The New York Times' Scores

For 20,280 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20280 movie reviews
  1. If 99 Homes is a scolding look at a society gone astray, it is also a minor masterpiece of suspense, as tightly wound as “Sicario,” Denis Villeneuve’s white-knuckle drug-war thriller, and almost as brutal.
  2. A tale of cinema, a story about the agonies of trying to work outside the cinematic mainstream (even in France!). Yet what makes the movie so affecting is that it’s also a love story about a family.
  3. Reeve’s bond with his fellow actor Robin Williams also makes up one of the documentary’s meatiest threads, adding depth to the character study.
  4. I don’t think, on balance, that this is a very good movie. It’s talky and clumsy, alternating between self-importance and clowning. But it’s also not a movie that can be easily shaken off. Partly this is an accident of timing.
  5. For all of his genre-bending on display, Kurosawa is interested in something more real and more dark about humanity’s capacity for greed and bitterness, and the quiet ways that the internet can further mutate those diseases in us.
  6. Ambitious, heady and distinctive, if easier to admire in theory than engage with moment to moment, A Cop Movie has a conceptual strangeness that’s difficult to overstate.
  7. This is Carney’s saltiest ode to creative expression — and, peculiarly, his most relatable.
  8. The comedy is more wry than uproarious, the melodrama gently poignant rather than operatic, and the sentimentality just sweet enough to be satisfying rather than bothersome.
  9. Although the film has long, engaging stretches, there is something slightly unsatisfying about the whole.
  10. In spite of this sogginess, and despite a self-congratulatory, do-gooder streak that the film discovers within Dave, this comedy remains bright and buoyant much of the way through.
  11. As the director of the documentary Shine a Light, Martin Scorsese is a besotted rock ’n’ roll fan who wholeheartedly embraces its mythology.
  12. Indelible, deeply disquieting film.
  13. More acutely than any movie before, it gives cinematic expression to the hot-tempered, defiantly nihilistic ethos that ignites gangster rap.
  14. Strange, intense and moving -- one of the few truly grown-up movies you're likely to see this year.
  15. Mr. Strathairn's complex, exquisitely nuanced portrayal of a man who goes over the line allows his character to be both hero and villain, sometimes at once.
  16. Fascinating. Anyone interested in the challenges and techniques of acting -- which is really to say, anyone interested in human behavior -- should turn off E! and head down to Mr. Almereyda's film.
  17. Only when Jodie Foster materializes midstory, delivering a beautiful, pocket-size performance as the mistress of one of the condemned men, does the film spring to life.
    • 76 Metascore
    • 80 Critic Score
    Epic and raw, Black Friday is cut from the same bloody cloth as "Salvador" and "Munich."
  18. Generally absorbing if sometimes fog-inducing.
  19. The extent of the need around the world is so enormous and overwhelming that the efforts of the doctors in this sobering film seem both vitally necessary and woefully inadequate.
  20. Smartly incorporating Sasa Zivkovic’s sweet and simple animation, as well as an exhilarating, punk-infused soundtrack, Mr. Persiel extends the film’s appeal beyond hard-core skaters.
  21. The film is a short, nimble consideration of the collision between the wildness of nature and the orderly bustle of modern urban life. It is also an essay on ornithology, Japanese culture and the challenges of pest control.
  22. [Mr. Léaud's] riveting, and a little alarming. As for Mr. Serra, while he often enjoys playing the foppish provocateur in his interviews, his film is sober, meticulous and entirely convincing in its depiction of period and mortality.
  23. As a resource for those looking to understand the process of recovery, it’s hard to imagine a more comprehensive or sympathetic look at the challenge of surviving.
  24. The stories that Ms. Adrion elicits may be infuriatingly recognizable to women who work in many fields. But if there is a missing element in her analysis, it is the effect that sexism has on these women’s artistry, not only their livelihoods.
  25. This collaboration between Jackie van Beek and Madeleine Sami — who wrote, directed and star together — exhibits their fairly irresistible comic chemistry, even if the conceit of the movie wears a bit thin.
    • 76 Metascore
    • 80 Critic Score
    An unusually well-made film.
  26. The film does an excellent job of introducing the pop star to unfamiliar audiences, contextualizing her activism and, more broadly, examining the role art can play in shaping our beliefs.
  27. The film, while it packs all the satire of our modern tribal matrimonial rite that was richly contained in the original, also possesses all the warmth and poignancy and understanding that makes the Streeter treatise much beloved.
    • 76 Metascore
    • 80 Critic Score
    What Time Limit has to say is sobering, important and exciting and, though its principals are caught in circumstances that are extraordinary, it meticulously arrives at terrible truths that are timeless and universal.

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