For 20,324 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20324
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Mixed: 8,449 out of 20324
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Negative: 2,467 out of 20324
20324
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rachel Saltz
Subtle it ain't and subtle it needn't be. It is, though, mostly involving (if Bollywood long, at 2 hours 45 minutes) and even occasionally stirring.- The New York Times
- Posted Aug 11, 2011
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Reviewed by
Jeannette Catsoulis
Where Soldiers Come From is, more than anything, a commentary on class. In its compassionate, modest gaze, the real cost of distant political decisions is softly illuminated, as well as the shame of a country with little to offer its less fortunate young people than a ticket to a battlefield.- The New York Times
- Posted Sep 8, 2011
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Reviewed by
A.O. Scott
There are a lot of loose ends and a few forced conclusions. But, then again, the acceptance of imperfection is Mr. Apatow's theme, so a degree of sloppiness is to be expected. That's life.- The New York Times
- Posted Dec 20, 2012
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Reviewed by
A.O. Scott
[The film] is not perfect, but it is fast-moving, intermittently witty and pretty good fun.- The New York Times
- Posted Mar 6, 2014
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Reviewed by
Stephen Holden
Dragon 2 is considerably darker and more self-aware than its forerunner. Both films are speedier than the average animated blockbuster. In places, Dragon 2 is almost too fast to keep up with, and, in other places, it’s a little too dark, at least in 3-D.- The New York Times
- Posted Jun 12, 2014
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Reviewed by
Mike Hale
It all adds up to an entertaining 88 minutes, despite the film's ramshackle construction and its once-over-lightly approach to political, cultural and athletic history.- The New York Times
- Posted Jul 22, 2011
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Reviewed by
Mike Hale
It's an interesting story, well told, though Mr. Jendreyko overworks some documentary fallbacks: gnarled fingers, the view from a moving train.- The New York Times
- Posted Jul 19, 2011
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Reviewed by
A.O. Scott
Its tone is quietly comical, with each chapter treated as an extended joke, or as an R-rated O. Henry story angling toward a neat concluding twist.- The New York Times
- Posted Jul 21, 2011
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Neil Genzlinger
Those who care less about such stuff than about being entertained will find plenty to like in this ghoulish comedy, a droll take on one of the most notorious mass-murder cases of the 19th century.- The New York Times
- Posted Sep 8, 2011
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Jeannette Catsoulis
Swerving from bland to brutal, endearingly coy to shockingly explicit, the Canadian import Good Neighbors finds pitch-black comedy among white-bread lives.- The New York Times
- Posted Jul 28, 2011
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Reviewed by
Stephen Holden
The prisoner rather eloquently portrays himself as a victim of human rights abuse.- The New York Times
- Posted Nov 29, 2011
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Reviewed by
Neil Genzlinger
The movie looks great, the writing is peppered with moments of wit, and there’s even an educational component built in as dinosaur facts are displayed on the screen.- The New York Times
- Posted Dec 19, 2013
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Reviewed by
Manohla Dargis
Nannerl, the subject of at least three novels also titled "Mozart's Sister," is in this film meant to be something more than a chapter in her brother's biography though it's not exactly clear what. Somewhat frustratingly if reasonably, Mr. Féret never settles on whether she was a genius, a martyr, a feminist cause, a disappointed daughter, a resigned woman or all of the above.- The New York Times
- Posted Aug 18, 2011
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A.O. Scott
Parker...is not a great movie....But Parker is nonetheless great fun. It is part of a welcome trend, or counter-trend, in action filmmaking, an effort to strip away the apocalyptic bloat and digital fakery that have overtaken the genre and return to its pulpy, nasty, mechanical roots.- The New York Times
- Posted Jan 24, 2013
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Reviewed by
Manohla Dargis
Catching Fire isn’t a great work of art but it’s a competent, at times exciting movie and it does something that better, more artistically notable movies often fail to do: It speaks to its moment in time.- The New York Times
- Posted Nov 21, 2013
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Reviewed by
A.O. Scott
World War Z often feels smaller and quieter than it is, because your attention is drawn to details and moments rather than to showstopping spectacles or self-important themes.- The New York Times
- Posted Jun 20, 2013
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Manohla Dargis
Mr. Kwanten, meanwhile, best known for playing the sweet, dim Jason Stackhouse on the HBO show "True Blood," gives Griff the delicate, ethereal affect of a man who's an alien in his own world except when he's running down an alley in a disguise. He's a pleasure to watch.- The New York Times
- Posted Aug 18, 2011
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Andy Webster
Before viewers learn this venerable ensemble's story, much less see its members rock out on screen, they are subjected to Mr. Crowe's voice-over account of his own early discovery of the Seattle scene.- The New York Times
- Posted Sep 22, 2011
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Reviewed by
Stephen Holden
Ms. Bonham Carter's hearty performance makes Mrs. Potter almost lovable. You may laugh at her garishness, but you applaud her pluck and stamina.- The New York Times
- Posted Sep 22, 2011
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Reviewed by
Neil Genzlinger
The film, by Constance Marks, is a little light on details of Mr. Clash's personal life once he broke through, but otherwise this is a winning tale of the persistence and creativity behind one of the most famous and fuzziest faces in the world.- The New York Times
- Posted Oct 20, 2011
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Reviewed by
Manohla Dargis
Not everything is as elegantly executed, including a tiresome, would-be comic subplot involving an African diplomat and a clandestine casino that drags the story down badly and comes close to noxious racial stereotype.- The New York Times
- Posted Dec 1, 2011
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Reviewed by
Neil Genzlinger
Some of Kevin Hart's fans may be disappointed that Laugh at My Pain, a film version of his recent stand-up tour, offers less than an hour of Mr. Hart onstage. But a couple of adornments - one before the concert footage, one after - flesh out this funny, profanity-heavy movie nicely.- The New York Times
- Posted Sep 8, 2011
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Stephen Holden
The strongest tales embrace a strain of barnyard humor that is matched by the robust performances of actors who convey an earthy jocularity. The movie doesn't shy away from comparing these hardy, weather-beaten rustics to their livestock.- The New York Times
- Posted Aug 25, 2011
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Stephen Holden
At its heart is an incandescent performance by Ms. Oduye, who captures the jagged mood swings of late adolescence with a wonderfully spontaneous fluency.- The New York Times
- Posted Dec 27, 2011
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Reviewed by
Rachel Saltz
If the movie feels old-school (with new-school production values), consider its pedigree. It's no wonder: Shaolin is a reimagining of the 1982 "Shaolin Temple," in which Jet Li made his debut.- The New York Times
- Posted Sep 8, 2011
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Jeannette Catsoulis
Silent Souls is part folk tale, part lesson in letting go. In its quiet acceptance of the passing of time, this unusual film reminds us that to die is not always the same as to disappear.- The New York Times
- Posted Sep 15, 2011
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Jeannette Catsoulis
As a trippy, trifling memorial to a time before its eponymous club was a mini-mall and rave culture a woozy memory, Limelight delivers the messed-up goods.- The New York Times
- Posted Sep 22, 2011
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- Critic Score
Fordson, however, does not condemn the United States. It rather proudly affirms the American dream, reclaiming it for Muslims who see no conflict between their patriotism and their faith.- The New York Times
- Posted Sep 8, 2011
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Reviewed by
Daniel M. Gold
Like a mint pressing in a bargain bin Sound It Out is a rare find. Sweet.- The New York Times
- Posted Sep 15, 2011
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Reviewed by
Neil Genzlinger
A dandy little documentary whether you view the story it captures as a precursor to the flash fame of the Internet age or as one of the last genuine underground phenomena before the Internet made that whole concept obsolete.- The New York Times
- Posted Sep 15, 2011
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