The New York Times' Scores

For 20,313 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20313 movie reviews
  1. The exquisitely coordinated performances elicit an empathy as powerful as anything I can remember feeling in a recent film.
  2. Surprisingly Rocky Balboa, is no embarrassment. Like its forerunners it goes the distance almost in spite of itself. It's all heart and no credibility except as a raw-boned fable.
  3. As ever, Mr. Chabrol’s style is delicate and precise. Comedy of Power is not his deepest or most ambitious film, and its stance of knowing resignation in the face of corruption can feel a little glib. But Ms. Huppert's ferocity compensates for the director's detachment; no French actress is as riveting to watch once the gloves come off.
  4. In Freedom Writers Hilary Swank uses neediness to fine effect in a film with a strong emotional tug and smartly laid foundation.
  5. If Unconscious consistently overplays its hand, its fusion of a Sherlock Holmes-style detective story (Alma is the master sleuth, and Salvador her Dr. Watson) with a delirious bedroom farce in the spirit of early Pedro Almodóvar is frequently very funny.
  6. Thought-provoking rather than deeply philosophical, Ever Since the World Ended features many engaging performances and several outstanding ones.
  7. Handsomely photographed and inspirational, but not cloyingly so, it is the rare contemporary documentary that doesn't leave a residue of cynicism and outrage.
  8. The intoxicating madness of Tears of the Black Tiger is in the end too willed, too deliberate, to be entirely divine.
  9. Nicolas Rossier's cohesive documentary covers this complex incident - and Haiti's deteriorating condition since Mr. Aristide's exile - in a taut, well-balanced 82 minutes.
    • 57 Metascore
    • 70 Critic Score
    May be a mixed bag, but it is so impressive in so many ways that it demands to be taken seriously. It's a black comedy about a returning Iraq war veteran named Jesús (Joe Arquette) that aims for an absurd, satirical tone (think "Dr. Strangelove" by way of "Coming Home") but rarely hits the mark.
  10. It all looks easy when it's carried off this smoothly. But as any number of stilted duds can attest, applying a Philip Barry or Woody Allen sensibility to 21st-century New Yorkers in their 30s is as delicate a craft as diamond cutting.
    • 38 Metascore
    • 70 Critic Score
    A thoroughly professional comedy, well paced, attractively photographed and smartly acted.
  11. Avenue Montaigne is a bonbon, not a bouillabaisse. But because this is finally a film about desire, it carries a bittersweet tang.
  12. The movie, written and directed by Vidi Bilu and Dalia Hager, is really a study of people coping with excruciating boredom and the absurd aspects of military life.
  13. The opening shots, of Farmer on horseback in his space suit, hint at a strangeness that the rest of the movie never quite lives up to, but it does have a visual freshness that makes the bromides and clichés palatable.
  14. The overall effect is part BBC-style biography, part Hollywood-like hagiography, and generally pleasing and often moving, even when the story wobbles off the historical rails or becomes bogged down in dopey romance.
  15. Starter for Ten offsets its rite-of-passage clichés with relaxed performances and an extremely likable lead.
  16. A bit of patience is required to get through The Taste of Tea, but patience is often rewarded, and it certainly is by this droll and oddly touching film.
  17. Like "Twelve and Holding," another film from last year's New Directors series, Wild Tigers achingly sympathizes with the desperate lengths an obsessed adolescent will go to in pursuit of love. As you watch the movie, you pray that, in the language of "Tea and Sympathy," the future teachers of Logan's life lessons will "be kind."
  18. One of Mr. Brisseau's subjects is the volatility of desire, the way the path of erotic curiosity can swerve from satisfaction into recrimination and confusion. A porno-philosopher in the venerable French tradition, he blends a frank appeal to the audience's nether regions with some teasing attention to its mind.
  19. Mr. Rock has not only done his best work as a director and screenwriter but has also made an unusually insightful and funny mainstream American movie about the predicaments of modern marriage.
  20. This maximalist approach can tax the nerves, though it has the benefit of keeping you on alert. It’s also pretty enjoyable. Mr. Fuqua, who happens to be surprisingly good with actors, does have a knack for chaos.
  21. Blessed by Fire, a bitter remembrance of the Falklands War in 1982, captures battlefield chaos and confusion with a visceral force you won't forget.
    • 72 Metascore
    • 70 Critic Score
    The movie's wild performances and droll humor are tough to resist.
  22. A slick and absorbing drama.
  23. Even if it doesn't add up to more than a fitfully amusing collection of comic sketches, Color Me Kubrick is a platform for John Malkovich to burst into lurid purple flame.
  24. A noirish thriller that revels in ominous visual moods, deepened by Cliff Martinez's spare, shivering guitar score, this heartland "Appointment in Samarra" is a mind-teaser that speaks the flat, evasive language of its seedy characters.
    • 70 Metascore
    • 70 Critic Score
    The film depicts one family's endurance in sturdy, old-movie style, with sweeping camerawork, a monumental and occasionally intrusive orchestral score, gorgeous yet forbidding natural vistas and enough shocking tragedies, brazen escapes and crowd-pleasing acts of defiance to fuel several action-adventure pictures.
  25. Fast, light, frequently funny comedy.
    • 73 Metascore
    • 70 Critic Score
    Mr. Frank’s screenplay for The Lookout was long considered one of Hollywood's great unproduced scripts. The end product doesn't justify that buildup...Still, there's a lot to like here, and the film's bleak setting and empathetic tone add interest to what could have been a by-the-numbers affair.

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