For 20,303 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,393 out of 20303
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Mixed: 8,445 out of 20303
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Negative: 2,465 out of 20303
20303
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Andy Webster
Mr. Hough, a “Dancing With the Stars” champion, impresses with his footwork and sufficiently fulfills his romantic-lead duties. BoA is cute and appealingly impudent, but a bit more remote. On the floor, however, their chemistry ignites.- The New York Times
- Posted Apr 17, 2014
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Nicolas Rapold
Pulp done with passion can be its own reward, as the veteran Hong Kong filmmaker Dante Lam shows with his feverish cop thriller That Demon Within.- The New York Times
- Posted Apr 17, 2014
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Ben Kenigsberg
From a dramatic standpoint, the movie can be unconvincing... From a formal standpoint, though, the movie impresses, maintaining a sense of anxiety through tight shots and a sound design that favors overlapping voices and constant clatter.- The New York Times
- Posted Apr 17, 2014
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Manohla Dargis
By focusing on such a narrow slice of Nepali life, Ms. Spray and Mr. Velez have ceded any totalizing claim on the truth and instead settled for a perfect incompleteness.- The New York Times
- Posted Apr 17, 2014
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Neil Genzlinger
The film’s main distraction, oddly, is the voice-over through which Nate annotates the action. A voice-over is standard procedure for the wistful-look-back genre, but here it’s forced and unfunny. This wild story sells itself, no narration needed.- The New York Times
- Posted Apr 17, 2014
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Anita Gates
The message is repeated ad infinitum; this documentary is painfully long for a project of this kind.- The New York Times
- Posted Apr 17, 2014
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Jeannette Catsoulis
This wonderfully weird documentary pinpoints the desire to preserve fleeting glories.- The New York Times
- Posted Apr 17, 2014
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Andy Webster
Chavez (1927-1993), a founder of what became the United Farm Workers union, faced brutal odds, as this compelling documentary demonstrates.- The New York Times
- Posted Apr 17, 2014
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Ben Kenigsberg
Mr. Farina gives Authors Anonymous a sharpness it otherwise lacks.- The New York Times
- Posted Apr 17, 2014
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- The New York Times
- Posted Apr 17, 2014
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Nicolas Rapold
Despite the bracing beauty of the wilderness, and the respite provided by cubs at play, the movie is primarily a sobering treatise on survival.- The New York Times
- Posted Apr 17, 2014
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Reviewed by
Manohla Dargis
Mr. Turturro’s musical choices in Fading Gigolo tend to feel, like so much here, generically applied instead of meaningfully coaxed from some essential, lived-in truth.- The New York Times
- Posted Apr 17, 2014
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Manohla Dargis
Transcendence is a dark, lurchingly entertaining pastiche of age-old worries, future-shock jolts, hot-button topics and old-fashioned genre thrills.- The New York Times
- Posted Apr 17, 2014
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Jeannette Catsoulis
Preachy and pretty, Heaven is a classy-looking product with a vanilla flavor and a pastel palette.- The New York Times
- Posted Apr 16, 2014
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Nicolas Rapold
There’s a loose, bohemian quality to Mr. Cohen’s sketch of a film.- The New York Times
- Posted Apr 16, 2014
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Rachel Saltz
It holds your interest, even if Jean-Marie remains what he must be to Mr. Cohen: an enticing puzzlement, his faith a mystery.- The New York Times
- Posted Apr 10, 2014
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- The New York Times
- Posted Apr 10, 2014
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Reviewed by
Nicolas Rapold
Though not very ambitious, this winsome, whisper-thin tale shimmers along with the charming urge to connect and reveal yourself that links its two correspondents.- The New York Times
- Posted Apr 10, 2014
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Neil Genzlinger
Ms. Breslin and especially Ms. Henley are quite good, elevating a film that seems like an oft-told tale.- The New York Times
- Posted Apr 10, 2014
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Jeannette Catsoulis
Dignified to a fault and crammed with historical worthies (like a pre-deportation Emma Goldman), this dry tour of union hall strife and kitchen table sentiment wears its sympathies proudly.- The New York Times
- Posted Apr 10, 2014
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Ben Kenigsberg
Lightness of touch is missing from the film, which features animated graphics and an ominous score.- The New York Times
- Posted Apr 10, 2014
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Andy Webster
Predictably, the film culminates in a dance competition, irresistible to behold and leading to an ending just about too pat to believe.- The New York Times
- Posted Apr 10, 2014
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Neil Genzlinger
Unthinkable is unwatchable, which is too bad, because there are certainly enough oddities in the incident it tries to dramatize to have made for a decent conspiracy theory film.- The New York Times
- Posted Apr 10, 2014
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Nicolas Rapold
Not that some of this isn’t amusing, but you feel the considerable improvisational skills of the cast going to waste.- The New York Times
- Posted Apr 10, 2014
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Nicolas Rapold
Most of the time, this incoherent thriller resembles an overheated trailer for itself: a glaringly rough assembly of ill-staged computer-generated action sequences and portentous moments.- The New York Times
- Posted Apr 10, 2014
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Jeannette Catsoulis
A tropical tornado of cadmium and cobalt, magenta and marigold, Carlos Saldanha’s frantic follow-up to his well-received 2011 animated feature, “Rio,” ups the ante on sound and movement but pays scant attention to story.- The New York Times
- Posted Apr 10, 2014
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Ben Kenigsberg
A derivative but efficient chiller that cribs from “Solaris,” “The Shining” and “The Amityville Horror” yet also shows glimmers of imagination.- The New York Times
- Posted Apr 10, 2014
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A.O. Scott
I don’t really buy Draft Day — it’s a shallow and evasive movie, built more around corporate wish fulfillment than around reality — but I have to say that it sells itself beautifully.- The New York Times
- Posted Apr 10, 2014
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Nicolas Rapold
The King of Escape is more loosely put together than “Stranger,” and, considering what happens, it’s relatively underplayed.- The New York Times
- Posted Apr 10, 2014
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Stephen Holden
Mr. Cage gives his most committed performance in years as this divided soul, but it still looks like acting when compared with Mr. Poulter’s embodiment of pure evil.- The New York Times
- Posted Apr 10, 2014
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