For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
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- By Critic Score
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- The New York Times
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Reviewed by
Stephen Holden
Fits squarely into a Gallic tradition of wistful, worldly-wise comedies that reflect on the weakness of the flesh.- The New York Times
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Dave Kehr
This stuff is much too strange and much too disturbing to be invented.- The New York Times
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Stephen Holden
Gigantic has the informal tone and structure of an illustrated scrapbook with excerpts from concert and television performances interwoven with lighthearted testimonials by friends, supporters, collaborators and admirers and augmented by witty animated segments.- The New York Times
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Janet Maslin
With down-to-earth comic instincts, it simply invests its story with a loud ring of truth.- The New York Times
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Stephen Holden
Sustains a lovely balance between enchantment and playfulness.- The New York Times
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- The New York Times
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Reviewed by
Dave Kehr
While previous editions have had six or seven short films, Boys Life 4: Four Play requires only four titles for its 87-minute running time, a sign of how much more substantial and ambitious work in the field has become.- The New York Times
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Reviewed by
Julie Salamon
This willfully provocative film portrait offers lots of raging, vulgarity and shock but little insight into the character's psychopathology.- The New York Times
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Stephen Holden
Because Stevie has none of the glamour of "Hoop Dreams," with its portrait of gifted teenage athletes struggling for glory, it is not nearly as likable a film; but in its earnest, plodding way it is every bit as deep.- The New York Times
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Reviewed by
Stephen Holden
Washington leans into an otherwise schlocky movie and slams it out of the ballpark.- The New York Times
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Dave Kehr
Using a fly-on-the-wall camera technique that suggests the cinéma vérité documentaries of Frederick Wiseman, Ms. Cammisa and Mr. Fruchtman vividly capture the dynamic of tenderness and rage that characterizes Sister Helen's relationship with the 21 men who live under her roof.- The New York Times
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Stephen Holden
A cast that chews the scenery with such obvious enjoyment that you're happy to put up with its tin-eared oratory and preposterous plot turns for the sake of a good ride.- The New York Times
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Reviewed by
Dana Stevens
But even though, most of the time, you know exactly what will happen next -- you don't much mind. Nor do the many plot holes and improbabilities -- undermine its silly, raucous spirit.- The New York Times
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Stephen Holden
Tautly acted, fairly sexy and atmospheric. Its vision of Stella and Lenni as defiant, doomed outsiders desperately racing toward an elusive paradise on a treacherous highway may be bleak, but it's also intensely and proudly romantic.- The New York Times
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Reviewed by
Dave Kehr
Whether or not you buy Mr. Broomfield's findings, the film acquires an undeniable entertainment value as the slight, pale Mr. Broomfield continues to force himself on people and into situations that would make lesser men run for cover.- The New York Times
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Dave Kehr
Ms. Chaiken isn't much interested in melodramatic plot developments. Her talent lies in an evocative, accurate observation of a distinctive milieu and in the lively, convincing dialogue she creates for her characters.- The New York Times
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Reviewed by
Dana Stevens
The violent scenes veer vertiginously between slapstick, soft-core pornography and raw documentary, leaving you repelled and confused, as well as fascinated.- The New York Times
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Reviewed by
A.O. Scott
Mr. Li will come out of Kiss of the Dragon smelling like a rose; the combat couldn't be better. But next time around, he should leave the script to more capable hands.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
This slow, episodic film is held together by the galvanic presence of Javier Bardem.- The New York Times
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Janet Maslin
Serves as an eloquent coda to their unforgettable creative partnership.- The New York Times
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Stephen Holden
The story has enough nasty twists and tantalizing clues for its ingenious mechanics to remain engaging.- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
The director has produced a colorful, affecting collage of Dickensian moods and motifs, a movie that elicits an overwhelming desire to plunge into 900 pages of 19th-century prose.- The New York Times
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- The New York Times
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Stephen Holden
It is a voluptuous, hot-blooded portrait of a social outcast, a black, homosexual criminal who in acting out his gaudiest Hollywood dreams, transcendently reinvented himself.- The New York Times
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Reviewed by
Janet Maslin
Its best moments come from witnessing the Senator's inspired unraveling, not from watching where it will end.- The New York Times
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Reviewed by
Dave Kehr
Has the undiscriminating temperament of a fan, blithely placing Mr. Coppola's magnificently made "Godfather" on the same plane as Mr. Hopper's slapped-together, and today all but unwatchable, "Easy Rider."- The New York Times
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Reviewed by
Stephen Holden
This intelligent, well-acted movie is not helped by the fact that its story in some ways parallels that of "Stigmata," the trashy supernatural spookfest that flared briefly at the box office earlier this year.- The New York Times
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Reviewed by
Dana Stevens
A curiously thrilling and often hilarious experience.- The New York Times
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