The New York Times' Scores

For 20,311 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20311 movie reviews
  1. The Sessions is a pleasant shock: a touching, profoundly sex-positive film that equates sex with intimacy, tenderness and emotional connection instead of performance, competition and conquest.
  2. This means that the violations chronicled in The Invisible War are compounded by a deep and terrible betrayal, which ripples outward from the various branches of the service into the society as a whole. This is not a movie that can be ignored.
  3. Mr. Williams's quiet integrity trumps Mr. Kessler at every turn. Self-aware and articulate, with a modesty born from confidence, he persistently uses the film to extol - and demonstrate - the rewards of recovery. His conviction brings necessary moral weight to Paul Williams: Still Alive, which transcends caricature to emerge an impressive personal testament.
  4. Natalia Almada's eloquent documentary portrait of a sprawling graveyard in Culiacán, Mexico, in the northwestern state of Sinaloa. The rapidly expanding cemetery has become the burial ground of choice for the country's slain drug lords.
  5. A cold, funny number about the erotics of money and the seduction of death.
  6. Illustrating the film's rags-to-ring narrative with panoramic mountain views and compact shots of young bodies punching their way up the food chain, Mr. Sun straddles ancient and modern, tranquillity and turmoil, with equal sureness.
  7. In A Burning Hot Summer (a pulpy title that sounds better in the original, "Un Été Brûlant), two men fall into friendship, and while little happens, everything is at stake.
  8. One of the most entertaining documentaries to appear since "Exit Through the Gift Shop," a film similarly obsessed with role playing and deception.
  9. A hugely appealing documentary about fans, faith and an enigmatic Age of Aquarius musician who burned bright and hopeful before disappearing.
  10. Roger Edens, the talented producer, and Stanley Donen, the director, have turned the whole thing into a lovely phantasm made up of romance, tourism and chic.
  11. And by exploring the lighter side of communal action - the camaraderie and cruising that turned weekly meetings into what one member calls "a combination of serious politics and joyful living" - he uncouples the gravity of the cause from the perceived humorlessness of advocacy. Foot soldiers for the dying, the members of Act Up never forgot how to live.
  12. This 2 ½-hour film, which is described by Mr. Tiravanija as "not a documentary and not a narrative" but "more of a portraiture," rewards concentration once you adjust to its glacial pace and its radically minimalist aesthetic. It has no screenplay or story line.
  13. Leaves a lot of questions unanswered, which is frustrating, but it gets high marks for honesty.
  14. A riveting piece of work full of unpleasant characters whom you're glad you've met but never want to see again.
  15. More moving than shocking, it proceeds slowly and gracefully, and the few scenes of bloodshed are emotionally intense rather than showily sensational.
  16. Awesome also describes this 16-hour, four-opera masterwork about the creation and destruction of the world, a work that Wagner considered unstageable in his time.
  17. Here, a pulse, wit, beauty and a real sensibility have been slipped into the fray, alongside the clockwork guffaws, kabooms and splats.
  18. The buzz of The World’s End is more like an antic sugar high than a reeling, drunken stupor. There are no headaches, dry mouth or crushing shame at the end — no “Hangover,” in other words. I’ll drink to that.
  19. The result is captivating, but not exactly moving: Nasser-Ali's grand passion is posited rather than communicated, in spite of Mr. Amalric's exquisitely soulful performance.
  20. Above all, this beautifully photographed documentary is a poetic meditation on refined sensory perception.
  21. Max et les Ferrailleurs, adapted from a novel by Claude Néron, has the matter-of-fact look and careful pace of a precinct-house procedural.
  22. Instead of delivering buckets of guts and gore, this ghost story offers a strong sense of time and place, along with the kind of niceties that don't often figure into horror flicks, notably pictorial beauty, an atmosphere throbbing with dread and actors so good that you don't want anyone to take an ax to them.
  23. A spool of arresting, beautifully composed shots without narration or dialogue, Samsara is an invitation to watch closely and to suspend interpretation (another notion Sontag might have approved).
  24. Trading the cooler, more emotionally detached style and vibe that characterized "Home," her debut feature, about a family falling apart, Ms. Meier quietly goes for the emotional jugular in Sister.
  25. Head Games gains credibility and power from compassion for athletes and respect for their accomplishments. But it also tries to open the eyes of sports lovers to dangers that have too often been minimized and too seldom fully understood.
  26. Jacobs, the great 20th-century philosopher-evangelist of urban life, would surely recognize this retired restaurant cook, a resident of the Lower Ninth Ward in New Orleans and the subject of Jonathan Demme's marvelous new documentary, as an indispensable "public character."
  27. A small gem of bleak, neorealist portraiture.
  28. This is an excellent story, and Ms. Draper tells it clearly and stylishly, teasing out the interesting angles and repercussions.
  29. Lots of comedic fight scenes break up the story’s more somber stretches, and the animation, especially in 3-D, is simply gorgeous.
  30. Adam Wingard’s You’re Next strays just enough from formula to tweak our jaded appetites. That it does so without spraying the gore to geyserlike excess says a great deal about Mr. Wingard’s sensibility.

Top Trailers