The New York Times' Scores

For 20,324 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20324 movie reviews
  1. It uses a terrific score of bluegrass and old-timey songs, many of them written by Nick Hans, to underscore the connection and to evoke a fundamental American spirit epitomized by traveling musicians with banjos, fiddles and guitars.
  2. In Mr. Jordan’s portrayal of Jamie, this handsome talented musical theater performer (“Newsies”) goes for the jugular in taking down his character and making him insufferable.
  3. Ultimately, it is only partly about Bobby Fischer. It is equally about us — Americans or any other nationality inclined to put too much importance on chess matches, soccer matches, space races, whatever. It’s about how we manufacture celebrities on scant pretext and then destroy them, or allow them to destroy themselves while we watch.
  4. Even if this minor coda plays to an increasingly closed circle of admirers, it gives the trilogy a pleasing, moving symmetry.
  5. It’s both a credit to, and a shortcoming of, the movie that it suggests an illustrated bibliography. It makes you want to stop watching and, instead, read or reread all of the pieces mentioned.
  6. Art and Craft adds fuel to the argument that the art market is a rigged game manipulated by curators and gallerists spouting mumbo-jumbo.
  7. Mr. Greene’s impressionistic style and rough, off-center compositions create an atmosphere of intimacy, as if the viewer were being invited to read Ms. Burre’s diary or her mind.
  8. It’s no surprise that the teams hired to bring a property like Deadpool to the screen know how to keep the machine oiled and humming; it’s the ones who somehow manage to temporarily stick a wrench in the works, adding something human — a feeling instead of another quip — who are worth your attention.
  9. Ms. MacLaine and Mr. Plummer make an especially compatible match, because his understated portrayal of a despairing misanthrope reins in her scenery-chewing exhibitionism.
  10. Fishing Without Nets turns the hijacking drama into a morally murky contemplation of deprivation and desperation.
  11. The old story of art as a refuge for scoundrels and callow youth is amusing and updated with assorted details.
  12. As skillful an orchestrator as Björk is, her crescendos and tightly designed wilderness can lose their strength with repetition. But she and her collaborators do make a pretty singing picture with their chosen audiovisual tool set.
  13. Advanced Style is undeniably captivating, even uplifting at times. But Mr. Cohen and Lina Plioplyte, the director, present a disconcerting mixed message.
  14. It’s Arhoolie’s musicians — Big Mama Thornton, Flaco Jiménez, Michael Doucet of the Cajun band BeauSoleil and others — who are the true stars. I dare you not to tap your feet.
  15. The fates of several of the movie’s bitcoin entrepreneurs are unlikely to send viewers rushing to exchange their dollars. But The Rise and Rise of Bitcoin nevertheless functions as an entertaining portrait of the unshakable optimism that governs what’s been called a financial Wild West.
  16. Joanna Lipper’s documentary shapes one country’s recent history into an accessible and tragic family drama.
  17. Soft in tone and muted in color, Waiting for August is a child’s-eye view of one family — among many in today’s Romanian economy — rising to the challenge of living without parents.
  18. There is nothing remotely salacious about Bitter Honey, an agonizing documentary examination of polygamy in Bali, Indonesia, from the U.C.L.A. anthropologist Robert Lemelson. There is only vivid evidence of a society that, despite limp efforts at discouraging domestic abuse, remains mired in ancient patriarchy, sanctioning polygamy and, implicitly, often attendant violence.
  19. At its best, the movie has a sort of sitcom feel, with swift pacing and delivery, and the strong ensemble cast has a natural rapport.
  20. A juicy neo-noir like Bad Turn Worse doesn’t have to make total sense to grab you.
  21. Raising significant questions about the psychological effects of poverty on young children, this unsettlingly direct stab at atonement feels genuine.
  22. Watchers of the Sky is a film that can dash hopes about humanity but also raise them in depicting the stories of these tireless defenders.
  23. The film itself is as much a feat of engineering as a work of art, an efficient machine for delivering intricate data and blunt emotions.
  24. Strengthening of brotherly and marital bonds is the real agenda, of course, but happily the movie never stays on these laugh-killing themes long.
  25. This two-track meditation wraps ethereal glimpses of age-old Slavic locales around a fairy tale told through hand-drawn illustrations.
  26. A Requiem for Syrian Refugees is as powerfully direct as it is unfortunately heavy-handed, with lingering black-and-white close-ups of barbed wire and children’s wide eyes. But the film is eloquent, too, thanks to the voices of the refugees themselves.
  27. Despite the poverty of his collaborators, Mr. Andrews, who seems to live on sardines and rice, doesn’t feel like an exploiter. He calls his friends “beautiful eccentrics,” which aptly describes him, too.
  28. There are some touching and amusing zigzags on the way to the film’s sweet and affirmative conclusion.
  29. Articulate and sympathetic experts, a calmly authoritative narrator (Alfre Woodard), powerfully conversational subtitles and breathtaking scenery enliven the film’s message.
  30. It’s a nice change of pace for a big-screen mega-comic, if not a revolutionary shift.

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