For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
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Reviewed by
A.O. Scott
The reason it deserves to be seen in a theater with special glasses on, rather than slapped on the DVD player when the children are acting up -- lies in those airborne sequences.- The New York Times
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Amy Nicholson
The film punctures that airless sense of fate which can suffocate period pieces and restores this moment of upheaval to immediacy.- The New York Times
- Posted May 4, 2023
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Glenn Kenny
Ms. Ferguson’s film does not seem to have a particular organizing principle at first. These survivors do not necessarily know one another. But their stories, intercut with archival footage over a brisk and frequently harrowing 81 minutes, build to a pitch of horror and sadness that eventually allows for a note or two of hope to sound.- The New York Times
- Posted Nov 9, 2017
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Reviewed by
Janet Maslin
Its best moments come from witnessing the Senator's inspired unraveling, not from watching where it will end.- The New York Times
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Manohla Dargis
Rarely have I seen a movie that made me so acutely uncomfortable or watched an actor’s face that, like Dunst’s, expressed a nation’s soul-sickness so vividly that it felt like an X-ray.- The New York Times
- Posted Apr 11, 2024
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Reviewed by
A.O. Scott
While the plot may be predictable (and more than a little preposterous) in retrospect, Mr. Soderbergh handles it brilliantly, serving notice once again that he is a crackerjack genre technician.- The New York Times
- Posted Feb 7, 2013
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Reviewed by
Daniel M. Gold
The Battered Bastards of Baseball is an affectionate scrapbook of a documentary.- The New York Times
- Posted Jul 11, 2014
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Reviewed by
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Reviewed by
Janet Maslin
The film's cleverness is aggressive and cool, and so its mysteries, though elaborate, remain largely uninviting.- The New York Times
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Reviewed by
Janet Maslin
A huge, thrilling three-and-a-quarter-hour experience that unerringly lures viewers into the beauty and heartbreak of its lost world.- The New York Times
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Jeannette Catsoulis
The filmmakers work tirelessly to parallel their undersea world with the larger universe, offering genteel reminders of our mutual dependence.- The New York Times
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Stephen Holden
Hal Holbrook strips the stereotype of the grumpy old man of sentimental shtick and cutesy old-codger mannerisms.- The New York Times
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Glenn Kenny
This movie, which was written by Mr. Diggs and Mr. Casal, has an energetic-to-the-point-of-boisterous style. Its lively frequency is embedded in the writing, bolstered by Carlos López Estrada’s direction, and kept buoyant by the performers. This particular aspect of the film makes it exciting to watch, but can also be confounding.- The New York Times
- Posted Jul 17, 2018
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A fast, funny and sprightly rustic romp well worth seeing.- The New York Times
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Reviewed by
Glenn Kenny
Tedesco is the son of the West Coast guitar great Tommy Tedesco, and he clearly has a knack for getting musicians to open up. The band members.- The New York Times
- Posted Dec 14, 2023
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Reviewed by
A.O. Scott
This means that the violations chronicled in The Invisible War are compounded by a deep and terrible betrayal, which ripples outward from the various branches of the service into the society as a whole. This is not a movie that can be ignored.- The New York Times
- Posted Jun 21, 2012
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Reviewed by
Dana Stevens
If you have any affection at all for traditional American music, the movie itself -- is pretty close to heaven.- The New York Times
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Reviewed by
Dana Stevens
A hallucinatory tour de force of color, perspective and scale, virtually encapsulates the history of Japanese animation.- The New York Times
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Reviewed by
Dana Stevens
Mr. Bernal's soulful, magnetic performance notwithstanding, the real star of the film is South America itself, revealed in the cinematographer Eric Gautier's misty green images as a land of jarring and enigmatic beauty.- The New York Times
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Reviewed by
Jeannette Catsoulis
Anchored by Rosamund Pike’s powerhouse lead performance, this restive, raw movie slowly accumulates the heft to render its flaws irrelevant.- The New York Times
- Posted Nov 1, 2018
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Reviewed by
Manohla Dargis
Documentary has a tradition of trafficking in the misery of other people’s lives, so it’s a relief that “The Wolfpack” doesn’t drag you down or offer packaged uplift, but instead tells a strange tale with heart and generosity.- The New York Times
- Posted Jun 11, 2015
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Ken Jaworowski
It’s appealing to adults and accessible to younger viewers. And it delivers an environmental message that is strong and serious while remaining encouraging and optimistic. That’s important to hear. The rest is just amazing to watch.- The New York Times
- Posted Apr 28, 2016
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Reviewed by
Helen T. Verongos
Humor creeps in from strange sources, including a seller of funeral packages and a march through a Paris graveyard. And while not every motivation is clear, subtext isn’t everything in a movie as complex and satisfying as this one.- The New York Times
- Posted Jun 23, 2016
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Reviewed by
Glenn Kenny
While the movie has allegorical resonances with the political and human rights disasters of 20th-century Romania, by the end, its surfaces, while remaining superficially unimpressive, open up as the film moves from epistemological speculation onto a plane of mysticism. This relatively short film contains worlds.- The New York Times
- Posted Nov 8, 2018
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Reviewed by
A.O. Scott
The result is a movie that is challenging, accessible and hard to stop thinking about...But in too many recent movies intelligence is woefully undervalued, and it is this quality -- even more than its considerable beauty -- that distinguishes Little Children from its peers.- The New York Times
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Janet Maslin
Mr. Cameron has made a swift, exciting special-effects epic that thoroughly justifies its vast expense and greatly improves upon the first film's potent but rudimentary visual style. He has also broadened his initial idea to encompass better developed characters (after all, the first Terminator was barely verbal), a livelier wit and a more ambitious, if nuttier, message.- The New York Times
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Reviewed by
A.O. Scott
There is plenty of drama in a teenager’s everyday life — no need to sensationalize — and Morris From America feels true to both the pleasures and the frustrations of its title character.- The New York Times
- Posted Aug 18, 2016
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Reviewed by
Glenn Kenny
The Plagiarists does skewer its characters, but where it goes from there is more genuinely bleak than what mere finger-pointing can achieve.- The New York Times
- Posted Jun 27, 2019
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Reviewed by
Glenn Kenny
Mandela did not die before effecting a huge change in his still-traumatized country. This movie sheds a valuable light on his struggle.- The New York Times
- Posted Feb 19, 2020
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Reviewed by
Jeannette Catsoulis
Moving and ultimately hopeful, Another Road Home makes no effort to soften or simplify its prickly themes.- The New York Times
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Reviewed by
Janet Maslin
Mr. Day-Lewis, looking wearily rugged and battling his way through several plausible boxing matches, once again breathes fire into the character of a high-minded loner, and his vitality lends real force to the film's moral arguments.- The New York Times
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