For 20,271 reviews, this publication has graded:
-
46% higher than the average critic
-
5% same as the average critic
-
49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
-
Positive: 9,377 out of 20271
-
Mixed: 8,430 out of 20271
-
Negative: 2,464 out of 20271
20271
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
A.O. Scott
Spotlight is a gripping detective story and a superlative newsroom drama, a solid procedural that tries to confront evil without sensationalism.- The New York Times
- Posted Nov 5, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
What is clear from this sober yet electrifying film is that the power of the Panthers was rooted in their insistence — radical then, radical still — that black lives matter.- The New York Times
- Posted Sep 1, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
The filmmaker Sarah Leonor has a keen eye and a gentle, unassuming touch. In The Great Man, she discreetly changes moods and storytelling modes like a pianist sliding her hand down a short, soft glissando.- The New York Times
- Posted Aug 13, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Nicolas Rapold
The ensemble of young actresses is a constantly restless and real presence, the perspective filtered mostly through the cheeky Lale but also through the group as a loving crew.- The New York Times
- Posted Nov 19, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
In Jacir Eid’s extraordinary performance, Theeb exhibits the composure, bravery and cunning of a little savage driven by animal instinct.- The New York Times
- Posted Nov 5, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Vincent Canby
It's a dazzling testament to the civilizing effects of several different arts, witty, joyous and so beautiful to look at that it must seem initially suspect to those of us who have begun to respond to spray-painted subway graffiti as the fine art of our time.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Andy Webster
Mr. Sharma has created a swirling, fascinating travelogue and a stirring celebration of devotion.- The New York Times
- Posted Sep 3, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
Mr. Kaufman’s gift for quotidian horror remains startling; he’s a whiz at minor miseries.- The New York Times
- Posted Dec 29, 2015
- Read full review
-
Reviewed by
-
- The New York Times
- Posted Nov 25, 2016
- Read full review
-
-
Reviewed by
Stephen Holden
Neon Bull is a profound reflection on the intersection of the human and bestial.- The New York Times
- Posted Apr 7, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
A true crime story and a madcap comedy, a heist movie and a scalding polemic, The Big Short will affirm your deepest cynicism about Wall Street while simultaneously restoring your faith in Hollywood.- The New York Times
- Posted Dec 10, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Neil Genzlinger
Documentaries about disabilities don’t come any smarter or more touching than Mission to Lars, a beautiful sibling road trip tale with a heavy-metal flourish.- The New York Times
- Posted Sep 24, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
The final shot, accompanied by an improbable but perfect musical cue, is an astonishing cinematic gesture, an appalling, hilarious statement about modern values, the state of the world, human nature and everything else. This is a movie that lives up to its name.- The New York Times
- Posted Jan 7, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
More than a fable about the clash of tradition and modernity, Ixcanul is finally a painful illustration of the ease with which those who have can prey on those who don’t.- The New York Times
- Posted Aug 18, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
While the movie’s multiple images are never less than numinous, and its rhythms sometimes skirt the strangely seductive, this astonishing movie is the opposite of hypnotic.- The New York Times
- Posted Oct 15, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
Both inspiring and upsetting, Democrats is, finally, a film that deserves to be called “necessary.”- The New York Times
- Posted Nov 18, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
The action is gorgeously fluid, the idiosyncratic 3-D visual conceits (including floating eyeballs undersea) are startling, and the story and its metaphors resolve in unexpected and moving ways.- The New York Times
- Posted Aug 18, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
Dunkirk is a tour de force of cinematic craft and technique, but one that is unambiguously in the service of a sober, sincere, profoundly moral story that closes the distance between yesterday’s fights and today’s.- The New York Times
- Posted Jul 20, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
It’s a subtle movie, alert to the almost imperceptible currents of feeling that pass between its title characters.- The New York Times
- Posted Aug 4, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
Sneakily tweaking our fears of terrorism, 10 Cloverfield Lane, though no more than a kissing cousin to its namesake, is smartly chilling and finally spectacular.- The New York Times
- Posted Mar 10, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
American Honey, long and messy as it is, is by turns observant and exuberant, and sweet in a way that is both unexpected and organic.- The New York Times
- Posted Sep 29, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
The miracle of the movie is that, like Toni, it transcends blunt, reductive categorization partly because it’s free of political sloganeering, finger wagging and force-fed lessons. Any uplift that you may feel won’t come from having your ideas affirmed, but from something ineluctable – call it art.- The New York Times
- Posted Jun 2, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Neil Genzlinger
This film isn’t content to be merely a “never forget” reminder; it wants to convey just how deep and lasting the pain is, from this attack and, by extension, many others.- The New York Times
- Posted Oct 6, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
The movie culminates in a cinematic coup de grâce bold enough to spin your head — one that gives the movie an entirely new dimension.- The New York Times
- Posted Jun 21, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
Fire at Sea occupies your consciousness like a nightmare, and yet somehow you don’t want it to end.- The New York Times
- Posted Oct 20, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
Influences aside, the movie so teems with delightful detail and has such an exuberant sense of play that it feels entirely fresh.- The New York Times
- Posted Mar 24, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
Aquarius is a marvelous and surprising act of portraiture, a long, unhurried encounter with a single, complicated person. And that is enough to make it a captivating film, an experience well worth seeking out. But there is also, as I’ve suggested, more going on than the everyday experiences of a modern matriarch.- The New York Times
- Posted Oct 13, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
It’s a psychological thriller, a strangely dry-eyed melodrama, a kinky sex farce and, perhaps most provocatively, a savage comedy of bourgeois manners. Mostly, though — inarguably, I would say — it is a platform for the astonishing, almost terrifying talent of Isabelle Huppert.- The New York Times
- Posted Nov 10, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
With exquisite patience and attention to detail, Asghar Farhadi, the writer and director, builds a solid and suspenseful plot out of ordinary incidents, and packs it with rich and resonant ideas.- The New York Times
- Posted Jan 26, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
A.O. Scott
Toni Erdmann, proceeding in a perfectly straightforward manner, from one awkward, heartfelt, hilarious scene to the next, wraps itself around some of the thorniest complexities of contemporary reality.- The New York Times
- Posted Dec 22, 2016
- Read full review
-
Reviewed by