The New York Times' Scores

For 20,280 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20280 movie reviews
  1. As La Ciénaga perspires from the screen, it creates a vision of social malaise that feels paradoxically familiar and new.
  2. Mr. De Felitta's moody, well-rounded film is a kind of excavation and investigation of Mr. Wright's actions as a piece of civil rights history.
  3. Love poem, restless dream, troubled history, alchemist’s scrapbook — Leos Carax’s It’s Not Me is pure cinema as it dances through its dense 42 minutes.
  4. The trouble is that despite how earnest and committed Mr. Zahs appears to be, the story of what’s in the collection might be more be more fascinating than the man who’s collected it.
  5. Offers one man's extraordinary life as a gateway to a larger history of tragedy and transition. It's an unflinching account of what farming takes -- and, more important, what it gives back.
  6. The way to enjoy Blue Moon — and I think it’s terrifically enjoyable, despite the bright thread of melancholy running down the middle — is to settle into the theatricality, especially Hawke’s performance.
  7. Much like its young hero, played by Daniel Radcliffe, the film has begun to show signs of stress around the edges, a bit of fatigue, or maybe that’s just my gnawing impatience.
  8. Funny, smart, thought-provoking — and musical, too.
  9. A rare and beautiful thing: a moving documentary that excavates the question of the “real” in a profoundly humanistic and unconventional way.
  10. The line between cinematic art and exploitation has rarely seemed finer and nervier, at least in recent memory, than in the French film Innocence.
  11. The role of Jimmy is one of Mr. Jackson's scarier characters, and this brilliant actor inhabits all four corners of his jittery, avaricious personality. When he and Sydney finally clash, the movie makes its darkest, cleverest turn into film-noir nightmare.
  12. Getting an audience so caught up is no small feat; it is a tribute to the directors' storytelling.
  13. This comic jigsaw puzzle is crammed with deliriously funny little bits.
  14. Unashamedly rousing, invigorating but very clear-eyed evocat ion of values of the oldfashioned sort that are today more easily satirized than celebrated...It's an exceptional film, about some exceptional people.
  15. Though House of Games is not of the dramatic heft of the playwright's ''American Buffalo'' and ''Glengarry Glen Ross,'' the screenplay is the first true Mamet work to reach the screen, and the direction illuminates it at every turn. Both Miss Crouse and Mr. Mantegna and the supporting actors, including Mike Nussbaum, J. T. Walsh and Steve Goldstein, are splendidly in touch, not only with character but also with the sense of the film.
  16. Edging now and then into the surreal, this unusual and tender little movie gingerly interrogates the gulf between digital and biological wiring.
  17. The movie operates on two basic levels. One is philosophical, as the camera watches two men who are themselves looking through viewfinders experience the sensations of a place where humans rarely disrupt the natural order.
  18. Part exploration of the ravages of guilt, part homage to the stylish Hong Kong gangster flicks of the 1990s, “Lonesome” (written by Wen with Noé Dodson, Wang Yinuo and Zhao Binghao) wears its influences on its sleeve but is a cool and sophisticated debut feature.
  19. The spiritual dimension of Pietro and Bruno’s bond has its appeal, and one of the movie’s pleasures is that it takes male friendship seriously. There’s an expressly erotic dimension to the men’s love for each other, as can be the case with intimate relationships, though not an explicitly carnal one.
  20. Slow, sweet and subdued, A Love Song, Max Walker-Silverman’s lovely first feature, is about late-life longing and needs that never completely go away.
  21. This film's dialogue isn't much more literate than a bus schedule, but its plotting is smart and breathless enough to make up for that.
  22. Detective Story is a hard-grained entertainment, not revealing but bruisingly real.
  23. Witty, intelligent, sometimes cryptic.
  24. The ebullient history — which also cites on-site food tents as a mind-blowing component of the fest’s appeal — becomes tearful when Hurricane Katrina decimates New Orleans in 2005.
  25. Louisiana's delta country has never looked more darkly, lusciously sensual than it does in Eve's Bayou, a Southern gothic soap opera, written and directed by Kasi Lemmons, that transcends the genre through the sheer rumbling force of its characters' passions.
  26. This lively, amusing picture is not to be taken seriously as realistic fiction or even art, any more than the works of Mr. Fleming are to be taken as long-hair literature. It is strictly a tinseled action-thriller, spiked with a mystery of a sort. And, if you are clever, you will see it as a spoof of science-fiction and sex.
  27. Tex
    An unexpected but certainly major force in movies at the moment, S.E. Hinton (with four of her novels being adapted for the screen), created in Tex an utterly disarming, believable portrait of a small-town adolescent. Tim Hunter's film version captures Miss Hinton's novel perfectly.
  28. The production doesn't resolve the paradoxes in Newton's life, but it does give viewers some idea of what it might have been like to be inside his head.
  29. Although it is questionable whether this picture has the simple, universal appeal of an old Chaplin film, for instance, or whether its meanings are as sharp as some may think, it is certainly a lively entertainment and should be a subject of discussion for months to come.
  30. This intense documentary shows a driven creator walking the walk, so to speak, in the most perverse fashion possible. The story is both repellent and strangely inspiring.

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