For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jeannette Catsoulis
Other People’s Children desperately wants to take a deep dive into a young woman’s pain and the solace of artistic expression. For that to happen, though, would require much better actors and a much smarter script.- The New York Times
- Posted Jan 1, 2016
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Reviewed by
Neil Genzlinger
A dreary Australian movie, directed by Nick Robertson, that has more dogs than “Cujo” but noticeably less plot.- The New York Times
- Posted Feb 5, 2016
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Reviewed by
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Reviewed by
Jeannette Catsoulis
Ms. Riesgraf, who at times recalls the young Teri Garr, is gutsy and committed, but not even Meryl Streep could make this hokum credible.- The New York Times
- Posted Jan 14, 2016
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Reviewed by
Neil Genzlinger
There’s not an ounce of suspense in any of this, because you’ve seen it all before, and the director, Jon Cassar, seems uninterested in veering from the well-established formula.- The New York Times
- Posted Sep 10, 2016
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Reviewed by
Andy Webster
The Offering, a muddled horror film, falls over itself incorporating as many genre elements as possible. The result is the cinematic equivalent of combining every paint color on a canvas: a murky mess.- The New York Times
- Posted May 5, 2016
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Reviewed by
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Reviewed by
Neil Genzlinger
A film that tries to be both titillating and suspenseful but is neither.- The New York Times
- Posted Jun 9, 2016
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Reviewed by
Glenn Kenny
All Eyez on Me, a fictionalized film biography of Shakur, directed by Benny Boom and starring Demetrius Shipp Jr., is not only a clumsy and often bland account of his life and work, but it also gives little genuine insight into his thought, talent or personality.- The New York Times
- Posted Jun 15, 2017
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Reviewed by
Ken Jaworowski
In his director’s statement, Mr. Perez, who also wrote the script, says he sought to fashion a story “that would confuse and bludgeon the audience.” My comrade and I will sip, silently nod and, with a strange kind of awe, agree: This filmmaker succeeded.- The New York Times
- Posted Sep 1, 2016
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Reviewed by
A.O. Scott
Without a real-world correlative for the actions it depicts, Bertrand Bonello’s new film would merely be tedious and pretentious rather than repellent.- The New York Times
- Posted Aug 10, 2017
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Reviewed by
A.O. Scott
Sleepless, directed by Baran bo Odar, sets a low bar for itself, and then trips over it.- The New York Times
- Posted Jan 13, 2017
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Reviewed by
Neil Genzlinger
Underappreciated occupations deserve better than the cliché-clogged, utterly predictable Life on the Line, a terrible movie about the workers who keep the electrical grid functioning.- The New York Times
- Posted Nov 17, 2016
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Reviewed by
Glenn Kenny
Mr. Montiel may have had honorable intentions in creating this movie. But what he made is neither a viable work of art nor an effective call to action. It’s a sadistic and ghoulish spectacle.- The New York Times
- Posted Dec 1, 2016
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Reviewed by
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Reviewed by
Jeannette Catsoulis
[An] insipid and uninformative portrait of singularity and obsession.- The New York Times
- Posted Nov 17, 2016
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Reviewed by
A.O. Scott
In spite of the charm and discipline of the stars, the jokes misfire and the scenes creak and stumble.- The New York Times
- Posted Dec 12, 2017
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Reviewed by
Ben Kenigsberg
If “Daddy’s Home” (2015) played like a distant, wayward cousin of “Step Brothers,” Daddy’s Home 2, again directed by Sean Anders, is the sort of relative you might disown.- The New York Times
- Posted Nov 9, 2017
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Reviewed by
Glenn Kenny
Whatever investigation it’s attempting, the movie is leaden in its pacing — the first 15 minutes feel like an hour — and its constricted shooting style, practically all hand-held almost close-ups, is transparent in its contrivance of realism.- The New York Times
- Posted Feb 16, 2017
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Reviewed by
Stephen Holden
One thing you can say for Ed, a chimpanzee whose baseball-playing expertise propels the Rockets, a minor-league team, to glory: his behavior is a lot more human than any of the other characters in this flimsy, laugh-free family comedy- The New York Times
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Reviewed by
Ben Kenigsberg
A testosterone cocktail of reactionary sound bites and incoherent action that even Michael Bay might have rejected as too amped, Peter Berg’s Mile 22 makes for an appalling referendum on the state of commercial cinema in 2018- The New York Times
- Posted Aug 16, 2018
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Reviewed by
Glenn Kenny
Every aspect of this computer-animated movie directed by Kelly Asbury seems equally overdetermined and tossed-off, as if it were a caffeinated weekend project for everyone involved.- The New York Times
- Posted May 1, 2019
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Reviewed by
Glenn Kenny
You know what might make an intriguing, revealing movie? The story of how, over 30 years after its debut, a relatively innocent arcade game starring a giant ape and other oversize beasts underwent a corporate transmogrification and became a turgid, logy sci-fi/action blockbuster.- The New York Times
- Posted Apr 11, 2018
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- The New York Times
- Posted Jun 15, 2017
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- Critic Score
The film is so successful at turning your brain into something resembling mashed potatoes that it is not clear when you'll be able to respond to intelligible stimuli again.- The New York Times
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- The New York Times
- Posted Mar 1, 2018
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Reviewed by
Vincent Canby
It's also not easy convincing the audience. The werewolf, when it finally comes onto the screen, looks less like a wolf than Smokey Bear with a terrible hangover.- The New York Times
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Reviewed by
Ben Kenigsberg
The movie’s notion of fun comes to involve an unclean rest stop, slipped pills and an eminently foreseeable conclusion.- The New York Times
- Posted Aug 31, 2017
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Reviewed by
Vincent Canby
Fletch Lives looks less like ''Fletch 2,'' which it is, numerically speaking, than ''Fletch 7,'' the bitter end of a worn-out series.- The New York Times
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Reviewed by
Ben Kenigsberg
The movie tries to do for amateur cooking contests what “Best in Show” did for dog competitions, but the strained folksiness and tired stereotypes couldn’t be further from the snap and wit of prime Christopher Guest.- The New York Times
- Posted Nov 16, 2017
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Reviewed by
Caryn James
Prison has a generic, low-budget name, and for once you can judge a movie by its title. This prison-drama-meets-ghost-story turns out to be an object lesson in how cheaply and badly a film can be made.- The New York Times
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Reviewed by
Stephen Holden
A largely incoherent movie that generates little suspense and relies for the majority of its thrills on close-up gore.- The New York Times
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- Critic Score
My Bloody Valentine probably won't make you shiver with fright, but it's almost certain to make you squirm, first with irritation and then with revulsion.- The New York Times
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