For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
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Reviewed by
Ken Jaworowski
The surgery scenes in The Bleeding Edge are squirm-in-your-seat uncomfortable. But it’s the interviews — watching patients recount agonies they’ve suffered from poorly researched and regulated medical devices — that are hardest to sit through.- The New York Times
- Posted Jul 26, 2018
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Reviewed by
Beatrice Loayza
The payoff feels somewhat slight, but the foreplay — the will-they-or-won’t-they and the will-he-find-out — builds up with energy and flare. Maybe climaxes are overrated, anyway.- The New York Times
- Posted Aug 29, 2025
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Reviewed by
Manohla Dargis
The designs and textures of the movie’s various worlds and their inhabitants are arresting, filigreed and meaningful, with characters and their environments in sync.- The New York Times
- Posted Oct 20, 2021
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Reviewed by
Stephen Holden
Frustratingly sketchy partly because it is not finally a survival tale but a mystical evocation of the power of Inuit mythology, and how the passing down of ancient wisdom can sustain the human spirit in the direst circumstances. But the unanswered questions still nag.- The New York Times
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Reviewed by
A.O. Scott
[Mr. Miller's] film shows the influence of other recent work in the American neo-neo-realist vein, notably Ramin Bahrani’s “Goodbye, Solo” and Lance Hammer’s “Ballast,” and like them relies on understatement and indirection to arrive at a powerful and resonant meaning.- The New York Times
- Posted Feb 28, 2013
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Reviewed by
A.O. Scott
Mr. Plympton rewrites the laws of physics at will, but within a rigorous and coherent logic. He conjures a world of absolute improbability that, somehow, makes perfect sense.- The New York Times
- Posted Apr 2, 2015
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Reviewed by
Manohla Dargis
If the movie works as well as it does, it’s because Ms. Kusama can coax scares from shadows, silences and ricocheting looks.- The New York Times
- Posted Apr 7, 2016
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Reviewed by
A.O. Scott
Its images and scenes are suffused by an intensity that seems almost to be a quality of the light and air as they play across Ms. Chemla’s watchful, sometimes inscrutable features.- The New York Times
- Posted May 4, 2017
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Reviewed by
Jason Zinoman
What distinguishes Roxanne Roxanne, a sensitively observed new movie with a dynamite performance by Chanté Adams, is that it marries a traditional hip-hop biopic, a form long dominated by male rappers, with a more idiosyncratic and deeply felt slice of life.- The New York Times
- Posted Mar 22, 2018
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Reviewed by
Stephen Holden
As End of the Century reveals even more starkly than the recent Metallica documentary, "Some Kind of Monster," harmony among band members becomes harder to sustain as the years gather, youthful enthusiasm wanes, and personalities define themselves.- The New York Times
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Reviewed by
A.O. Scott
The filmmakers know how potent the material is, and they don't hammer away at the obvious.- The New York Times
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Reviewed by
Stephen Holden
Settles for being an atmospheric scenes-in-the-life biography of someone's most unforgettable character. It could have been so much more.- The New York Times
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Reviewed by
Stephen Holden
The brilliant, sinister French thriller Red Lights is a twisty road movie in which every sign points toward catastrophe.- The New York Times
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Reviewed by
A.O. Scott
Soderbergh rallies a seismic jolt of enthusiasm, and the movie is an elating blaze of flair and pride.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Stephen Holden
What distinguishes Raja from every other movie to contemplate the treacherous intersection of passion, avarice and power is its unsettling emotional honesty. The two central performances are so spontaneous and mercurial that the reckless flirtation seems to be unfolding before your eyes.- The New York Times
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Reviewed by
Claire Shaffer
Javier Mariscal and Fernando Trueba’s They Shot the Piano Player is an astoundingly vibrant animated project, fitting for its subject matter.- The New York Times
- Posted Feb 22, 2024
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Reviewed by
Alissa Wilkinson
Masear is a terrific documentary subject, but the hummingbirds are as well, and Aitken brings them close to us.- The New York Times
- Posted Jan 10, 2025
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Reviewed by
A.O. Scott
Mr. Garrel is always worth attending to when he takes up the rhythms and paradoxes of love, and even though this is a minor entry in his canon of melancholy romances, it is brief, brisk and intermittently affecting.- The New York Times
- Posted Jan 14, 2016
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- The New York Times
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Reviewed by
Beatrice Loayza
It’s like “Peeping Tom” meets one of Dario Argento’s giallo joints, but slathered in a coat of melancholic malaise.- The New York Times
- Posted Nov 15, 2023
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Reviewed by
Dana Stevens
Alan, who Mr. Sachs has said was based on his own father, is a great character - passionate, complicated, bursting with life. Those words also describe Mr. Torn's performance.- The New York Times
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Reviewed by
Glenn Kenny
The animation is handsome, the graphic settings understated but intelligently detailed.- The New York Times
- Posted Aug 15, 2019
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Reviewed by
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Reviewed by
Dana Stevens
A gorgeous, heartbreaking and utterly convincing work of art.- The New York Times
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Reviewed by
Manohla Dargis
Mr. Howard doesn’t just want you to crawl inside a Formula One racecar, he also wants you to crawl inside its driver’s head.- The New York Times
- Posted Sep 19, 2013
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Reviewed by
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Reviewed by
A.O. Scott
The Time That Remains has the scope of a historical epic with none of the expected heaviness.- The New York Times
- Posted Jan 6, 2011
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Reviewed by
Vincent Canby
A remarkably fine film about the muddle of emotions that separates the child from the adult.- The New York Times
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Reviewed by
Dana Stevens
Like an uncommonly artful and well-acted after-school special. I don't mean this as a put-down: its combination of realism and fretful moral inquiry is best suited to the tastes and sensibilities of young teenagers who devour young-adult fiction.- The New York Times
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Reviewed by
A.O. Scott
Bully forces you to confront not the cruelty of specific children - who have their own problems, and their good sides as well - but rather the extent to which that cruelty is embedded in our schools and therefore in our society as a whole.- The New York Times
- Posted Mar 29, 2012
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Reviewed by
Kyle Turner
With tenderness, humor and beauty, The Half of It comprehends the chasm between wanting and being.- The New York Times
- Posted May 1, 2020
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Reviewed by