For 20,311 reviews, this publication has graded:
-
46% higher than the average critic
-
5% same as the average critic
-
49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
-
Positive: 9,399 out of 20311
-
Mixed: 8,446 out of 20311
-
Negative: 2,466 out of 20311
20311
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
A.O. Scott
Witty but not campy, grand without being unduly somber, it is a crazy, almost-coherent riot of intrigue, color and kineticism anchored by the charisma of its cast.- The New York Times
- Posted Sep 1, 2011
- Read full review
-
Reviewed by
-
- The New York Times
- Posted Aug 30, 2011
- Read full review
-
-
Reviewed by
Manohla Dargis
While Undefeated travels well-tilled inspirational ground, it's also an irresistible story of football, faith and the lust for happily-ever-after black-and-white endings.- The New York Times
- Posted Feb 16, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
Bobby Fischer Against the World does not traffic in easy explanations or medical diagnoses, but it leaves the strong impression of a continuity between the oddness Fischer displayed in early interviews and the mania so jarringly evident toward the end.- The New York Times
- Posted Sep 8, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Andy Webster
The realities in Nathan Christ's impressive documentary Echotone are, sadly, nothing new. But the emotions surrounding them are nevertheless compelling.- The New York Times
- Posted Sep 8, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
His film opens with a lullaby, and while there is indeed something soothing in his images of repetitive, backbreaking toil, the music also serves as a reminder of childhood lost.- The New York Times
- Posted Sep 8, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
Engrossing, poetic and often very funny, "Position," like its predecessors, uses the lens of a single family to view the tumult of an entire country.- The New York Times
- Posted Sep 14, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Andy Webster
Carl Colby's smart, fact-packed film The Man Nobody Knew operates on many levels, all riveting.- The New York Times
- Posted Sep 22, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Andy Webster
Mr. Fall, a former scout for the Dallas Mavericks, founded the Seeds Academy to nurture his countrymen. His conviction, level gaze and firm eloquence instill pride, drive and determination in his players. Mr. Fall, a coach on the court and in life, is the real champion here.- The New York Times
- Posted Oct 20, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Andy Webster
The Woman is not, obviously, a family movie, but it is, like much of the best drama, about a family - here, how an outsider upends its unhinged equilibrium. True to its genre, there is gore and sudden shrieks.- The New York Times
- Posted Oct 16, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
Into the Abyss superficially resembles the kind of titillating, moralizing true-crime shockumentary that is a staple of off-hours cable television. But the grim ordinariness of the narrative makes its Dostoyevskian dimensions all the more arresting.- The New York Times
- Posted Nov 10, 2011
- Read full review
-
Reviewed by
-
- The New York Times
- Posted Jun 28, 2012
- Read full review
-
- The New York Times
- Posted Nov 10, 2011
- Read full review
-
-
Reviewed by
David DeWitt
The sense of place may be expected, but it's also poetic and exquisite.- The New York Times
- Posted Nov 17, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
Straight-shooting, hard-hitting and fuming with contempt for the tobacco industry, Addiction Incorporated would be almost too exhausting to watch were it not for the folksy charm of its star witness.- The New York Times
- Posted Dec 13, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
For all its quirks and tangents, Declaration of War feels entirely alive. This story of two people who transform fear into action is inspiring.- The New York Times
- Posted Jan 26, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Bosley Crowther
Colonel Blimp is as unmistakably a British product as Yorkshire pudding and, like the latter, it has a delectable savor all its own.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
Sexy, sweet and laced with a sadness at once specific to its place and time and accessible to anyone with a breakable heart, Chico & Rita is an animated valentine to Cuba and its music.- The New York Times
- Posted Feb 9, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
David DeWitt
There are no emotional fireworks here, just smoldering, quiet, lonely agony.- The New York Times
- Posted Jan 19, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Neil Genzlinger
You can feel just how jarring and stressful it must be for a soldier to go from the life-and-death adrenaline rush of war to the maddeningly slow world of rehabilitation and forced inactivity.- The New York Times
- Posted Feb 13, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Rachel Saltz
This history is too recent to seem dry, and the film gets an added emotional punch from interviews with former tenants, whose memories mix fondness with anger and loss.- The New York Times
- Posted Feb 7, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
In a director's note Mr. Espinosa describes his fascination with "the idea of thief's honor" and with portraying criminals who, from their point of view, "are trying to do good through their own ethics." And this soul-searching quest lends Easy Money a depth rarely found in gangster films.- The New York Times
- Posted Jul 10, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Mr. Di Gregorio wrote the screenplay with Valerio Attanasio, and this movie is a richer variation of his small, exquisite 2010 film, "Mid-August Lunch."- The New York Times
- Posted Mar 1, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
David DeWitt
What follows is a character study mixed with outlandish crime procedural. Everyone's quite serious about the joke, without a moment of Adam Sandler-style "look at how cute we are" that would only dilute the film's appeal. Sound of Noise is a dry treat - a solid, self-aware cult pleasure.- The New York Times
- Posted Mar 8, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
A deeply personal film, and at times a touching one, it is a collection of fragments and memories artfully pieced into a quirky, captivating book of dreams.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Here, to its detriment, never builds its ideas into a cohesive vision. The screenplay by Mr. King and Dani Valent too often wanders off into poetic vagueness. But visually, Here, filmed by Lol Crowley, is still a stunner. Flawed as it is, I admire it immensely.- The New York Times
- Posted Apr 12, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
I Wish tends toward the vaporous and not just because of its volcano; but whenever its children are on screen, lighted up with joy or dimmed by hard adult truths, the film burns bright.- The New York Times
- Posted May 10, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
The Good Dinosaur is charmingly different, but its oddness sneaks up on you only after the filmmakers lay out some storybook bona fides.- The New York Times
- Posted Nov 24, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
In the words of Mr. Kramer: "The government didn't get us the drugs. No one else got us the drugs. We, Act Up, got those drugs out there. That is the proudest achievement that the gay population of this world can ever claim."- The New York Times
- Posted Sep 20, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
The film is a riveting portrait of young men in shock and in mourning as the tragedy stirs feelings that have long lain dormant.- The New York Times
- Posted May 24, 2012
- Read full review
-
Reviewed by