For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
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- By Critic Score
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Reviewed by
Stephen Holden
The exquisitely coordinated performances elicit an empathy as powerful as anything I can remember feeling in a recent film.- The New York Times
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Reviewed by
Stephen Holden
Surprisingly Rocky Balboa, is no embarrassment. Like its forerunners it goes the distance almost in spite of itself. It's all heart and no credibility except as a raw-boned fable.- The New York Times
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Reviewed by
A.O. Scott
As ever, Mr. Chabrol’s style is delicate and precise. Comedy of Power is not his deepest or most ambitious film, and its stance of knowing resignation in the face of corruption can feel a little glib. But Ms. Huppert's ferocity compensates for the director's detachment; no French actress is as riveting to watch once the gloves come off.- The New York Times
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Reviewed by
Manohla Dargis
In Freedom Writers Hilary Swank uses neediness to fine effect in a film with a strong emotional tug and smartly laid foundation.- The New York Times
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Reviewed by
Stephen Holden
If Unconscious consistently overplays its hand, its fusion of a Sherlock Holmes-style detective story (Alma is the master sleuth, and Salvador her Dr. Watson) with a delirious bedroom farce in the spirit of early Pedro Almodóvar is frequently very funny.- The New York Times
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Reviewed by
Jeannette Catsoulis
Thought-provoking rather than deeply philosophical, Ever Since the World Ended features many engaging performances and several outstanding ones.- The New York Times
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Reviewed by
Stephen Holden
Handsomely photographed and inspirational, but not cloyingly so, it is the rare contemporary documentary that doesn't leave a residue of cynicism and outrage.- The New York Times
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Reviewed by
A.O. Scott
The intoxicating madness of Tears of the Black Tiger is in the end too willed, too deliberate, to be entirely divine.- The New York Times
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Reviewed by
Laura Kern
Nicolas Rossier's cohesive documentary covers this complex incident - and Haiti's deteriorating condition since Mr. Aristide's exile - in a taut, well-balanced 82 minutes.- The New York Times
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May be a mixed bag, but it is so impressive in so many ways that it demands to be taken seriously. It's a black comedy about a returning Iraq war veteran named Jesús (Joe Arquette) that aims for an absurd, satirical tone (think "Dr. Strangelove" by way of "Coming Home") but rarely hits the mark.- The New York Times
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Reviewed by
Stephen Holden
It all looks easy when it's carried off this smoothly. But as any number of stilted duds can attest, applying a Philip Barry or Woody Allen sensibility to 21st-century New Yorkers in their 30s is as delicate a craft as diamond cutting.- The New York Times
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A thoroughly professional comedy, well paced, attractively photographed and smartly acted.- The New York Times
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Reviewed by
Manohla Dargis
Avenue Montaigne is a bonbon, not a bouillabaisse. But because this is finally a film about desire, it carries a bittersweet tang.- The New York Times
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Reviewed by
Stephen Holden
The movie, written and directed by Vidi Bilu and Dalia Hager, is really a study of people coping with excruciating boredom and the absurd aspects of military life.- The New York Times
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Reviewed by
A.O. Scott
The opening shots, of Farmer on horseback in his space suit, hint at a strangeness that the rest of the movie never quite lives up to, but it does have a visual freshness that makes the bromides and clichés palatable.- The New York Times
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Reviewed by
Manohla Dargis
The overall effect is part BBC-style biography, part Hollywood-like hagiography, and generally pleasing and often moving, even when the story wobbles off the historical rails or becomes bogged down in dopey romance.- The New York Times
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Reviewed by
Jeannette Catsoulis
Starter for Ten offsets its rite-of-passage clichés with relaxed performances and an extremely likable lead.- The New York Times
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Reviewed by
Neil Genzlinger
A bit of patience is required to get through The Taste of Tea, but patience is often rewarded, and it certainly is by this droll and oddly touching film.- The New York Times
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Reviewed by
Stephen Holden
Like "Twelve and Holding," another film from last year's New Directors series, Wild Tigers achingly sympathizes with the desperate lengths an obsessed adolescent will go to in pursuit of love. As you watch the movie, you pray that, in the language of "Tea and Sympathy," the future teachers of Logan's life lessons will "be kind."- The New York Times
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Reviewed by
A.O. Scott
One of Mr. Brisseau's subjects is the volatility of desire, the way the path of erotic curiosity can swerve from satisfaction into recrimination and confusion. A porno-philosopher in the venerable French tradition, he blends a frank appeal to the audience's nether regions with some teasing attention to its mind.- The New York Times
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Reviewed by
A.O. Scott
Mr. Rock has not only done his best work as a director and screenwriter but has also made an unusually insightful and funny mainstream American movie about the predicaments of modern marriage.- The New York Times
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Reviewed by
Manohla Dargis
This maximalist approach can tax the nerves, though it has the benefit of keeping you on alert. It’s also pretty enjoyable. Mr. Fuqua, who happens to be surprisingly good with actors, does have a knack for chaos.- The New York Times
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Reviewed by
Stephen Holden
Blessed by Fire, a bitter remembrance of the Falklands War in 1982, captures battlefield chaos and confusion with a visceral force you won't forget.- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Even if it doesn't add up to more than a fitfully amusing collection of comic sketches, Color Me Kubrick is a platform for John Malkovich to burst into lurid purple flame.- The New York Times
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Reviewed by
Stephen Holden
A noirish thriller that revels in ominous visual moods, deepened by Cliff Martinez's spare, shivering guitar score, this heartland "Appointment in Samarra" is a mind-teaser that speaks the flat, evasive language of its seedy characters.- The New York Times
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The film depicts one family's endurance in sturdy, old-movie style, with sweeping camerawork, a monumental and occasionally intrusive orchestral score, gorgeous yet forbidding natural vistas and enough shocking tragedies, brazen escapes and crowd-pleasing acts of defiance to fuel several action-adventure pictures.- The New York Times
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- The New York Times
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- Critic Score
Mr. Frank’s screenplay for The Lookout was long considered one of Hollywood's great unproduced scripts. The end product doesn't justify that buildup...Still, there's a lot to like here, and the film's bleak setting and empathetic tone add interest to what could have been a by-the-numbers affair.- The New York Times
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