The New York Times' Scores

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For 20,311 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,399 out of 20311
  2. Mixed: 8,446 out of 20311
  3. Negative: 2,466 out of 20311
20311 movie reviews
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  1. Carnage
    As a portrait of anxious, status-conscious Brooklyn parents living in a chiaroscuro of self-righteousness and guilt, Carnage misses its mark badly.
  2. Addiction Incorporated
    Straight-shooting, hard-hitting and fuming with contempt for the tobacco industry, Addiction Incorporated would be almost too exhausting to watch were it not for the folksy charm of its star witness.
  3. Ladies vs. Ricky Bahl
    Ladies vs Ricky Bahl has much to recommend it at first, not least its premise.
  4. Seducing Charlie Barker
    An intermittently interesting but fatally clichéd comedy of personal and professional suicide.
  5. Red Hook Black
    Red Hook Black crawls forward by means of stilted conversations and vacuous exchanges.
  6. Fanny, Annie & Danny
    Characters this nicely etched deserve a more complete conclusion.
  7. Knuckle
    While it's frustrating that Mr. Palmer doesn't dig deep into the complexities of the fights, one of the movie's strengths is the honesty with which he confesses his doubts about them.
  8. My Piece of the Pie
    Paints an alluring picture of a pan-European cosmopolitan culture whose characters hopscotch from one country to another with hardly a second thought in a lighthearted floating party.
  9. In Darkness
    It is suspenseful, horrifying and at times intensely moving. But the ease with which it elicits these responses from the audience feels more opportunistic than insightful.
  10. New Year's Eve
    A depressing two-hour infomercial pitching Times Square as the only place in the universe you want to be when the ball drops at midnight on Dec. 31. (Believe me, it's not.)
  11. The Sitter
    Some of it, though, is absurdly comic, like the shot of a guy on a Segway that exists for no reason other than that someone here thought the movie could use a small laugh right then. It did. It could use more.
  12. London River
    Rachid Bouchareb's tidy little two-character film, London River, demonstrates how great acting can infuse a banal, politically correct drama with dollops of emotional truth.
  13. I Melt with You
    When a sheriff's deputy (Carla Gugino) visits the house, I Melt With You turns into a ludicrous, cheap horror thriller that sheds any claims to integrity. By the end, you feel nothing, not even contempt.
  14. We Need to Talk About Kevin
    Ms. Ramsay, with ruthless ingenuity, creates a deeper dread and a more acute feeling of anticipation by allowing us to think we know what is coming and then shocking us with the extent of our ignorance.
  15. Tinker Tailor Soldier Spy
    A pleasurably sly and involving puzzler - a mystery about mysteries within mysteries.
  16. Young Adult
    Shorter than a bad blind date and as sour as a vinegar Popsicle, Young Adult shrouds its brilliant, brave and breathtakingly cynical heart in the superficial blandness of commercial comedy.
  17. Under Control
    Somehow the happy screams of children whirling above a neutered reactor sound a lot less comforting than they should.
    • tbd Metascore
    • 60 Critic Score
    The First Rasta
    The movement defies definition and thus invites it. And yeah, the music is pretty good.
    • 46 Metascore
    • 40 Critic Score
    A Journey in My Mother's Footsteps
    Rosenmeier's tendency to insert herself at the center of the story - awkwardly drifting into the frame as she interviews local social workers, carefully inspecting institutions as if she were a high-profile ambassador - at first seems slightly immodest. Gradually, it suggests a deeply unsettling level of self-involvement.
  20. Lads & Jockeys
    Lads & Jockeys conveys first-race terrors and last-place humiliation with indulgent thoroughness.
  21. The Big Fix
    The film's most upsetting scenes are its interviews with residents whose livelihood has been decimated and whose health has been compromised.
  22. Answers to Nothing
    Some fine performances and an embrace of understatement make Matthew Leutwyler's oddly titled Answers to Nothing a respectable entry in the multiple-stories-that-interlock genre.
  23. House of Pleasures
    Throughout the film there is an abundance of sumptuously photographed flesh on view. But House of Pleasures is not an erotic stimulant so much as a slow-moving, increasingly tragic and claustrophobic operatic pageant set almost entirely in the brothel.
  24. The Yellow Sea
    A rush of a movie from South Korea that slips and slides from horror to humor on rivers of blood and offers the haunting image of a man, primitive incarnate, beating other men with an enormous, gnawed-over meat bone.
  25. Outrage
    Not everything is as elegantly executed, including a tiresome, would-be comic subplot involving an African diplomat and a clandestine casino that drags the story down badly and comes close to noxious racial stereotype.
  26. Sleeping Beauty
    Though the tone is quiet and the pacing serenely unhurried, Sleeping Beauty is at times almost screamingly funny, a pointed, deadpan surrealist sex farce that Luis Buñuel might have admired.
  27. Coriolanus
    Then too there's the sheer pleasure of hearing these words spoken by an actor like Mr. Fiennes, whose phrasing is so brilliant, you might be tempted to close your eyes if his physical performance weren't equally mesmerizing.
  28. Shame
    How can visual pleasure communicate existential misery? It is a real and interesting challenge, and if Shame falls short of meeting it, the seriousness of its effort is hard to deny.
  29. An African Election
    As we join throngs of excited citizens at a public vote-counting, their uninhibited zeal for the process only highlights the jaded cynicism that threatens to overwhelm our own.
  30. Khodorkovsky
    The prisoner rather eloquently portrays himself as a victim of human rights abuse.
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