For 20,304 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,394 out of 20304
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Mixed: 8,445 out of 20304
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Negative: 2,465 out of 20304
20304
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rachel Saltz
Mr. Marie, making his debut as a director, swathes their tale in a thick coat of style that teeters between cool and mannered.- The New York Times
- Posted Nov 7, 2013
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Jeannette Catsoulis
The battle scenes are as lacking in heat and coherence as the central love story.- The New York Times
- Posted Nov 7, 2013
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Anita Gates
By the time the long, throbbing concert finale begins, there is no doubt that Mr. Brown’s intensity has not faded over the years and that the Stone Roses’ breakup was a serious loss.- The New York Times
- Posted Nov 6, 2013
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Andy Webster
Mr. Romero, manifesting a self-effacing demeanor and sensible humanity, is a most agreeable raconteur.- The New York Times
- Posted Nov 6, 2013
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Andy Webster
While this unrelentingly midtempo movie milks Brooklyn for its chic, it manages to denude it of its color.- The New York Times
- Posted Nov 6, 2013
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Daniel M. Gold
All the film’s segments are smartly assembled and gracefully paced.- The New York Times
- Posted Oct 31, 2013
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Anita Gates
The first half of Behind the Blue Veil makes a case for the noble cause of preserving a way of life; the second half admits its near-futility.- The New York Times
- Posted Oct 31, 2013
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Reviewed by
Nicole Herrington
In the end, the filmmaker’s message is nearly lost in this poorly constructed film.- The New York Times
- Posted Oct 31, 2013
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Reviewed by
Nicolas Rapold
Mr. Zizek’s daisy-chained improvisations amount to an argument on behalf of complexity and unseen depths, and, like much academic writing, it risks monotony and becoming as reductive as it can be seductive.- The New York Times
- Posted Oct 31, 2013
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Nicolas Rapold
This heart-wrenching and deceptively conventional documentary manages the tensions in its subject and in the vérité approach in a fruitful, illuminating and surprisingly moving way.- The New York Times
- Posted Oct 31, 2013
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Stephen Holden
This dull, dawdling film, adapted from Françoise Dorner’s novel “La Douceur Assassine,” eventually succumbs to sentimentality.- The New York Times
- Posted Oct 31, 2013
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Manohla Dargis
The fight is the thing in Man of Tai Chi, Keanu Reeves’s down-and-dirty and generally diverting directing debut.- The New York Times
- Posted Oct 31, 2013
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Miriam Bale
Free Birds is likely to leave audiences fuzzy-headed and vaguely nauseated instead of nourished and satisfied.- The New York Times
- Posted Oct 31, 2013
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Stephen Holden
Delivers its Holocaust-related story with the clunking force of a blunt instrument slammed into the skull.- The New York Times
- Posted Oct 31, 2013
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Stephen Holden
Filmed without a trace of sentimentality, Big Sur is an achingly sad last hurrah.- The New York Times
- Posted Oct 31, 2013
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Reviewed by
Manohla Dargis
[A] touching love story and soggy family melodrama.- The New York Times
- Posted Oct 31, 2013
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Reviewed by
A.O. Scott
If you approach Last Vegas expecting an emotionally engaging, in any way surprising, moviegoing experience, you will be disappointed. But if you want the equivalent of an old-fashioned television variety show — a Very Special Evening with Robert De Niro, Morgan Freeman, Michael Douglas and Kevin Kline — you might not have such a bad time.- The New York Times
- Posted Oct 31, 2013
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Reviewed by
Manohla Dargis
Anchored by Ms. Watts’s sympathetic performance, it humanizes the woman behind the smile, the helmet hair and the myth.- The New York Times
- Posted Oct 31, 2013
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Miriam Bale
The sibling directors Lisa and Rob Fruchtman have made a nuanced and deftly edited film about a complex issue.- The New York Times
- Posted Oct 31, 2013
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- The New York Times
- Posted Oct 31, 2013
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Reviewed by
A.O. Scott
There is warmth and intelligence here, and undeniable sincerity, but also a determination, in the face of much painful and fascinating history, to play it safe.- The New York Times
- Posted Oct 31, 2013
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Jeannette Catsoulis
Merging the sustainability worries of guitar enthusiasts and environmentalists with the hard-cash concerns of logging corporations and Native American land developers, Maxine Trump’s thoughtful documentary wrests clarity from complexity.- The New York Times
- Posted Oct 31, 2013
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Reviewed by
Jeannette Catsoulis
One of those projects whose very existence should baffle anyone hardy enough to endure all 94 minutes.- The New York Times
- Posted Oct 31, 2013
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Nicolas Rapold
The filmmakers record the flash of youth’s headlong energies, its bumps and bruises, and its melancholies and brilliant chaos.- The New York Times
- Posted Oct 31, 2013
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Manohla Dargis
Mr. Butterfield is one of those young performers whose seriousness feels as if it sprang from deep within. And while he’s an appealing presence, little Ender can’t help feeling like a pint-size psycho.- The New York Times
- Posted Oct 31, 2013
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Reviewed by
Nicolas Rapold
Golden Slumbers has a tendency to wallow in its romanticism, not to the point of trivializing its history, but definitely dropping off into somnolence.- The New York Times
- Posted Oct 30, 2013
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Reviewed by
Jeannette Catsoulis
Encouraging sensitive performances that mitigate the film’s sluggish pace and fuzzy narrative, Ms. Szumowska juxtaposes two-person scenes of wordless intimacy with group expressions of casual violence.- The New York Times
- Posted Oct 29, 2013
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Reviewed by
Miriam Bale
Ms. Jaye uses sound, composition and careful patience to create a contemplative mood of memory, loss and magic. With limited resources and the power of storytelling, she has created a small film that feels mainstream and epic.- The New York Times
- Posted Oct 24, 2013
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Reviewed by
Miriam Bale
It’s like a cheap, dry cake covered with a thick layer of frosting. But even bad cake can be enjoyable, especially if celebrating something as worthwhile as these elders, their long lives and their continued gutsiness so late in the game.- The New York Times
- Posted Oct 24, 2013
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Reviewed by
Stephen Holden
Its indictment of capitalism is so shrill and one-note that it may just as easily set off fits of giggling, because its characters are so ridiculously evil.- The New York Times
- Posted Oct 24, 2013
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