The New York Times' Scores

For 20,303 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20303 movie reviews
  1. Mr. Hough, a “Dancing With the Stars” champion, impresses with his footwork and sufficiently fulfills his romantic-lead duties. BoA is cute and appealingly impudent, but a bit more remote. On the floor, however, their chemistry ignites.
  2. Pulp done with passion can be its own reward, as the veteran Hong Kong filmmaker Dante Lam shows with his feverish cop thriller That Demon Within.
  3. From a dramatic standpoint, the movie can be unconvincing... From a formal standpoint, though, the movie impresses, maintaining a sense of anxiety through tight shots and a sound design that favors overlapping voices and constant clatter.
  4. By focusing on such a narrow slice of Nepali life, Ms. Spray and Mr. Velez have ceded any totalizing claim on the truth and instead settled for a perfect incompleteness.
  5. The film’s main distraction, oddly, is the voice-over through which Nate annotates the action. A voice-over is standard procedure for the wistful-look-back genre, but here it’s forced and unfunny. This wild story sells itself, no narration needed.
  6. The message is repeated ad infinitum; this documentary is painfully long for a project of this kind.
  7. This wonderfully weird documentary pinpoints the desire to preserve fleeting glories.
  8. Chavez (1927-1993), a founder of what became the United Farm Workers union, faced brutal odds, as this compelling documentary demonstrates.
  9. Mr. Farina gives Authors Anonymous a sharpness it otherwise lacks.
  10. 13 Sins is occasionally inventive but mostly uninvolving.
  11. Despite the bracing beauty of the wilderness, and the respite provided by cubs at play, the movie is primarily a sobering treatise on survival.
  12. Mr. Turturro’s musical choices in Fading Gigolo tend to feel, like so much here, generically applied instead of meaningfully coaxed from some essential, lived-in truth.
  13. Transcendence is a dark, lurchingly entertaining pastiche of age-old worries, future-shock jolts, hot-button topics and old-fashioned genre thrills.
  14. Preachy and pretty, Heaven is a classy-looking product with a vanilla flavor and a pastel palette.
  15. There’s a loose, bohemian quality to Mr. Cohen’s sketch of a film.
  16. It holds your interest, even if Jean-Marie remains what he must be to Mr. Cohen: an enticing puzzlement, his faith a mystery.
  17. Mr. Firth gives a reserved, compelling performance.
  18. Though not very ambitious, this winsome, whisper-thin tale shimmers along with the charming urge to connect and reveal yourself that links its two correspondents.
  19. Ms. Breslin and especially Ms. Henley are quite good, elevating a film that seems like an oft-told tale.
  20. Dignified to a fault and crammed with historical worthies (like a pre-deportation Emma Goldman), this dry tour of union hall strife and kitchen table sentiment wears its sympathies proudly.
  21. Lightness of touch is missing from the film, which features animated graphics and an ominous score.
  22. Predictably, the film culminates in a dance competition, irresistible to behold and leading to an ending just about too pat to believe.
  23. Unthinkable is unwatchable, which is too bad, because there are certainly enough oddities in the incident it tries to dramatize to have made for a decent conspiracy theory film.
  24. Not that some of this isn’t amusing, but you feel the considerable improvisational skills of the cast going to waste.
  25. Most of the time, this incoherent thriller resembles an overheated trailer for itself: a glaringly rough assembly of ill-staged computer-generated action sequences and portentous moments.
  26. A tropical tornado of cadmium and cobalt, magenta and marigold, Carlos Saldanha’s frantic follow-up to his well-received 2011 animated feature, “Rio,” ups the ante on sound and movement but pays scant attention to story.
  27. A derivative but efficient chiller that cribs from “Solaris,” “The Shining” and “The Amityville Horror” yet also shows glimmers of imagination.
  28. I don’t really buy Draft Day — it’s a shallow and evasive movie, built more around corporate wish fulfillment than around reality — but I have to say that it sells itself beautifully.
  29. The King of Escape is more loosely put together than “Stranger,” and, considering what happens, it’s relatively underplayed.
  30. Joe
    Mr. Cage gives his most committed performance in years as this divided soul, but it still looks like acting when compared with Mr. Poulter’s embodiment of pure evil.

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