The New York Times' Scores

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For 20,280 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,381 out of 20280
  2. Mixed: 8,435 out of 20280
  3. Negative: 2,464 out of 20280
20280 movie reviews
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  1. State of Grace
    With coolly expressive cinematography by Jordan Cronenweth and an insinuating Ennio Morricone score, State of Grace has a somber and chilling tone that is only occasionally breached.
  2. Death Warrant
    All of the performances are terrible, but Joseph Porro's costume design is arresting. Mr. Van Damme and the other prisoner look as if they had been outfitted by an upscale outlet of a Banana Republic-type men's boutique.
  3. White Hunter Black Heart
    This material marks a gutsy, fascinating departure for Mr. Eastwood, and makes it clear that his directorial ambitions have by now outstripped his goals as an actor.
  4. Hardware
    Hardware is a sci-fi-horror film of such dopiness that it seems certain to become a cult classic somewhere. Movies that are so insistently silly often have the effect of seeming to expand the mind after midnight, which may have something to do with metabolism if not with controlled substances.
  5. Postcards from the Edge
    Postcards From the Edge seems to have been a terrifically genial collaboration between the writer and the director, Miss Fisher's tale of odd-ball woe being perfect material for Mr. Nichols's particular ability to discover the humane sensibility within the absurd.
  6. The Killer
    The scenes of gore and destruction are even more spectacular than Hong Kong's fog-shrouded skyline. The director repeatedly places the viewer at the center of the crossfire and turns the gyrating camera into the next best thing to a lethal weapon.
    • 68 Metascore
    • 80 Critic Score
    Opera
    Inspired by Argento’s own frustrations with directing a production of Giuseppe Verdi’s Macbeth, Opera replaces the supernatural with the sexual, leaving room for a conversation about the link between sexual and artistic impotence. [25 Oct 2018]
    • The New York Times
  8. Darkman
    Darkman sustains mild interest throughout, but it never takes off, partly because a real-estate scam, gangland shootouts, city corruption and a love story clutter up the sad story of Westlake's strange mutation.
  9. After Dark, My Sweet
    James Foley's After Dark, My Sweet is a brisk, entertaining contemporary melodrama about the kind of sleazy characters who populated California crime literature 35 years ago. That's no surprise, since the screenplay, adapted by Robert Redlin and Mr. Foley, is based on Jim Thompson's novel, published in 1955.
  10. Men at Work
    A good-natured lowbrow farce about two southern California garbage men who dream of opening their own surf shop.
  11. The Witches
    The Witches resembles a brilliantly told bedtime story, though the teller of this children's tale may well be the slightly cracked relative who can't judge when scary stories become nightmares.
  12. Pump Up the Volume
    Working within the confines of the teen-age genre film, Pump Up the Volume succeeds in sounding a surprising number of honest, heartfelt notes.
  13. My Blue Heaven
    It is apparent that through most of My Blue Heaven, Steve Martin's talent is tossed away on this sketchy outline of a howlingly funny idea.
  14. The Exorcist III
    This may sound like heresy, but The Exorcist III is a better and funnier (intentionally) movie than either of its predecessors.
  15. Taking Care of Business
    This is the old, old trading places gag, and while a good idea can always be reinvented, invention is precisely what Taking Care of Business lacks.
  16. Wild at Heart
    This time, though, Mr. Lynch's conceits are less often pleasurably disorienting than out of focus.
  17. Air America
    This muddled film about a secret C.I.A. project in Laos in 1969 fails on every possible level: as action film, as buddy film, as scenic travelogue and even, sad to say, as a way to flaunt Mel Gibson's appeal.
  18. Flatliners
    Flatliners is a stylish, eerie psychological horror film laced with wit, a movie that thrives on its characters' guilty secrets and succeeds on the strength of the director Joel Schumacher's flair for just this sort of smart, unpretentious entertainment.
  19. Mo' Better Blues
    From characters to camera angles, this story of a self-absorbed jazz trumpeter is one long cliche, the kind that might make his most loyal admirers wince and wonder, Spike, what happened?
  20. Young Guns II
    Young Guns II concentrates principally on the drawing power of the post-adolescent heartthrobs in its cast. This approach has its appeal in limited doses, but it makes for a western that's smaller than life.
  21. Problem Child
    As directed by the actor Dennis Dugan, everyone seems to be yelling their lines and making huge hand gestures instead of acting.
  22. Presumed Innocent
    Alan J. Pakula has directed an intense, enveloping, gratifyingly thorough screen adaptation of Mr. Turow's story. Mr. Pakula, who also co-wrote the film with Frank Pierson, is well suited to the job of conveying both the story's suspense and its underlying sobriety.
  23. The Unbelievable Truth
    Mr. Hartley and his director of photography, Michael Spiller, have made a film that is visually and verbally much richer than its low budget.
  24. The Freshman
    The visual style of The Freshman isn't always up to its verbal wit, but then the writing sets an exceptional standard.
  25. Navy Seals
    It might have helped if the film makers had had the humor to see they were turning out ''Teen-Age Mutant Ninja Seals.'' As it is, they take their explosives and their silly roles much too seriously.
  26. Arachnophobia
    The specifics of the spider rampage have been very enjoyably executed by Mr. Marshall and particularly well played by Mr. Daniels, whose dryly self-deprecating manner and underlying decency make him an irresistible hero. Arachnophobia falters only when it becomes too broad, as in a dopey nod to Psycho that captures none of Hitchcock's formal elegance, and in various minor characters who serve as comic grotesques, like the town's potato-chip-munching mortician. 
  27. Ghost
    Nothing if not earnest. It's also eccentric enough to remain interesting even when its ghost story isn't easy to believe.
  28. Quick Change
    In films like Quick Change, he is bogged down by scripts that don't begin to match his comic imagination. Even though he chose and developed Quick Change himself, Bill Murray deserves better than this clunky, stereotypical comedy.
  29. No Picnic
    It is impossible to separate Mr. Hartman's writing and direction from Mr. Horton's smooth, sophisticated camera work, which offers a broad view of the cluttered streets and also peers up narrow stairwells to suggest Mac's claustrophobic life. However their collaboration worked, ''No Picnic'' does not look or sound quite like any other film, and that's more than you can say about most movies of any size.
  30. The Adventures of Ford Fairlane
    Renny Harlin, who did a much better job directing ''Die Hard 2,'' displays no sense of humor and takes the film's nonsensical action scenes much too seriously, at one point even blowing up a beach house in the process.
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