The New York Times' Scores

For 20,278 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20278 movie reviews
  1. Each person's story is so compelling it is worthy of a feature-length documentary itself. If The Last Days has a flaw, it is that the stories have been so abbreviated to keep the film moving quickly that they feel incomplete.
  2. Watchers of the Sky is a film that can dash hopes about humanity but also raise them in depicting the stories of these tireless defenders.
  3. At once admirable and deeply unsettling.
  4. Powerful, insightful, important and emotionally wrenching.
  5. The political implications of the film are manifest, as is the quiet courage of making it.
  6. Sustains a perfect balance of pathos, humor and a clear-headed realism. One tiny misstep, and it could have tumbled into an abyss of tears.
  7. A rich, gaudy cinema trip.
  8. An uncannily intimate portrait of a couple adapting their relationship to a disease that affects the mind, The Eternal Memory doesn’t aim to hold spectators’ hands.
  9. A rebus, a romance, a gothic thriller and a woozy comedy, The Handmaiden is finally and most significantly a liberation story.
  10. EO
    No movie that I’ve seen this year has moved me as deeply, made me feel as optimistic about cinema or engaged me with such intellectual vigor as “EO,” whose octogenarian genius auteur and all the donkeys who play EO — Hola, Tako, Marietta, Ettore, Rocco and Mela — deserve all the love and the carrots, too.
  11. In the end, what gives me reluctant pause about this bright, cheery, hard-to-resist movie is that its joyfulness feels more like a filmmaker's calculation than an honest cry from the heart about the human spirit (or, better yet, a moral tale).
  12. Invites you to contemplate the symbolic vibration of every hue in its teeming, overcrowded canvas.
  13. Sarvnik Kaur’s breathtaking documentary about Indigenous fishermen in Mumbai, India, dispels the myth that cinematic beauty has to do with the power of the camera or the glossiness of the image. Shot by Ashok Meena, the film finds beauty, simply, in perspective.
  14. Opening an aperture into a process so ego-stripping that it feels unseemly to witness, The Work is enlightening yet also punishing.
  15. A movie that is almost indecently satisfying and at the same time elusive, at once intellectually lofty -- marked by allusions to Emerson, Shakespeare and Seamus Heaney as well as Nietzsche -- and as earthy as the passionate provincial family that is its heart and cosmos and reason for being.
  16. You may not agree with every observation in Michael Singh’s documentary Valentino’s Ghost. But this engrossing examination of American perceptions of Arabs and the Arab world gets you thinking.
  17. Court — whose languorous pacing heightens the film’s brief, bewildering moments of action — summons an unsettling experience from relatively restrained gestures.
  18. Fans of structural film, “Jeanne Dielman” and Google Maps will find much to treasure, even if the narrative elements — and occasional cutaways to imagery shot in a more remote area in western Victoria — upset the movie’s rigor and purposeful tedium.
  19. A haunting, voluptuously beautiful portrait of a teenage boy who, after being suddenly caught in midflight, falls to earth.
  20. Thanks to Mr. Stevens' brilliant structure and handling of images, every scene and every moment is a pleasure. He makes "picture" the essence of his film.
  21. The film's sleek moodiness and visual sophistication are so effective that there's even a scene here that makes Detroit look like the most romantic city in the world.
  22. Brazil may not be the best film of the year, but it's a remarkable accomplishment for Mr. Gilliam, whose satirical and cautionary impulses work beautifully together. His film's ambitious visual style bears this out, combining grim, overpowering architecture with clever throwaway touches.
  23. In the Shadow of the Moon is such a morale booster. The power of its archival images hasn’t diminished with familiarity.
  24. A tough and touching exploration of honor and friendship among thieves.
  25. Some of the film's best and most comfortable moments find the bus passengers simply singing together in a show of warm, spontaneous unity.
  26. 76 Days, which gets its title from the Wuhan lockdown imposed from January 23 to April 8, is defined more by the human capacity for resilience and compassion than by a relentless sense of doom (or by a focus on China’s policy decisions).
  27. There is a dazzling array of talent on display here, and the film surely has its memorable moments. But it articulates so little of the end-of-an-era feeling it hints at—and some of Mr. Scorsese's accomplishments have been so stunning—that it's impossible to view The Last Waltz as anything but an also-ran.
  28. The director-writer Kelly Fremon Craig’s rendering of the book about puberty, family and nascent spirituality offers lessons in how a cherished object, when treated with tender and thoughtful regard, needn’t turn precious.
  29. It is a great movie, by a major figure in world cinema.
  30. A charming and slyly poignant documentary.

Top Trailers