles reveals itself to be a lousy movie.
  6. Foreign Parts
    People talk but don't say too much, and as curious and thorough as Ms. Paravel and Mr. Sniadecki are - Foreign Parts is the result of many months of patient filming - they are too polite to pry. But their tact adds to the richness of their film, which discovers a busy, complicated world within the space of few unlovely city blocks.
  7. Red Riding Hood
    My, what sharp teeth Ms. Hardwicke doesn't have: working from David Leslie Johnson's screenplay she takes on the story's grown-up themes of sex and death directly but weakly.
  8. Jane Eyre
    A splendid example of how to tackle the daunting duty of turning a beloved work of classic literature into a movie. Neither a radical updating nor a stiff exercise in middlebrow cultural respectability, Mr. Fukunaga's film tells its venerable tale with lively vigor and an astute sense of emotional detail.
  9. Ex Drummer
    As the not-so-comic violence and the violent, misogynistic sex pile up, it becomes the kind of black humor in which the joke is largely on the audience.
  10. I Saw the Devil
    A droll Nietzschean fable that's fully aware of its lapses into absurdity.
  11. Take Me Home Tonight
    What keeps the movie, directed by Michael Dowse, on a more or less even keel is its steady pacing and emotional kinship to John Hughes comedies like "Sixteen Candles" and "The Breakfast Club."
  12. Happythankyoumoreplease
    It is no wonder that the insufferable romantic comedy Happythankyoumoreplease, set in New York, looks and sounds like a flop pilot for a television sitcom.
  13. The Human Resources Manager
    A disappointingly shallow story in which only the dead are named, and the living are reduced to stereotypes.
  14. Uncle Boonmee Who Can Recall His Past Lives
    Encountered in an appropriately exploratory frame of mind, it can produce something close to bliss.
  15. Rango
    Rango, which may take place entirely within its hero's head - that kind of ambiguity worked in "Inception" and "Black Swan," so why not here? - is about the appetite for myths and stories, whether or not they make sense. It is about the worlds we dream inside our fishbowls, helped by the weird reflections on the walls.
  16. The Adjustment Bureau
    One reason filmmakers like Mr. Nolfi seem attracted to Philip K. Dick's work, beyond the brilliance of its ideas, is that his unembellished writing style leaves them room to make the stories visually their own.
  17. Beastly
    This is the kind of cornball entertainment that rainy afternoons were made for. Throw in a cozy sofa too. Beastly will size down well on your television.
  18. Lemmy
    Diverting if hagiographic documentary with an unprintable subtitle.
  19. Drive Angry 3D
    Apart from some half-cartoonish digital effects and the whole 3-D thing, Drive Angry could almost be mistaken for a raunchy, cheesy exploitation programmer of the same vintage as some of its cars.
  20. A Good Man
    Ms. Uberoi's straight-shooting style is a perfect match for her salt-of-the-earth subject, a hard-working husband and father with more on his plate than most.
  21. The Over the Hill Band
    This drippy dramedy embraces every inappropriate-oldster cliché with depressing calculation.
  22. The Grace Card
    Responses to religious films are bound to be personal, so at the risk of sounding patronizing, I'll say that my main reaction to The Grace Card was one of pleasant surprise at its competence.
  23. Everything Strange and New
    This intriguing, sometimes frustrating, in some ways amateurish movie is a work of vaulting artistic ambition.
  24. Heartbeats
    Monologues delivered by assorted unidentified losers in love who relate their unhappy stories to an unseen listener lend Heartbeats the semblance of a structure. But beyond that, the movie is a gush of gorgeous images and music.
  25. Hall Pass
    Whatever the case, it's dispiriting that the draggiest, soppiest scenes in Hall Pass, as well as the most disgusting gag, involve women.
  26. Of Gods and Men
    Of Gods and Men is supple and suspenseful, appropriately austere without being overly harsh, and without forgoing the customary pleasures of cinema. The performances are strong, the narrative gathers momentum as it progresses, and the camera is alive to the beauty of the Algerian countryside.
  27. Big Mommas: Like Father, Like Son
    About the only honestly funny thing in the movie is Faizon Love's uncredited performance in the Joe E. Brown role, as the school maintenance man who's immediately smitten with Big Momma.
  28. Now & Later
    Offensive only in Mr. Wortham's dreadful acting, Now & Later is part of a series at the Quad called "Unrated: A Week of Sex in Cinema" - a title that should ensure plenty of backsides on seats.
  29. Loveless
    An aimless film about an aimless fellow, but it's not without its charms. It may be without a point, but hey, you can't have everything in a no-budget film like this.
  30. The Chaperone
    A lightweight comedy aimed, presumably, at tweeners and fans of World Wrestling Entertainment.
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