For 20,278 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,380 out of 20278
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Mixed: 8,434 out of 20278
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Negative: 2,464 out of 20278
20278
movie
reviews
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Reviewed by
Stephen Holden
Each person's story is so compelling it is worthy of a feature-length documentary itself. If The Last Days has a flaw, it is that the stories have been so abbreviated to keep the film moving quickly that they feel incomplete.- The New York Times
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Reviewed by
Nicolas Rapold
Watchers of the Sky is a film that can dash hopes about humanity but also raise them in depicting the stories of these tireless defenders.- The New York Times
- Posted Oct 16, 2014
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
The political implications of the film are manifest, as is the quiet courage of making it.- The New York Times
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Reviewed by
Stephen Holden
Sustains a perfect balance of pathos, humor and a clear-headed realism. One tiny misstep, and it could have tumbled into an abyss of tears.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Ben Kenigsberg
An uncannily intimate portrait of a couple adapting their relationship to a disease that affects the mind, The Eternal Memory doesn’t aim to hold spectators’ hands.- The New York Times
- Posted Aug 14, 2023
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Reviewed by
Manohla Dargis
A rebus, a romance, a gothic thriller and a woozy comedy, The Handmaiden is finally and most significantly a liberation story.- The New York Times
- Posted Oct 20, 2016
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Reviewed by
Manohla Dargis
No movie that I’ve seen this year has moved me as deeply, made me feel as optimistic about cinema or engaged me with such intellectual vigor as “EO,” whose octogenarian genius auteur and all the donkeys who play EO — Hola, Tako, Marietta, Ettore, Rocco and Mela — deserve all the love and the carrots, too.- The New York Times
- Posted Nov 17, 2022
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Reviewed by
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Reviewed by
Manohla Dargis
In the end, what gives me reluctant pause about this bright, cheery, hard-to-resist movie is that its joyfulness feels more like a filmmaker's calculation than an honest cry from the heart about the human spirit (or, better yet, a moral tale).- The New York Times
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Reviewed by
Stephen Holden
Invites you to contemplate the symbolic vibration of every hue in its teeming, overcrowded canvas.- The New York Times
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Devika Girish
Sarvnik Kaur’s breathtaking documentary about Indigenous fishermen in Mumbai, India, dispels the myth that cinematic beauty has to do with the power of the camera or the glossiness of the image. Shot by Ashok Meena, the film finds beauty, simply, in perspective.- The New York Times
- Posted Nov 23, 2023
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Reviewed by
Jeannette Catsoulis
Opening an aperture into a process so ego-stripping that it feels unseemly to witness, The Work is enlightening yet also punishing.- The New York Times
- Posted Oct 26, 2017
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Reviewed by
A.O. Scott
A movie that is almost indecently satisfying and at the same time elusive, at once intellectually lofty -- marked by allusions to Emerson, Shakespeare and Seamus Heaney as well as Nietzsche -- and as earthy as the passionate provincial family that is its heart and cosmos and reason for being.- The New York Times
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Reviewed by
Andy Webster
You may not agree with every observation in Michael Singh’s documentary Valentino’s Ghost. But this engrossing examination of American perceptions of Arabs and the Arab world gets you thinking.- The New York Times
- Posted May 16, 2013
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Reviewed by
Beatrice Loayza
Court — whose languorous pacing heightens the film’s brief, bewildering moments of action — summons an unsettling experience from relatively restrained gestures.- The New York Times
- Posted Jul 1, 2021
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Reviewed by
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Reviewed by
Ben Kenigsberg
Fans of structural film, “Jeanne Dielman” and Google Maps will find much to treasure, even if the narrative elements — and occasional cutaways to imagery shot in a more remote area in western Victoria — upset the movie’s rigor and purposeful tedium.- The New York Times
- Posted Apr 13, 2023
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Reviewed by
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Reviewed by
Manohla Dargis
A haunting, voluptuously beautiful portrait of a teenage boy who, after being suddenly caught in midflight, falls to earth.- The New York Times
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Reviewed by
Bosley Crowther
Thanks to Mr. Stevens' brilliant structure and handling of images, every scene and every moment is a pleasure. He makes "picture" the essence of his film.- The New York Times
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Reviewed by
Janet Maslin
The film's sleek moodiness and visual sophistication are so effective that there's even a scene here that makes Detroit look like the most romantic city in the world.- The New York Times
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Reviewed by
Janet Maslin
Brazil may not be the best film of the year, but it's a remarkable accomplishment for Mr. Gilliam, whose satirical and cautionary impulses work beautifully together. His film's ambitious visual style bears this out, combining grim, overpowering architecture with clever throwaway touches.- The New York Times
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Reviewed by
Stephen Holden
In the Shadow of the Moon is such a morale booster. The power of its archival images hasn’t diminished with familiarity.- The New York Times
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Reviewed by
Dana Stevens
A tough and touching exploration of honor and friendship among thieves.- The New York Times
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Reviewed by
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Reviewed by
Janet Maslin
Some of the film's best and most comfortable moments find the bus passengers simply singing together in a show of warm, spontaneous unity.- The New York Times
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Reviewed by
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Reviewed by
Nicolas Rapold
76 Days, which gets its title from the Wuhan lockdown imposed from January 23 to April 8, is defined more by the human capacity for resilience and compassion than by a relentless sense of doom (or by a focus on China’s policy decisions).- The New York Times
- Posted Dec 3, 2020
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Reviewed by
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Reviewed by
Janet Maslin
There is a dazzling array of talent on display here, and the film surely has its memorable moments. But it articulates so little of the end-of-an-era feeling it hints at—and some of Mr. Scorsese's accomplishments have been so stunning—that it's impossible to view The Last Waltz as anything but an also-ran.- The New York Times
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Reviewed by
Lisa Kennedy
The director-writer Kelly Fremon Craig’s rendering of the book about puberty, family and nascent spirituality offers lessons in how a cherished object, when treated with tender and thoughtful regard, needn’t turn precious.- The New York Times
- Posted Apr 27, 2023
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Reviewed by
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- The New York Times
- Posted Dec 22, 2010
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- The New York Times
- Posted Mar 4, 2021
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