For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
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- By Critic Score
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Reviewed by
Janet Maslin
Miss Walker, who also plays a terrorist femme fatale in "Patriot Games," makes a mesmerizing impression as she holds her own against Miss Plowright without seeming remotely ruffled.- The New York Times
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Reviewed by
Stephen Holden
Mistress abounds with sharp comic performances that never stray into caricature or sentimentality.- The New York Times
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Reviewed by
Stephen Holden
If the new film doesn't exude quite as much fairy-tale magic as the original, it is still a thoroughly entertaining family romp.- The New York Times
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Reviewed by
Janet Maslin
The plot of Michael Grais's and Mark Victor's screenplay is even more nonsensical than it needs to be. [11 Jul 1992]- The New York Times
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Reviewed by
Janet Maslin
Mr. Lundgren, who glowers his way all too convincingly through the role of a rabid bully, may well be the only man in the universe who can make Mr. Van Damme look like an actor.- The New York Times
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Reviewed by
Janet Maslin
There are subtly etched characters, effortlessly fine performances, and a moving story that is not easily forgotten.- The New York Times
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Reviewed by
Janet Maslin
For a time, The Best Intentions captures the elements of a profoundly difficult and credible love story, one plagued by essential differences that cannot be resolved.- The New York Times
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Reviewed by
Vincent Canby
This "Prelude to a Kiss" is not only without charm and wit, but it's also clumsily set forth: many people seeing it may wonder what, in heaven's name, is going on.- The New York Times
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Reviewed by
Janet Maslin
The funniest parts of this uneven, ostentatiously upscale comedy are those that find Mr. Murphy's Marcus adopting the behavior of a sexually insecure woman.- The New York Times
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Vincent Canby
Though big of budget, A League of Their Own is one of the year's most cheerful, most relaxed, most easily enjoyable comedies. It's a serious film that's lighter than air, a very funny movie that manages to score a few points for feminism in passing.- The New York Times
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Reviewed by
Janet Maslin
Unlawful Entry manages to be more gripping than it is convincing, thanks to the story's inevitable movement toward a violent showdown.- The New York Times
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Reviewed by
Janet Maslin
Mr. Burton's new Batman Returns is as sprightly as its predecessor was sluggish, and it succeeds in banishing much of the dourness and tedium that made the first film such an ordeal.- The New York Times
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Reviewed by
Vincent Canby
Too much of the film seems unfinished. Almost every four scenes could be condensed into one. The comedy doesn't build to any climax. It just rolls on, with Ms. Hawn doggedly working to create some sense of oddball fun. The characters, as written, are as flimsy as Newton's dream house, which, even though based on a House Beautiful award-winning design, looks less habitable than a billboard. Even its brand-new furnishings are tacky.- The New York Times
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Reviewed by
Janet Maslin
As directed by Randall Miller, the movie doesn't aspire to much more than cartoonish verve, but Kid 'n' Play easily hold it together. Their comic timing is right, and their humor manages to be both traditional and current.- The New York Times
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Reviewed by
Janet Maslin
Sister Act was screened on Wednesday night for an audience of 300 nuns who found a lot of it funny, especially a closing gag about the Pope. Secular audiences aren't likely to be so charitable.- The New York Times
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Reviewed by
Vincent Canby
Alien 3 belongs to that branch of fantasy comics, best exemplified by the "Road Warrior" movies, in which the iron and space ages meet for dizzy results.- The New York Times
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Reviewed by
Caryn James
When Stoney explains that Milk Duds belong to one of the four major food groups, the dairy group, that's about as funny as things get. For a film that prides itself on throwing around Pauly-isms like fully (meaning yes), and grindage (food), Encino Man is surprisingly not buff (cool).- The New York Times
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Reviewed by
Stephen Holden
Although the actual story of Zentropa is the stuff of an ordinary thriller, that plot is the only conventional aspect of a film that is an almost impudently flashy and knowing exercise in post-modern cinematic expressionism.- The New York Times
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Reviewed by
Vincent Canby
Lethal Weapon 3 isn't that much worse than the two earlier films.- The New York Times
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Janet Maslin
Mr. Franklin delivers the kind of symmetry, surprise and detail that easily transcend the limits of the genre.- The New York Times
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Reviewed by
Janet Maslin
A B movie with a vengeance, one that offers a wickedly feminine (though hardly feminist) view of nominally happy family life and its failings.- The New York Times
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Stephen Holden
Within the genre of supernatural thrillers, Split Second is fairly dull. Mr. Hauer's Stone is an expressionless, unsympathetic lug who grunts his lines in a near monotone that sometimes becomes unintelligble in the movie's muffled soundtrack. The film is so desperate to create tingles that poor Miss Cattrall has to endure two protracted nude scenes -- one in a shower, the other in a bathtub -- in which she is menaced. Neither is especially spine-tingling.- The New York Times
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Vincent Canby
Roger Donaldson's White Sands is set entirely in the vast painterly landscapes of the American Southwest, but it means to be a suspense thriller reflecting the scaled-down undercover realities of the post-cold-war era. In fact, it's almost as difficult to follow as the politics of the federation that replaced the Union of Soviet Socialist Republics, and as difficult to remember as that federation's official name.- The New York Times
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Reviewed by
Janet Maslin
Brain Donors is a short, reasonably snappy attempt at nothing less than a present-day Marx Brothers comedy,- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
Deep Cover eventually degenerates into so much gratuitous violence that "kill" sounds like the most-used verb in the screenplay's last stages. The screenplay's frequent emphasis on homophobic insults is another unfortunate touch.- The New York Times
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Reviewed by
Janet Maslin
Newsies is a long, halfhearted romp through what is made to seem a not terribly compelling chapter in New York City's history.- The New York Times
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Reviewed by
Stephen Holden
The movie is filled with felines. It seems that the only things that Sleepwalkers fear are cats, which would like to tear them to pieces. That's why the Brady front yard teems with them. They are waiting for a denouement that, when it arrives, is anticlimactic.- The New York Times
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Reviewed by
Janet Maslin
Ferngully is more run-of-the-mill than its subject matter might indicate. The main characters are disappointingly ordinary, with the exotic Crysta sounding very much like someone who spends time at the mall.- The New York Times
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Vincent Canby
So entertaining, so flip and so genially irreverent that it seems to announce the return of the great gregarious film maker whose "Nashville" remains one of the classics of the 1970's.- The New York Times
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