The New York Times' Scores

For 20,324 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20324 movie reviews
  1. Marvel could have gone grimmer, broodier and sterner, but that isn’t its onscreen way; so it has made Thor sunnier, sillier and funnier. It’s a good fit, at least for a while.
  2. The extremes of Antarctica: A Year on Ice might seem routine to fans of nature documentaries, but the photographer and director Anthony Powell produces some dazzling imagery in his droll study of isolation way, way down under.
  3. Warsaw Uprising is marred by a fictional audio drama among three characters (two cameraman brothers and an American airman) who provide an unnecessary, distracting and at times amateurish frame to this resourcefully, even wittily, edited tour. But the flaws don’t detract from the film’s casual and calamitous sights.
  4. Rough-hewed but naturally inspirational, True Son gains heft from its portrait of a city sharply segregated by race and income.
  5. Shah Rukh Khan’s seasoned authority is a steady anchor amid the frantic contrivances.
  6. The visions (a meteor shower, Paris) are romantic and lovely, and there’s a sense of commitment to the enterprise that pretty much overcomes the near bathos and proves involving.
  7. Settling scores, wrapping up loose ends and taking a victory lap — the main objects of the game this ostensibly last time around — generate some comic sparks as well as a few honest tears.
  8. It’s pretty good fun, and could almost be described without sarcasm as a scrappy little picture, like most of Boden and Fleck’s other work.
  9. Mr. Kurosawa expertly modulates an uncanny flow of energies between shame and grief, between venal urges and high-minded moral demands. The women’s travails suggest something that’s part curse, part mythic cycle of guilt and part kaleidoscopic dread.
  10. Merchants of Doubt, Robert Kenner’s informative and infuriating new documentary, ought to remind us that the denial of climate change is hardly a joke.
  11. This emphatic and empathetic documentary (directed by Sanjay Rawal and narrated by Forest Whitaker) presents the plight of our farm laborers as modern-day slavery.
  12. A kooky, affectionate tribute that’s happily superficial.
  13. When a final shot takes us outdoors to the real world, it’s possible to wonder whether a certain spontaneity, or a different kind of energy, has been missing from Mr. Saura’s immaculately vibrant film.
  14. Goodbye to All That is very evenhanded in assessing its characters’ flaws, and it never sentimentalizes.
  15. Mr. Serra has said his film portrays the eclipse of Enlightenment rationality by the violent forces of Romanticism. It’s a tidy overarching conceit, but the film’s lived-in feel does make for one vivid way of imagining shifts in thought.
  16. Mr. Hawke serves as both the narrator and the story’s ballast amid all the woo-woo interludes and disruptions, the puzzle piece you hold and worry about even as the scenery changes and identities shift.
  17. The energy here feels more like that of a lecture than of a film; it’s an analytical tonic that’s potent to the point of bitter.
  18. Mr. Holsten, was a maker of the winning 2012 documentary “OC87,” a study of obsessive-compulsive disorder. His gift for portraiture shows only further refinement here.
  19. As filmmaking, “She’s Beautiful” is meat and potatoes: It gets the job done without frills.
  20. A charming and clever concoction.
  21. The film is accessible and often hypnotic on an intuitive level.
  22. An Open Secret is affecting, particularly when the victims recount their experiences in voices that crack with emotion or pause with pain. Even if you do look away, hearing them speak is enough.
  23. If You Don’t, I Will is a dour, acutely observed comedy about marital boredom that doesn’t glamorize or overdramatize the characters’ angst. Its lived-in performances evoke an excruciating stalemate that can be ended only by a radical break.
  24. A Lego Brickumentary might be a resounding cheer for a brand, but it’s an eye-opener, too.
  25. The director M. Night Shyamalan has a fine eye and a nice, natural way with actors, and he has a talent for gently rap-rap-rapping on your nerves.
  26. Maidan is a film of scale and immediacy, finding artistry, for better or worse, in bearing witness.
  27. Scattering history lessons and ambiguous imagery amid Ms. Yoo’s engagement with North Koreans, her film implicitly asks: What must they think of us?
  28. PK
    Mr. Hirani remains an excellent storyteller, weaving his disparate story strands into a convincing, satisfying whole — a rare Bollywood feat.
  29. Ms. Leopold’s previous film, “Brownian Movement,” was a stringent, even off-putting study of a delicate-looking doctor who has secret trysts with various men, and her latest feature feels gentler, shot digitally and suffused with the gray shadows of old houses and dim twilights. But it’s just as concerned with the immediacy of desire.
  30. Yael Reuveny’s Farewell Herr Schwarz traces a Holocaust mystery with stumbling curiosity and endearing sincerity.

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