For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
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Reviewed by
A.O. Scott
If 99 Homes is a scolding look at a society gone astray, it is also a minor masterpiece of suspense, as tightly wound as “Sicario,” Denis Villeneuve’s white-knuckle drug-war thriller, and almost as brutal.- The New York Times
- Posted Sep 24, 2015
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Reviewed by
Manohla Dargis
A tale of cinema, a story about the agonies of trying to work outside the cinematic mainstream (even in France!). Yet what makes the movie so affecting is that it’s also a love story about a family.- The New York Times
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Reviewed by
Beatrice Loayza
Reeve’s bond with his fellow actor Robin Williams also makes up one of the documentary’s meatiest threads, adding depth to the character study.- The New York Times
- Posted Dec 5, 2024
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Reviewed by
A.O. Scott
I don’t think, on balance, that this is a very good movie. It’s talky and clumsy, alternating between self-importance and clowning. But it’s also not a movie that can be easily shaken off. Partly this is an accident of timing.- The New York Times
- Posted Sep 24, 2020
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Brandon Yu
For all of his genre-bending on display, Kurosawa is interested in something more real and more dark about humanity’s capacity for greed and bitterness, and the quiet ways that the internet can further mutate those diseases in us.- The New York Times
- Posted Jul 17, 2025
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Reviewed by
Ben Kenigsberg
Ambitious, heady and distinctive, if easier to admire in theory than engage with moment to moment, A Cop Movie has a conceptual strangeness that’s difficult to overstate.- The New York Times
- Posted Nov 5, 2021
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Reviewed by
Amy Nicholson
This is Carney’s saltiest ode to creative expression — and, peculiarly, his most relatable.- The New York Times
- Posted Sep 28, 2023
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Reviewed by
A.O. Scott
The comedy is more wry than uproarious, the melodrama gently poignant rather than operatic, and the sentimentality just sweet enough to be satisfying rather than bothersome.- The New York Times
- Posted Feb 27, 2014
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Reviewed by
Ben Kenigsberg
Although the film has long, engaging stretches, there is something slightly unsatisfying about the whole.- The New York Times
- Posted Jan 16, 2020
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Janet Maslin
In spite of this sogginess, and despite a self-congratulatory, do-gooder streak that the film discovers within Dave, this comedy remains bright and buoyant much of the way through.- The New York Times
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Reviewed by
Stephen Holden
As the director of the documentary Shine a Light, Martin Scorsese is a besotted rock ’n’ roll fan who wholeheartedly embraces its mythology.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
More acutely than any movie before, it gives cinematic expression to the hot-tempered, defiantly nihilistic ethos that ignites gangster rap.- The New York Times
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Reviewed by
Dana Stevens
Strange, intense and moving -- one of the few truly grown-up movies you're likely to see this year.- The New York Times
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Reviewed by
Stephen Holden
Mr. Strathairn's complex, exquisitely nuanced portrayal of a man who goes over the line allows his character to be both hero and villain, sometimes at once.- The New York Times
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Reviewed by
Dana Stevens
Fascinating. Anyone interested in the challenges and techniques of acting -- which is really to say, anyone interested in human behavior -- should turn off E! and head down to Mr. Almereyda's film.- The New York Times
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Reviewed by
Manohla Dargis
Only when Jodie Foster materializes midstory, delivering a beautiful, pocket-size performance as the mistress of one of the condemned men, does the film spring to life.- The New York Times
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- Critic Score
Epic and raw, Black Friday is cut from the same bloody cloth as "Salvador" and "Munich."- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
The extent of the need around the world is so enormous and overwhelming that the efforts of the doctors in this sobering film seem both vitally necessary and woefully inadequate.- The New York Times
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Reviewed by
Jeannette Catsoulis
Smartly incorporating Sasa Zivkovic’s sweet and simple animation, as well as an exhilarating, punk-infused soundtrack, Mr. Persiel extends the film’s appeal beyond hard-core skaters.- The New York Times
- Posted Apr 11, 2013
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Reviewed by
A.O. Scott
The film is a short, nimble consideration of the collision between the wildness of nature and the orderly bustle of modern urban life. It is also an essay on ornithology, Japanese culture and the challenges of pest control.- The New York Times
- Posted Aug 28, 2013
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Reviewed by
Glenn Kenny
[Mr. Léaud's] riveting, and a little alarming. As for Mr. Serra, while he often enjoys playing the foppish provocateur in his interviews, his film is sober, meticulous and entirely convincing in its depiction of period and mortality.- The New York Times
- Posted Mar 30, 2017
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Reviewed by
Teo Bugbee
As a resource for those looking to understand the process of recovery, it’s hard to imagine a more comprehensive or sympathetic look at the challenge of surviving.- The New York Times
- Posted Oct 31, 2017
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Reviewed by
Teo Bugbee
The stories that Ms. Adrion elicits may be infuriatingly recognizable to women who work in many fields. But if there is a missing element in her analysis, it is the effect that sexism has on these women’s artistry, not only their livelihoods.- The New York Times
- Posted Jun 7, 2018
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Reviewed by
Ben Kenigsberg
This collaboration between Jackie van Beek and Madeleine Sami — who wrote, directed and star together — exhibits their fairly irresistible comic chemistry, even if the conceit of the movie wears a bit thin.- The New York Times
- Posted Feb 15, 2019
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- The New York Times
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Reviewed by
Lovia Gyarkye
The film does an excellent job of introducing the pop star to unfamiliar audiences, contextualizing her activism and, more broadly, examining the role art can play in shaping our beliefs.- The New York Times
- Posted Jul 2, 2020
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Reviewed by
Bosley Crowther
The film, while it packs all the satire of our modern tribal matrimonial rite that was richly contained in the original, also possesses all the warmth and poignancy and understanding that makes the Streeter treatise much beloved.- The New York Times
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- Critic Score
What Time Limit has to say is sobering, important and exciting and, though its principals are caught in circumstances that are extraordinary, it meticulously arrives at terrible truths that are timeless and universal.- The New York Times
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