For 20,324 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20324
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Mixed: 8,449 out of 20324
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Negative: 2,467 out of 20324
20324
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Holden
It uses a terrific score of bluegrass and old-timey songs, many of them written by Nick Hans, to underscore the connection and to evoke a fundamental American spirit epitomized by traveling musicians with banjos, fiddles and guitars.- The New York Times
- Posted Jul 2, 2015
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Reviewed by
Stephen Holden
In Mr. Jordan’s portrayal of Jamie, this handsome talented musical theater performer (“Newsies”) goes for the jugular in taking down his character and making him insufferable.- The New York Times
- Posted Feb 12, 2015
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Reviewed by
Neil Genzlinger
Ultimately, it is only partly about Bobby Fischer. It is equally about us — Americans or any other nationality inclined to put too much importance on chess matches, soccer matches, space races, whatever. It’s about how we manufacture celebrities on scant pretext and then destroy them, or allow them to destroy themselves while we watch.- The New York Times
- Posted Sep 15, 2015
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Reviewed by
Ben Kenigsberg
Even if this minor coda plays to an increasingly closed circle of admirers, it gives the trilogy a pleasing, moving symmetry.- The New York Times
- Posted Mar 31, 2015
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Ben Kenigsberg
It’s both a credit to, and a shortcoming of, the movie that it suggests an illustrated bibliography. It makes you want to stop watching and, instead, read or reread all of the pieces mentioned.- The New York Times
- Posted Sep 11, 2014
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Reviewed by
Stephen Holden
Art and Craft adds fuel to the argument that the art market is a rigged game manipulated by curators and gallerists spouting mumbo-jumbo.- The New York Times
- Posted Sep 18, 2014
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Reviewed by
A.O. Scott
Mr. Greene’s impressionistic style and rough, off-center compositions create an atmosphere of intimacy, as if the viewer were being invited to read Ms. Burre’s diary or her mind.- The New York Times
- Posted Nov 6, 2014
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Manohla Dargis
It’s no surprise that the teams hired to bring a property like Deadpool to the screen know how to keep the machine oiled and humming; it’s the ones who somehow manage to temporarily stick a wrench in the works, adding something human — a feeling instead of another quip — who are worth your attention.- The New York Times
- Posted Feb 11, 2016
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Stephen Holden
Ms. MacLaine and Mr. Plummer make an especially compatible match, because his understated portrayal of a despairing misanthrope reins in her scenery-chewing exhibitionism.- The New York Times
- Posted Nov 6, 2014
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Jeannette Catsoulis
Fishing Without Nets turns the hijacking drama into a morally murky contemplation of deprivation and desperation.- The New York Times
- Posted Oct 2, 2014
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Nicolas Rapold
The old story of art as a refuge for scoundrels and callow youth is amusing and updated with assorted details.- The New York Times
- Posted Sep 25, 2014
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Reviewed by
Nicolas Rapold
As skillful an orchestrator as Björk is, her crescendos and tightly designed wilderness can lose their strength with repetition. But she and her collaborators do make a pretty singing picture with their chosen audiovisual tool set.- The New York Times
- Posted Sep 25, 2014
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Reviewed by
Anita Gates
Advanced Style is undeniably captivating, even uplifting at times. But Mr. Cohen and Lina Plioplyte, the director, present a disconcerting mixed message.- The New York Times
- Posted Sep 26, 2014
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Reviewed by
Andy Webster
It’s Arhoolie’s musicians — Big Mama Thornton, Flaco Jiménez, Michael Doucet of the Cajun band BeauSoleil and others — who are the true stars. I dare you not to tap your feet.- The New York Times
- Posted Sep 26, 2014
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Ben Kenigsberg
The fates of several of the movie’s bitcoin entrepreneurs are unlikely to send viewers rushing to exchange their dollars. But The Rise and Rise of Bitcoin nevertheless functions as an entertaining portrait of the unshakable optimism that governs what’s been called a financial Wild West.- The New York Times
- Posted Oct 2, 2014
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Reviewed by
Anita Gates
Joanna Lipper’s documentary shapes one country’s recent history into an accessible and tragic family drama.- The New York Times
- Posted Oct 2, 2014
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Jeannette Catsoulis
Soft in tone and muted in color, Waiting for August is a child’s-eye view of one family — among many in today’s Romanian economy — rising to the challenge of living without parents.- The New York Times
- Posted Oct 9, 2014
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Reviewed by
Andy Webster
There is nothing remotely salacious about Bitter Honey, an agonizing documentary examination of polygamy in Bali, Indonesia, from the U.C.L.A. anthropologist Robert Lemelson. There is only vivid evidence of a society that, despite limp efforts at discouraging domestic abuse, remains mired in ancient patriarchy, sanctioning polygamy and, implicitly, often attendant violence.- The New York Times
- Posted Oct 30, 2014
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Reviewed by
Nicole Herrington
At its best, the movie has a sort of sitcom feel, with swift pacing and delivery, and the strong ensemble cast has a natural rapport.- The New York Times
- Posted Oct 2, 2014
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Stephen Holden
A juicy neo-noir like Bad Turn Worse doesn’t have to make total sense to grab you.- The New York Times
- Posted Nov 13, 2014
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Jeannette Catsoulis
Raising significant questions about the psychological effects of poverty on young children, this unsettlingly direct stab at atonement feels genuine.- The New York Times
- Posted Oct 9, 2014
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Reviewed by
Nicolas Rapold
Watchers of the Sky is a film that can dash hopes about humanity but also raise them in depicting the stories of these tireless defenders.- The New York Times
- Posted Oct 16, 2014
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Reviewed by
A.O. Scott
The film itself is as much a feat of engineering as a work of art, an efficient machine for delivering intricate data and blunt emotions.- The New York Times
- Posted Sep 29, 2016
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Reviewed by
Neil Genzlinger
Strengthening of brotherly and marital bonds is the real agenda, of course, but happily the movie never stays on these laugh-killing themes long.- The New York Times
- Posted Jul 28, 2015
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Reviewed by
Nicolas Rapold
This two-track meditation wraps ethereal glimpses of age-old Slavic locales around a fairy tale told through hand-drawn illustrations.- The New York Times
- Posted Oct 14, 2014
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Reviewed by
Anita Gates
A Requiem for Syrian Refugees is as powerfully direct as it is unfortunately heavy-handed, with lingering black-and-white close-ups of barbed wire and children’s wide eyes. But the film is eloquent, too, thanks to the voices of the refugees themselves.- The New York Times
- Posted Oct 16, 2014
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Reviewed by
Nicolas Rapold
Despite the poverty of his collaborators, Mr. Andrews, who seems to live on sardines and rice, doesn’t feel like an exploiter. He calls his friends “beautiful eccentrics,” which aptly describes him, too.- The New York Times
- Posted Jan 15, 2015
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A.O. Scott
There are some touching and amusing zigzags on the way to the film’s sweet and affirmative conclusion.- The New York Times
- Posted Nov 22, 2016
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Reviewed by
Anita Gates
Articulate and sympathetic experts, a calmly authoritative narrator (Alfre Woodard), powerfully conversational subtitles and breathtaking scenery enliven the film’s message.- The New York Times
- Posted Oct 30, 2014
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Reviewed by
Manohla Dargis
It’s a nice change of pace for a big-screen mega-comic, if not a revolutionary shift.- The New York Times
- Posted Apr 3, 2019
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