The New York Times' Scores

For 20,313 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20313 movie reviews
  1. The real fun is the insect shtick.
  2. What Darfur Now offers is a collective vision of actions, small and large, taken on many fronts, to end the crisis. The movie is a quiet, methodical call to action.
  3. War/Dance, in spite of its slickness, is an honorable, sometimes inspiring exploration of the primal healing power of music and dance in an African tribal culture.
    • 71 Metascore
    • 70 Critic Score
    Despite its laid-back script, “Smiley Face” is as prankishly political as Mr. Araki’s “Doom Generation,” evincing a deep unease with the media-saturated capitalist nation that Jane crawls inside her bong to escape.
  4. Presenting neither an argument for medication nor its rejection, Billy the Kid is a deceptively simple portrait of a shockingly self-aware and articulate young man.
  5. There is something graceful and effortless about this performance (Mr. Smith's), which not only shows what it might feel like to be the last man on earth, but also demonstrates what it is to be a movie star.
  6. In this film Mr. Coppola blurs dreams and everyday life and suggests that through visual and narrative experimentation he has begun the search for new ways of making meaning, new holy places for him and for us. He may not have found them yet, but, then, he’s just waking up.
  7. Woody Allen’s latest excursion to the dark side of human nature, is good enough that you may wonder why he doesn’t just stop making comedies once and for all.
  8. The Orphanage, a diverting, overwrought ghost story from Spain, relies on basic and durable horror movie techniques.
  9. An undeniably impressive visual spectacle that follows the sport of extreme skiing.
  10. The film is more funny ha-ha than LOL; it’s a smarty-pants satire that mocks and embraces almost every cliché in the biography playbook.
  11. A passionate ground-level examination of home childbirth.
    • 63 Metascore
    • 70 Critic Score
    There’s nary a twist you don’t see coming. But the film’s strong acting, spectacular dance routines and culturally specific details turn clichés into catharsis. It’s the sort of film that sends you home with a spring in your step.
  12. You are likely to remember this charming film, directed by Nadine Labaki, less for its gently comic, mildly melodramatic plot than for its friendly and inviting atmosphere.
  13. What you do see are diverting 3-D effects and lots of playing to the camera by Ms. Cyrus, who performs as both herself and as her television alter ego, Hannah Montana. To her credit her attire isn’t tawdry, and it appears that she can sing.
  14. Patiently and delicately, Ms. Trachtman teases out the tricky dynamics of a family dealing with a disabled child.
  15. Mr. Kolirin, it emerges, is wrenching comedy out of intense melancholia.
  16. A nimble and winning little romance
  17. In its sweet, lackadaisical way, Michel Gondry’s Be Kind Rewind illuminates the pleasures and paradoxes of movie love.
  18. The Counterfeiters is a swift and suspenseful thriller, and perhaps a little too entertaining for its own good.
  19. The performances are charming and convincing, and Mr. Joelsas does a good job of conveying Mauro’s loneliness and confusion as well as his playfulness. The Year My Parents Went on Vacation may not be terribly fresh or original, but its warm, sweet, nostalgic tone is hard to dislike.
    • 47 Metascore
    • 70 Critic Score
    Semi-Pro finds the sweet spot between sports melodrama and parody, and hammers it for 90 diverting minutes.
  20. This is the sort of gallows humor that Hitchcock relished drawing out in cruelly amusing cat-and-mouse games, not to be taken too seriously. The same is true of Married Life. The murder plot is not to be taken any more literally than the lethal games of “Mr. and Mrs. Smith.”
  21. How light is this movie? So buoyant that even an air raid warning, signaling that this whole world is about to crumble under the blitz, can’t dampen its giddy spirits.
  22. Blind Mountain is a reminder that art sometimes keeps the truth alive far better than the news.
  23. Coming out has rarely looked so pretty.
  24. A lively minor addendum to the grand tradition of Italian fraternal cinema.
  25. The film’s spirit is refreshingly playful and sweet.
  26. Dark Matter, with its view of cutthroat politics and competing egos inside a university, is also laudable in its refusal to soft-pedal the viciously petty side of the academic fishbowl.
  27. It’s easy to laugh at Street Kings for its bigger than big emotions, its preposterously kinky narrative turns and overwrought jawing and yowling, but there’s no doubt that it also keeps you watching, really watching, all the way to the end.

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