The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. Though its story is fuzzy, the acting and direction in Final give it an air of quiet, dignified ambition.
  2. Like finding that perfect stage of moderate drunkenness in which the senses are sharpened rather than dulled, and time passes with leisurely grace.
  3. The picture is so predictable that the bad acting becomes a distraction.
  4. With an intensity that few movies have mustered, The Business of Strangers makes you feel the acute loneliness of it all.
  5. One of the movie's dark running jokes is that everyone seems to speak a different language and has trouble communicating. The continual struggle of people to make themselves understood becomes a metaphor for the war itself.
  6. Soderbergh rallies a seismic jolt of enthusiasm, and the movie is an elating blaze of flair and pride.
  7. It is intermittently engrossing, though a little overextended for the deadpan approach that Mr. Bitomsky uses.
  8. This violent meatball western deserves to be forgotten quickly.
  9. A better and more serious film than its forerunner, "American Desi."
  10. Haneke, who wrote and directed, is a skillful, minutely observant filmmaker who trusts his audience to be able to put two and two together. Unfortunately, he's often too cryptic, which leaves viewers still trying to make connections when they should already be reacting to the moral lessons implied by them.
  11. It strings along its joke just long enough to keep from wearing out its welcome.
  12. Drags and meanders when it wants clarity and clockwork, and bogs down in hazy, vague emotions.
  13. As intense an immersion in military ambience as a Hollywood movie could hope to provide in just over 90 minutes.
  14. Ultimately seems naïve. In developing the comparison of sex and cannibalism, it never goes beyond the standard Draculian symbol of blood to include other bodily substances.
  15. Some of the nonstop commotion of Bangkok Dangerous is funny and inventive -- but much more of it is simply irritating and obfuscating.
  16. When a film as profoundly quiet as In the Bedroom comes along, it feels almost miraculous, as if a shimmering piece of art had slipped below the radar and through the minefield of commerce.
  17. Essential viewing for anyone who desires a sense of the finer human grain of a war that now commands the attention of the world as never before.
  18. A movie that knows its audience. Its underlying philosophy might be: why try harder when this is all they expect?
  19. The time is right for a breezy, captivating New York romantic comedy. Sidewalks of New York is not an especially good movie, but it will do.
  20. Mr. del Toro provokes your screams and shudders, but he also earns your tears.
  21. The problem lies in the calculating pretentiousness of using human misery to make shallow entertainment seem serious. It's worth comparing Spy Game with "The Tailor of Panama," John Boorman's far superior exercise in post-cold-war spycraft.
  22. A ski party movie in which the clothes are a little more revealing than they were 35 years ago, the practical jokes are a little more tasteless, and the uncertainty over sex is pretty much nonexistent.
  23. The movie is powerfully acted. Mr. Lo Verso's passionate, fiery-eyed Giovanni is an incandescent star turn by an actor with world class charisma.
  24. Entertaining, lightly mocking documentary.
  25. Moves nimbly from behind-the-scenes comedy to melodrama, with occasional stumbles into pop psychology and film-noir violence.
  26. Nothing is particularly believable here, but there are still a few moments of silly, sinister fun.
  27. Might be described as a muddy, cliché-ridden sudsfest that lurches uncertainly between comedy and soap opera without finding its emotional or visual footing.
  28. Given that movies can now show us everything, the manifestations that Ms. Rowling described could be less magical only if they were delivered at a news conference.
  29. The film offers a concise history of hijras, who used to officiate at births, weddings and other religious rituals.
  30. Isn't much of a movie (it'll play much better on the small screen), but the likable chemistry between Dre and Snoop counts for a lot.

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