For 20,335 reviews, this publication has graded:
-
46% higher than the average critic
-
5% same as the average critic
-
49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
-
Positive: 9,412 out of 20335
-
Mixed: 8,455 out of 20335
-
Negative: 2,468 out of 20335
20335
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Stephen Holden
Well acted, but it doesn't enrich its metaphor beyond giving an old story a sour contemporary resonance.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Takes such pains to avoid narrative and verbal cliches and anything that could remotely be construed as sentimental or romantic that it feels curiously flat.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Terminally whimsical, it generates a steady current of humor, much of it off-color.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
- The New York Times
- Read full review
-
-
Reviewed by
Dana Stevens
The real surprise, given the secondhand material, is that not everything proceeds by rote in Murder by Numbers.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
For all its demureness, Restless captures some of the excitement of youthful romance in which the partners aren't just separate individuals but the products of divergent cultures.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Lawrence Van Gelder
Combines old-fashioned boys' adventure with a heavy-handed modern lecture on parenthood. The film possesses a decent heart but suffers from a simple mind.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Walter Goodman
While the screen flashes and flickers, little else is happening.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dave Kehr
What the film resembles more than anything else is one of the miniature human-interest profiles that the networks have taken to inserting between the events in their Olympic coverage.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Dana Stevens
Nothing is particularly believable here, but there are still a few moments of silly, sinister fun.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
So awful it just might put an end to Hollywood's hypocritical infatuation with men in drag as symbols of its own supposedly liberated sexual attitudes.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Dana Stevens
Triumph of Love, Marivaux's 270-year-old romantic comedy, is a beguiling trifle, a gauzy, teasing inquiry into the fungibility of emotions.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Little more than a sanitized blend of nonsense and adventure and just a teeny bit of romance, interspersed with the occasional pop song.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
A sugarcoated romantic comedy that is just clever enough to make you wish it were three times as smart and only a third as sweet.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Except for Williams, the sitcom-meets-sci-fi acting throughout the movie is strictly of television caliber.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
A.O. Scott
It's clear that this is a farce about ambition that is not ambitious enough, right down to its cutesy, punning title.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dana Stevens
To attempt a culinary metaphor, Ms. van der Oest manages a yolky, runny sitcom omelet rather than the airy soufflé of farce.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Dave Kehr
Ms. Moreau, still an imperious presence at age 75, makes no effort to look or sound like Duras -- this is one sacred monster stepping in for another.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Eureka never comes to life. -- In pursuing its aesthetic agenda so single-mindedly, the movie leaves the characters behind in the muck.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Dana Stevens
Unfortunately, The Invisible Circus, which follows Phoebe as she retraces her dead sibling's steps from Paris to Berlin to the coast of Portugal, doesn't so much illuminate Phoebe's confusion as share it.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Probably serves some useful purpose, despite its ham-fisted preachiness and mediocre acting.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
There's not much going on here, and there is little suspense.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Far from being a typical Hollywood desecration of a difficult play, it stays true to the work's quirky, renegade spirit.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
A.O. Scott
Packs a lot into one night, but it's wearying. It's like a kid determined to show you every toy in his room, and there's nowhere to escape.- The New York Times
- Read full review
-
Reviewed by