For 20,311 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,399 out of 20311
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Mixed: 8,446 out of 20311
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Negative: 2,466 out of 20311
20311
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jeannette Catsoulis
Unable to shape these events into a dramatic structure, the director, Camilo Vila, resorts to a meandering tale of random indignities suffered by a lead so bland he comes across less as principled than as stupendously naïve.- The New York Times
- Posted Sep 28, 2012
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Rachel Saltz
Pulpy but attenuated, Heroine tries to do too much: deliver an exposé of the back-stabbing film business while also drawing a portrait of a woman caught in its vice.- The New York Times
- Posted Sep 28, 2012
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Daniel M. Gold
As manifestoes go it is calm and smart, offsetting its stridency with discussion, music, even humor, while issuing a call to arms.- The New York Times
- Posted Sep 28, 2012
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Reviewed by
Jeannette Catsoulis
If wallowing in the creative hiccups of tortured scribblers is your moviegoing goal, there are much better options.- The New York Times
- Posted Sep 28, 2012
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Andy Webster
The accessible and appealing Ms. Luft is a strong anchor. And Ms. Berman can be funny (especially with a black-and-white Ingmar Bergman send-up). It's intriguing to imagine what she could do with a tighter, more linear script.- The New York Times
- Posted Sep 28, 2012
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Stephen Holden
It is an emotional journey for these grown children, now in their 40s and 50s, who engage in sometimes heated conversations, several taking place on the actual sites where Joseph and other prisoners endured unimaginable suffering.- The New York Times
- Posted Sep 28, 2012
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Reviewed by
Jeannette Catsoulis
Augmented by a trove of archival footage reaching back to the 1930s, Jesse Feldman's buoyant cinematography merges political history and sports mania into a triumphant timeline.- The New York Times
- Posted Sep 27, 2012
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Reviewed by
Jeannette Catsoulis
Despite Ms. Janssen's fine taste in music - it's lovely to hear Jorma Kaukonen's "Genesis" on the soundtrack - her film's downfall was ensured by a leading lady who will always be more credible chasing zombies than the American dream.- The New York Times
- Posted Sep 27, 2012
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Rachel Saltz
The filmmakers retain a touching faith that most Americans won't tolerate injustice when they know about it. This film is meant to teach them.- The New York Times
- Posted Sep 27, 2012
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Jeannette Catsoulis
The film's kinky energy eventually wanes, the pileup of profanities losing its initial zing.- The New York Times
- Posted Sep 27, 2012
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Manohla Dargis
Mr. Basset is too enamored of the usual action film clichés, down to some Hollywood-gangsta gun play. But he has a graphic visual style that suits the simplistic material and he keeps you watching even as the wet, sucking sounds of skewered flesh grow tedious.- The New York Times
- Posted Sep 27, 2012
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Reviewed by
Manohla Dargis
A dreamy, elliptical neo-noir about a cop turned killer turned something else altogether.- The New York Times
- Posted Sep 27, 2012
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Reviewed by
Neil Genzlinger
Only occasionally funny and not at all illuminating about the rich world of a cappella singing.- The New York Times
- Posted Sep 27, 2012
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Reviewed by
A.O. Scott
However you take its politics, the film upholds a dreary tradition of simplifying and sentimentalizing matters of serious social concern, and dumbing down issues that call for clarity and creative thinking. Our children deserve better.- The New York Times
- Posted Sep 27, 2012
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Reviewed by
Neil Genzlinger
For the first half of the film, amusing monster humor keeps things interesting; some monsters, it turns out, are better at party games than others.- The New York Times
- Posted Sep 27, 2012
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Reviewed by
Manohla Dargis
Mr. Johnson throws a lot at the screen, blasted corpses included, yet little here is as initially transfixing as Mr. Gordon-Levitt's mug.- The New York Times
- Posted Sep 27, 2012
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Andy Webster
The narratives - involving princesses, sorcerers, dragons, talking animals - are familiar. But Mr. Ocelot invigorates them with lyricism: silhouettes evoke shadow plays, and often brilliant palettes reflect the cultures presented.- The New York Times
- Posted Sep 25, 2012
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Stephen Holden
Scrupulously apolitical, The Waiting Room is the opposite of a polemic like Michael Moore's "Sicko." But by removing any editorial screen, it confronts you head-on with human suffering that a more humane and equitable system might help alleviate.- The New York Times
- Posted Sep 25, 2012
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Rachel Saltz
The film world setting could be better exploited and Shanaya's jealousy made less mechanical, but Raaz 3 delivers other goods: some horror thrills, some true-love-versus-evil thrills and some unusually steamy bits.- The New York Times
- Posted Sep 25, 2012
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David DeWitt
It's pleasant. It treats Democrats and Republicans respectfully, and its humor, with the comic Mo Rocca as guide, is closer to Garrison Keillor than to Michael Moore.- The New York Times
- Posted Sep 25, 2012
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Stephen Holden
At a certain point this would-be shocker suddenly jerks into high gear and becomes a blatant, incompetent rip-off of "Psycho."- The New York Times
- Posted Sep 22, 2012
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- The New York Times
- Posted Sep 20, 2012
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Reviewed by
Stephen Holden
In the words of Mr. Kramer: "The government didn't get us the drugs. No one else got us the drugs. We, Act Up, got those drugs out there. That is the proudest achievement that the gay population of this world can ever claim."- The New York Times
- Posted Sep 20, 2012
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Reviewed by
A.O. Scott
Head Games gains credibility and power from compassion for athletes and respect for their accomplishments. But it also tries to open the eyes of sports lovers to dangers that have too often been minimized and too seldom fully understood.- The New York Times
- Posted Sep 20, 2012
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Reviewed by
Manohla Dargis
The results are likable, unsurprising and principally a showcase for the pretty young cast, notably Mr. Miller, who brings texture to his witty if sensitive gay quipster.- The New York Times
- Posted Sep 20, 2012
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Reviewed by
Stephen Holden
Wavering between light comedy and drama with wonderfully natural performances, 17 Girls doesn't judge anyone's behavior.- The New York Times
- Posted Sep 20, 2012
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Reviewed by
Stephen Holden
The fatal flaw of this well-acted movie, whose creators are sex industry veterans, is its refusal to examine Angelina's occupation from outside the bubble. You might even call it a recruitment film.- The New York Times
- Posted Sep 20, 2012
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Stephen Holden
Except for a subplot about a missing cat that suggests that Fred may be considerably dottier than he appears, the movie gets almost everything right about the uncomfortable moment when grown children are forced to be their parents' parents.- The New York Times
- Posted Sep 20, 2012
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Andy Webster
The dishes dazzle in Lutz Hachmeister's documentary Three Stars, a cinematic helping of some of the world's finest restaurants - and of their chefs' opinions.- The New York Times
- Posted Sep 20, 2012
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Reviewed by
Daniel M. Gold
Unfortunately, in waving the flag for more holistic, naturopathic treatments, the already meandering Doctored loses focus, touching on topics like alternative cancer treatments, autism and vaccination, and genetically modified produce. Mr. Sheehan seems to forget the primary documentarian directive: First, do no harm to your main argument.- The New York Times
- Posted Sep 20, 2012
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