The New York Times' Scores

For 20,324 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20324 movie reviews
  1. 3
    In this quintessentially Germanic film, Berlin - where they live, work, and create and voraciously consume culture - is as much a character as any person. The collective sensibility on display is determinedly forward looking; you might even say avant-garde.
  2. Merging old-fashioned comedy routines with up-to-the-minute politics - all of it enabled by fun-loving personalities and a gift for rousing original songs - the ladies emit a genuine warmth that reels audiences in.
  3. The buildup to the actual competition is perfectly paced, with the film never tipping its hand as to the winner. And the championship has all the drama of a high-stakes sporting event: failure under pressure, unexpected triumph, gracious losers and winners both.
  4. It's significantly smaller and more casual than "Mystery Train" or "Lost in Translation," movies its premise calls to mind, but in some ways it's more layered and complex.
  5. A sad and spirited elegy for the Carnegie Hall Studios, which for more than a century provided working, living and teaching space for all kinds of artists on the floors above the famous concert hall.
  6. Despite these flaws, it's refreshing to see a documentary about a normal grown-up who is struggling with problems of life and love, just as so many invisible others do.
  7. Both Ms. Marjanovic and Mr. Kostic are very fine (like the rest of the cast they deliver their dialogue in Bosnian) and they navigate the contradictions of their characters' feelings, the flashes of hate, the surrender to desire, with delicacy.
  8. Less gore is more here, and what a relief. The Woman in Black isn't especially scary, but it keeps you on edge, and without the usual vivisectionist imagery.
  9. Adam Reid's smart, poignant trilogy of interwoven vignettes, manages the considerable feat of creating six fully human characters who are quirky enough to transcend the stereotypes found in a typical indie film.
  10. Although Puzzle is a much smaller, less ambitious film without the ominous political subtext of Ms. Martel's masterwork, its story of a woman discovering her special gift and rejoicing in it has implications about sexual inequality in Argentina's middle class.
  11. The theme music, from Neil Young's "Rust Never Sleeps" album, is a haunting accompaniment to Mr. Hopper's sometimes stunning imagery. The best moments of "Out of the Blue" have both the beauty and the banality of found art.
  12. Mr. Damon’s performance helps keep the movie from sinking under the weight of its artfully constructed horrors.
  13. It is interesting and ingenious, even if some of the kinky, queasy fascination that had been so intoxicating in the earlier scenes ebbs away.
  14. Mr. Siegel is no Cassandra: retaining the waggish tone of his previous documentary, "The Real Dirt on Farmer John" (released in 2007), he balances the doom-talking heads with cute animation and characters like Yvon Achard, a French "bee historian" who caresses the swarm with his elaborately styled facial hair.
  15. The mood is not one of misery, but of quiet, weary endurance punctuated with moments of joy.
  16. Mr. Johnson throws a lot at the screen, blasted corpses included, yet little here is as initially transfixing as Mr. Gordon-Levitt's mug.
  17. R
    Isn't as hellish as the situation behind bars is portrayed in American movies, some of which are so gory they qualify as prison porn. But it is awful enough.
  18. For all the potentially dangerous subjects it glosses, above all the tangled legacies of the Holocaust and the Algerian war, The Names of Love dances away from any uncomfortable provocation. Even when sticking out its tongue, it is finally just an airy comedy riding on one cheeky, incandescent performance.
  19. Savages is a daylight noir, a western, a stoner buddy movie and a love story, which is to say that it is a bit of a mess. But also a lot of fun, especially as its pulp elements rub up against some gritty geopolitical and economic themes.
  20. Sometimes a film feels a bit too pat and yet is impossible to resist. The Mighty Macs, based on the national championship run of the 1972 women's basketball team at Immaculata College near Philadelphia, is such a film: lots of button pushing, but in the end you're glad you saw it.
  21. The fact that the speakers' faces are never seen produces a feeling of estrangement that is crucial to the film's effectiveness. You become acutely aware of gaps and discontinuities: between slogans and realities, between political ideals and stubborn social problems, between then and now.
  22. A well-reported history of the Camp David talks, the events that led to them, and the difficult negotiations that followed to forge the peace treaty that was signed the next spring.
  23. It also shows, perceptively and often sweetly, a broader slice of young, urban, educated life in India as the three deal with careers, love and happiness.
  24. Compellingly acted from top to bottom. As the raw passions of its hard-bitten characters seep into you, the songs hammer them even more deeply into your consciousness. The film's only flaw - a big one - is its brevity.
  25. A satisfying thrill ride, at least on a par with the earlier installments.
  26. Pacific Rim, with its carefree blend of silliness and solemnity, is clearly the product of an ingenious and playful pop sensibility.
  27. Compelling, finely balanced immigration drama.
  28. A solid yet fleet French thriller about a society kidnapping and its shockwaves.
  29. As domestic summer date movies ("A Good Old Fashioned Orgy"; "The Change-Up") compete for snark and gross-out points, it's a relief to know that the traditional frothy rom-com - sweet-hearted and hopeful, without profanity or sexual gymnastics - is not dead. Outsourced? That's another story.
  30. As a personality profile, Senna is sketchy at best. Born into a well-to-do family in São Paulo, Brazil, Senna pursued the sport from a young age with a maniacal zeal. He comes across as a fatalistic daredevil and as a man of the people, his wealthy background aside.

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