For 20,324 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20324
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Mixed: 8,449 out of 20324
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Negative: 2,467 out of 20324
20324
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Anita Gates
With enough tragic-restorative plot twists for a 12-hour mini-series, Botso is an enchanting film for two reasons: Mr. Korisheli’s humanity is magnetic, and no more beautiful case could be made for the psychological healing power of making music.- The New York Times
- Posted Oct 9, 2014
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Jeannette Catsoulis
If the movie’s hilariously cruel treatment of the halt and the lame upsets you, you can enjoy the crisp cinematography, operatically repulsive effects and frequently witty dialogue.- The New York Times
- Posted Oct 9, 2014
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Ben Kenigsberg
The appealing Mr. Corden manages the not insignificant task of maintaining interest in a story whose climax has already been passed around on YouTube.- The New York Times
- Posted Oct 9, 2014
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Manohla Dargis
The actors don’t do all the heavy lifting by themselves. The uniformly good performances make it clear that Mr. Melfi knows how to handle actors, and there are some funny bits.- The New York Times
- Posted Oct 9, 2014
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A.O. Scott
Various secrets come dribbling out... They add up to a sprawl of narrative that is as unconvincing as the suspiciously sprawl-free, nostalgia-tinged town where it all takes place.- The New York Times
- Posted Oct 9, 2014
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Andy Webster
Anne Hathaway made a splash in Disney’s “The Princess Diaries,” and the rangy Ms. Kapoor (who descends from a Bollywood dynasty) shares some of her early incandescence, along with a Julia Roberts-like smile.- The New York Times
- Posted Oct 9, 2014
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- The New York Times
- Posted Oct 9, 2014
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Reviewed by
Nicolas Rapold
Holly is supposed to be out of Guy’s league, but neither of them is up to carrying scene after scene of weak sparring and punny flirting.- The New York Times
- Posted Oct 9, 2014
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Jeannette Catsoulis
Soft in tone and muted in color, Waiting for August is a child’s-eye view of one family — among many in today’s Romanian economy — rising to the challenge of living without parents.- The New York Times
- Posted Oct 9, 2014
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Ben Kenigsberg
The narration promises surprises (“This story may challenge what you think you know about the roles men and women play in Mormon homes”), but the movie might have started by examining its straw-man conception of the audience.- The New York Times
- Posted Oct 9, 2014
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Reviewed by
Anita Gates
The film’s writer and director, Ivan Kavanagh, and his team pull off a few enjoyable, decently creepy scares, but over all, the action is too cryptic, and the pedestrian dialogue doesn’t help.- The New York Times
- Posted Oct 9, 2014
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Reviewed by
Nicolas Rapold
Mr. Harmon is delightfully talented at improvisation, freestyling nonsense lyrics. Mr. Berkeley, on the other hand, proves himself a dismayingly predictable chronicler, making sure that we know exactly what we’re supposed to think and efficiently packaging jokes and revelations.- The New York Times
- Posted Oct 9, 2014
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Stephen Holden
There are interesting ideas here, but they are swallowed up in dull, poorly choreographed shootouts and other action nonsense.- The New York Times
- Posted Oct 9, 2014
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Jeannette Catsoulis
A blue-collar meditation on the meaning of community and the imperative of compassion, one that endures even as an unexpectedly prurient drama unfolds at its center.- The New York Times
- Posted Oct 9, 2014
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Reviewed by
A.O. Scott
Alexander and the Terrible, Horrible, No Good, Very Bad Day is the latest example of a wonderful children’s book turned into a mediocre movie.- The New York Times
- Posted Oct 9, 2014
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A.O. Scott
It may get a few things wrong, but it aims at, and finally achieves, an authenticity at once more exalted and more primal than mere verisimilitude.- The New York Times
- Posted Oct 9, 2014
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Reviewed by
Bosley Crowther
Mr. Clayton and Miss Kerr have neglected to interpret the tale and character with sufficient incisiveness and candor to give us a first-rate horror or psychological film. But they've given us one that still has interest and sends some formidable chills down the spine.- The New York Times
- Posted Oct 7, 2014
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Reviewed by
Nicole Herrington
At its best, the movie has a sort of sitcom feel, with swift pacing and delivery, and the strong ensemble cast has a natural rapport.- The New York Times
- Posted Oct 2, 2014
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Rachel Saltz
Though the political backdrop often overwhelms or distorts the family drama, Mr. Bhardwaj provides the occasional sharp reminder of how cinematically he can construct Shakespearean moments.- The New York Times
- Posted Oct 2, 2014
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Daniel M. Gold
This vivid and haunting essay steps away from the debate about illegal immigration.- The New York Times
- Posted Oct 2, 2014
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Jeannette Catsoulis
Airless, senseless — and seemingly endless — this clumsy heist movie, directed by the prolific schlockmaster Brian Trenchard-Smith, manages to make even the magnificent coastline of Queensland, Australia, feel dreary.- The New York Times
- Posted Oct 2, 2014
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Ben Kenigsberg
The Hero of Color City cannily distills the children’s movie to its lowest common denominator: bright colors flashing on screen.- The New York Times
- Posted Oct 2, 2014
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Reviewed by
Andy Webster
While the director, Peter Askin, employs an all-too-customary suspense arsenal (vertiginous stairway perspectives, foreboding thunderstorms, ominous headlights), Mr. King’s script offers a wealth of behavioral details.- The New York Times
- Posted Oct 2, 2014
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David DeWitt
Mark Raso’s first feature, Copenhagen, takes on a taboo — great for high-stakes storytelling, if it’s not used to generate empty shock. Worry not: His absorbing film has a delicate nuance that will linger after the popcorn’s gone.- The New York Times
- Posted Oct 2, 2014
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Manohla Dargis
Mr. Amalric, who directed this dark, delectable, shivery tale, adapting it from the Georges Simenon novel, sets its uneasy, dank mood with energetic economy.- The New York Times
- Posted Oct 2, 2014
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Ben Kenigsberg
The main drawback of Inner Demons, no matter how skillful the presentation may be here, is the overriding sense that this has all been done before.- The New York Times
- Posted Oct 2, 2014
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Reviewed by
Jeannette Catsoulis
Fishing Without Nets turns the hijacking drama into a morally murky contemplation of deprivation and desperation.- The New York Times
- Posted Oct 2, 2014
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A.O. Scott
Like other stories of musical tutelage, Keep On Keepin’ On is ultimately an examination of the pursuit of greatness. It is a grueling and demanding endeavor, for sure, but also, for Mr. Terry and anyone lucky enough to enter his orbit, a source of unending joy.- The New York Times
- Posted Oct 2, 2014
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Ben Kenigsberg
The fates of several of the movie’s bitcoin entrepreneurs are unlikely to send viewers rushing to exchange their dollars. But The Rise and Rise of Bitcoin nevertheless functions as an entertaining portrait of the unshakable optimism that governs what’s been called a financial Wild West.- The New York Times
- Posted Oct 2, 2014
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Reviewed by
Nicolas Rapold
This film could have been more surely and deftly put together.- The New York Times
- Posted Oct 2, 2014
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Reviewed by