The New York Times' Scores

For 20,324 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20324 movie reviews
  1. Subtle it ain't and subtle it needn't be. It is, though, mostly involving (if Bollywood long, at 2 hours 45 minutes) and even occasionally stirring.
  2. Where Soldiers Come From is, more than anything, a commentary on class. In its compassionate, modest gaze, the real cost of distant political decisions is softly illuminated, as well as the shame of a country with little to offer its less fortunate young people than a ticket to a battlefield.
  3. There are a lot of loose ends and a few forced conclusions. But, then again, the acceptance of imperfection is Mr. Apatow's theme, so a degree of sloppiness is to be expected. That's life.
  4. [The film] is not perfect, but it is fast-moving, intermittently witty and pretty good fun.
  5. Dragon 2 is considerably darker and more self-aware than its forerunner. Both films are speedier than the average animated blockbuster. In places, Dragon 2 is almost too fast to keep up with, and, in other places, it’s a little too dark, at least in 3-D.
  6. It all adds up to an entertaining 88 minutes, despite the film's ramshackle construction and its once-over-lightly approach to political, cultural and athletic history.
  7. It's an interesting story, well told, though Mr. Jendreyko overworks some documentary fallbacks: gnarled fingers, the view from a moving train.
  8. Its tone is quietly comical, with each chapter treated as an extended joke, or as an R-rated O. Henry story angling toward a neat concluding twist.
  9. Those who care less about such stuff than about being entertained will find plenty to like in this ghoulish comedy, a droll take on one of the most notorious mass-murder cases of the 19th century.
  10. Swerving from bland to brutal, endearingly coy to shockingly explicit, the Canadian import Good Neighbors finds pitch-black comedy among white-bread lives.
  11. The prisoner rather eloquently portrays himself as a victim of human rights abuse.
  12. The movie looks great, the writing is peppered with moments of wit, and there’s even an educational component built in as dinosaur facts are displayed on the screen.
  13. Nannerl, the subject of at least three novels also titled "Mozart's Sister," is in this film meant to be something more than a chapter in her brother's biography though it's not exactly clear what. Somewhat frustratingly if reasonably, Mr. Féret never settles on whether she was a genius, a martyr, a feminist cause, a disappointed daughter, a resigned woman or all of the above.
  14. Parker...is not a great movie....But Parker is nonetheless great fun. It is part of a welcome trend, or counter-trend, in action filmmaking, an effort to strip away the apocalyptic bloat and digital fakery that have overtaken the genre and return to its pulpy, nasty, mechanical roots.
  15. Catching Fire isn’t a great work of art but it’s a competent, at times exciting movie and it does something that better, more artistically notable movies often fail to do: It speaks to its moment in time.
  16. World War Z often feels smaller and quieter than it is, because your attention is drawn to details and moments rather than to showstopping spectacles or self-important themes.
  17. Mr. Kwanten, meanwhile, best known for playing the sweet, dim Jason Stackhouse on the HBO show "True Blood," gives Griff the delicate, ethereal affect of a man who's an alien in his own world except when he's running down an alley in a disguise. He's a pleasure to watch.
  18. Before viewers learn this venerable ensemble's story, much less see its members rock out on screen, they are subjected to Mr. Crowe's voice-over account of his own early discovery of the Seattle scene.
  19. Ms. Bonham Carter's hearty performance makes Mrs. Potter almost lovable. You may laugh at her garishness, but you applaud her pluck and stamina.
  20. The film, by Constance Marks, is a little light on details of Mr. Clash's personal life once he broke through, but otherwise this is a winning tale of the persistence and creativity behind one of the most famous and fuzziest faces in the world.
  21. Not everything is as elegantly executed, including a tiresome, would-be comic subplot involving an African diplomat and a clandestine casino that drags the story down badly and comes close to noxious racial stereotype.
  22. Some of Kevin Hart's fans may be disappointed that Laugh at My Pain, a film version of his recent stand-up tour, offers less than an hour of Mr. Hart onstage. But a couple of adornments - one before the concert footage, one after - flesh out this funny, profanity-heavy movie nicely.
  23. The strongest tales embrace a strain of barnyard humor that is matched by the robust performances of actors who convey an earthy jocularity. The movie doesn't shy away from comparing these hardy, weather-beaten rustics to their livestock.
  24. At its heart is an incandescent performance by Ms. Oduye, who captures the jagged mood swings of late adolescence with a wonderfully spontaneous fluency.
  25. If the movie feels old-school (with new-school production values), consider its pedigree. It's no wonder: Shaolin is a reimagining of the 1982 "Shaolin Temple," in which Jet Li made his debut.
  26. Silent Souls is part folk tale, part lesson in letting go. In its quiet acceptance of the passing of time, this unusual film reminds us that to die is not always the same as to disappear.
  27. As a trippy, trifling memorial to a time before its eponymous club was a mini-mall and rave culture a woozy memory, Limelight delivers the messed-up goods.
    • 57 Metascore
    • 70 Critic Score
    Fordson, however, does not condemn the United States. It rather proudly affirms the American dream, reclaiming it for Muslims who see no conflict between their patriotism and their faith.
  28. Like a mint pressing in a bargain bin Sound It Out is a rare find. Sweet.
  29. A dandy little documentary whether you view the story it captures as a precursor to the flash fame of the Internet age or as one of the last genuine underground phenomena before the Internet made that whole concept obsolete.

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