For 20,323 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20323
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Mixed: 8,448 out of 20323
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Negative: 2,467 out of 20323
20323
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dana Stevens
Though its story is fuzzy, the acting and direction in Final give it an air of quiet, dignified ambition.- The New York Times
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Reviewed by
Dana Stevens
Like finding that perfect stage of moderate drunkenness in which the senses are sharpened rather than dulled, and time passes with leisurely grace.- The New York Times
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Reviewed by
A.O. Scott
The picture is so predictable that the bad acting becomes a distraction.- The New York Times
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Reviewed by
Stephen Holden
With an intensity that few movies have mustered, The Business of Strangers makes you feel the acute loneliness of it all.- The New York Times
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Reviewed by
Stephen Holden
One of the movie's dark running jokes is that everyone seems to speak a different language and has trouble communicating. The continual struggle of people to make themselves understood becomes a metaphor for the war itself.- The New York Times
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A.O. Scott
Soderbergh rallies a seismic jolt of enthusiasm, and the movie is an elating blaze of flair and pride.- The New York Times
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A.O. Scott
It is intermittently engrossing, though a little overextended for the deadpan approach that Mr. Bitomsky uses.- The New York Times
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Reviewed by
Dana Stevens
This violent meatball western deserves to be forgotten quickly.- The New York Times
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- The New York Times
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Reviewed by
Anita Gates
Haneke, who wrote and directed, is a skillful, minutely observant filmmaker who trusts his audience to be able to put two and two together. Unfortunately, he's often too cryptic, which leaves viewers still trying to make connections when they should already be reacting to the moral lessons implied by them.- The New York Times
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Stephen Holden
It strings along its joke just long enough to keep from wearing out its welcome.- The New York Times
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Reviewed by
Dana Stevens
Drags and meanders when it wants clarity and clockwork, and bogs down in hazy, vague emotions.- The New York Times
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Reviewed by
Stephen Holden
As intense an immersion in military ambience as a Hollywood movie could hope to provide in just over 90 minutes.- The New York Times
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Reviewed by
Stephen Holden
Ultimately seems naïve. In developing the comparison of sex and cannibalism, it never goes beyond the standard Draculian symbol of blood to include other bodily substances.- The New York Times
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Reviewed by
Dave Kehr
Some of the nonstop commotion of Bangkok Dangerous is funny and inventive -- but much more of it is simply irritating and obfuscating.- The New York Times
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Reviewed by
Stephen Holden
When a film as profoundly quiet as In the Bedroom comes along, it feels almost miraculous, as if a shimmering piece of art had slipped below the radar and through the minefield of commerce.- The New York Times
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Reviewed by
Dana Stevens
Essential viewing for anyone who desires a sense of the finer human grain of a war that now commands the attention of the world as never before.- The New York Times
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Reviewed by
Stephen Holden
A movie that knows its audience. Its underlying philosophy might be: why try harder when this is all they expect?- The New York Times
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Reviewed by
Dana Stevens
The time is right for a breezy, captivating New York romantic comedy. Sidewalks of New York is not an especially good movie, but it will do.- The New York Times
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A.O. Scott
Mr. del Toro provokes your screams and shudders, but he also earns your tears.- The New York Times
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Reviewed by
Dana Stevens
The problem lies in the calculating pretentiousness of using human misery to make shallow entertainment seem serious. It's worth comparing Spy Game with "The Tailor of Panama," John Boorman's far superior exercise in post-cold-war spycraft.- The New York Times
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Reviewed by
Dave Kehr
A ski party movie in which the clothes are a little more revealing than they were 35 years ago, the practical jokes are a little more tasteless, and the uncertainty over sex is pretty much nonexistent.- The New York Times
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Reviewed by
Stephen Holden
The movie is powerfully acted. Mr. Lo Verso's passionate, fiery-eyed Giovanni is an incandescent star turn by an actor with world class charisma.- The New York Times
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- The New York Times
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Dana Stevens
Moves nimbly from behind-the-scenes comedy to melodrama, with occasional stumbles into pop psychology and film-noir violence.- The New York Times
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Reviewed by
Dana Stevens
Nothing is particularly believable here, but there are still a few moments of silly, sinister fun.- The New York Times
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Reviewed by
Stephen Holden
Might be described as a muddy, cliché-ridden sudsfest that lurches uncertainly between comedy and soap opera without finding its emotional or visual footing.- The New York Times
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Reviewed by
A.O. Scott
Given that movies can now show us everything, the manifestations that Ms. Rowling described could be less magical only if they were delivered at a news conference.- The New York Times
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Reviewed by
Stephen Holden
The film offers a concise history of hijras, who used to officiate at births, weddings and other religious rituals.- The New York Times
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Reviewed by
A.O. Scott
Isn't much of a movie (it'll play much better on the small screen), but the likable chemistry between Dre and Snoop counts for a lot.- The New York Times
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