The New York Times' Scores

For 20,311 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20311 movie reviews
  1. Witty but not campy, grand without being unduly somber, it is a crazy, almost-coherent riot of intrigue, color and kineticism anchored by the charisma of its cast.
  2. Stands as both a tribute and a study in healing.
  3. While Undefeated travels well-tilled inspirational ground, it's also an irresistible story of football, faith and the lust for happily-ever-after black-and-white endings.
  4. Bobby Fischer Against the World does not traffic in easy explanations or medical diagnoses, but it leaves the strong impression of a continuity between the oddness Fischer displayed in early interviews and the mania so jarringly evident toward the end.
  5. The realities in Nathan Christ's impressive documentary Echotone are, sadly, nothing new. But the emotions surrounding them are nevertheless compelling.
  6. His film opens with a lullaby, and while there is indeed something soothing in his images of repetitive, backbreaking toil, the music also serves as a reminder of childhood lost.
  7. Engrossing, poetic and often very funny, "Position," like its predecessors, uses the lens of a single family to view the tumult of an entire country.
  8. Carl Colby's smart, fact-packed film The Man Nobody Knew operates on many levels, all riveting.
  9. Mr. Fall, a former scout for the Dallas Mavericks, founded the Seeds Academy to nurture his countrymen. His conviction, level gaze and firm eloquence instill pride, drive and determination in his players. Mr. Fall, a coach on the court and in life, is the real champion here.
  10. The Woman is not, obviously, a family movie, but it is, like much of the best drama, about a family - here, how an outsider upends its unhinged equilibrium. True to its genre, there is gore and sudden shrieks.
  11. Into the Abyss superficially resembles the kind of titillating, moralizing true-crime shockumentary that is a staple of off-hours cable television. But the grim ordinariness of the narrative makes its Dostoyevskian dimensions all the more arresting.
  12. It works - beautifully.
  13. An engaging, provocative documentary.
  14. The sense of place may be expected, but it's also poetic and exquisite.
  15. Straight-shooting, hard-hitting and fuming with contempt for the tobacco industry, Addiction Incorporated would be almost too exhausting to watch were it not for the folksy charm of its star witness.
  16. For all its quirks and tangents, Declaration of War feels entirely alive. This story of two people who transform fear into action is inspiring.
  17. Colonel Blimp is as unmistakably a British product as Yorkshire pudding and, like the latter, it has a delectable savor all its own.
  18. Sexy, sweet and laced with a sadness at once specific to its place and time and accessible to anyone with a breakable heart, Chico & Rita is an animated valentine to Cuba and its music.
  19. There are no emotional fireworks here, just smoldering, quiet, lonely agony.
  20. You can feel just how jarring and stressful it must be for a soldier to go from the life-and-death adrenaline rush of war to the maddeningly slow world of rehabilitation and forced inactivity.
  21. This history is too recent to seem dry, and the film gets an added emotional punch from interviews with former tenants, whose memories mix fondness with anger and loss.
  22. In a director's note Mr. Espinosa describes his fascination with "the idea of thief's honor" and with portraying criminals who, from their point of view, "are trying to do good through their own ethics." And this soul-searching quest lends Easy Money a depth rarely found in gangster films.
  23. Mr. Di Gregorio wrote the screenplay with Valerio Attanasio, and this movie is a richer variation of his small, exquisite 2010 film, "Mid-August Lunch."
  24. What follows is a character study mixed with outlandish crime procedural. Everyone's quite serious about the joke, without a moment of Adam Sandler-style "look at how cute we are" that would only dilute the film's appeal. Sound of Noise is a dry treat - a solid, self-aware cult pleasure.
  25. A deeply personal film, and at times a touching one, it is a collection of fragments and memories artfully pieced into a quirky, captivating book of dreams.
  26. Here, to its detriment, never builds its ideas into a cohesive vision. The screenplay by Mr. King and Dani Valent too often wanders off into poetic vagueness. But visually, Here, filmed by Lol Crowley, is still a stunner. Flawed as it is, I admire it immensely.
  27. I Wish tends toward the vaporous and not just because of its volcano; but whenever its children are on screen, lighted up with joy or dimmed by hard adult truths, the film burns bright.
  28. The Good Dinosaur is charmingly different, but its oddness sneaks up on you only after the filmmakers lay out some storybook bona fides.
  29. In the words of Mr. Kramer: "The government didn't get us the drugs. No one else got us the drugs. We, Act Up, got those drugs out there. That is the proudest achievement that the gay population of this world can ever claim."
  30. The film is a riveting portrait of young men in shock and in mourning as the tragedy stirs feelings that have long lain dormant.

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