For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
- By Date
- By Critic Score
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- Critic Score
One of the pleasures of Jesus' Son is watching a filmmaker take risks and discover new resources of style.- The New York Times
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Reviewed by
Janet Maslin
Cool, stark compositions and the occasional audacious visual trick give Buffalo '66 a memorable look even when its narrative enters the occasional uneventful stretch.- The New York Times
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Reviewed by
A.O. Scott
Occasionally becomes pretentious and shrill -- sometimes Mr. Wright isn't aware that his material is so good that he doesn't need to comment on his characters.- The New York Times
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Reviewed by
Stephen Holden
The Magdalene Sisters would be too painful to watch if it didn't have a silver lining. Suffice it to say that it is possible to fly over this religious cuckoo's nest and remain free. All it takes is courage and the timely kindness of strangers.- The New York Times
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Reviewed by
Janet Maslin
He (Liman) creates a film that lives up to the momentum of its title and doesn't really need much more.- The New York Times
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Stephen Holden
Blurs the line between comedy and epic drama so adroitly that the two styles fuse into something quite original: a lyrical farce that pays homage to its period in any number of ways.- The New York Times
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Reviewed by
Stephen Holden
Jesse Wigutow's screenplay is one of those marvels of economy, idiomatic facility and well-chosen detail that knows exactly when to cut away from a scene without grinding it into your face.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Exudes a throbbing flesh-and-blood intensity so compelling that it's impossible to avert your eyes.- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
The filmmaker creates schematic, intuitive images that hauntingly crystallize the characters' situations.- The New York Times
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A.O. Scott
There's as much at stake in the hilarious, moody and cantankerous film adaptation of "Splendor" as there was in this summer's other movies of comic-book antiheroes like "The Hulk" and "The League of Extraordinary Gentlemen."- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
Mamet's handsome, stately adaptation of Terence Rattigan's play The Winslow Boy does not embellish upon its source material. Instead it skillfully pares the play down to its essentials, arriving at a faithful but tighter version of this drama.- The New York Times
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Stephen Holden
Mr. Strathairn's complex, exquisitely nuanced portrayal of a man who goes over the line allows his character to be both hero and villain, sometimes at once.- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
This is hot-weather escapism so earnestly retrograde that it seems new.- The New York Times
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Reviewed by
Janet Maslin
An eerily effective film...Twin Falls Idaho has style, gravity and originality to spare.- The New York Times
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Reviewed by
Janet Maslin
Tykwer deliberately blows away all traces of the mundane and the familiar, so that not even the closing credit crawl moves in the expected way.- The New York Times
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Dana Stevens
Whether or not The River is, as some critics have claimed, Mr. Tsai's masterpiece, it is an excellent introduction to his oblique narrative style, his favored themes and his careful, lyrical visual sensibility.- The New York Times
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Reviewed by
Dana Stevens
It has a familiar, lived-in feel, and if its observations of rural life at a time of political turmoil don't feel terribly original, they are nonetheless absorbing and sometimes powerful.- The New York Times
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A.O. Scott
This minimalist film is slightly hobbled by its minimal plot; it's the crucial difference between a movie with moments of greatness and a great movie.- The New York Times
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Reviewed by
Stephen Holden
A political movie that, partly through the powerful lead performance of its star, the relatively young Yves Montand, transcends its own politics.- The New York Times
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Reviewed by
Janet Maslin
There's plenty of room for sentimentality here, but the wonder of Salles' film is all in the telling.- The New York Times
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Reviewed by
Janet Maslin
Finding hilarity in John Waters's latest movie title is the basic pre requisite for enjoying the goofy ingenuity of his new film.- The New York Times
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Dana Stevens
Hardly a work of state-of-the-art virtuosity, but rather an example of quiet, confident craftsmanship that tells a sweet, charming tale of intergalactic friendship.- The New York Times
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Dana Stevens
Watching The Five Obstructions is at once like witnessing two chess masters playing dominoes and like spying on a series of therapy sessions. Mr. von Trier clearly sees himself as a maniacal psychoanalyst.- The New York Times
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Reviewed by
Stephen Holden
Skarsgard and Headey deliver perfectly meshed lead performances in a small, beautifully acted film that will make you squirm.- The New York Times
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A.O. Scott
Mr. del Toro provokes your screams and shudders, but he also earns your tears.- The New York Times
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Reviewed by
Dave Kehr
An effective, well-made film that will certainly please its target audience of preteen girls.- The New York Times
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