The New York Times' Scores

For 20,280 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20280 movie reviews
    • 76 Metascore
    • 80 Critic Score
    One of the pleasures of Jesus' Son is watching a filmmaker take risks and discover new resources of style.
  1. Cool, stark compositions and the occasional audacious visual trick give Buffalo '66 a memorable look even when its narrative enters the occasional uneventful stretch.
  2. Occasionally becomes pretentious and shrill -- sometimes Mr. Wright isn't aware that his material is so good that he doesn't need to comment on his characters.
  3. The Magdalene Sisters would be too painful to watch if it didn't have a silver lining. Suffice it to say that it is possible to fly over this religious cuckoo's nest and remain free. All it takes is courage and the timely kindness of strangers.
  4. Go
    He (Liman) creates a film that lives up to the momentum of its title and doesn't really need much more.
  5. Blurs the line between comedy and epic drama so adroitly that the two styles fuse into something quite original: a lyrical farce that pays homage to its period in any number of ways.
  6. Jesse Wigutow's screenplay is one of those marvels of economy, idiomatic facility and well-chosen detail that knows exactly when to cut away from a scene without grinding it into your face.
  7. An incisive drama about a waking nightmare.
  8. Exudes a throbbing flesh-and-blood intensity so compelling that it's impossible to avert your eyes.
  9. A small, finely wrought drama.
  10. The filmmaker creates schematic, intuitive images that hauntingly crystallize the characters' situations.
  11. There's as much at stake in the hilarious, moody and cantankerous film adaptation of "Splendor" as there was in this summer's other movies of comic-book antiheroes like "The Hulk" and "The League of Extraordinary Gentlemen."
  12. Affectionately told ...beguiling.
  13. Mamet's handsome, stately adaptation of Terence Rattigan's play The Winslow Boy does not embellish upon its source material. Instead it skillfully pares the play down to its essentials, arriving at a faithful but tighter version of this drama.
  14. Mr. Strathairn's complex, exquisitely nuanced portrayal of a man who goes over the line allows his character to be both hero and villain, sometimes at once.
  15. The ultimate caper, a work of brazen ebullience.
  16. This is hot-weather escapism so earnestly retrograde that it seems new.
  17. An eerily effective film...Twin Falls Idaho has style, gravity and originality to spare.
  18. Tykwer deliberately blows away all traces of the mundane and the familiar, so that not even the closing credit crawl moves in the expected way.
  19. Whether or not The River is, as some critics have claimed, Mr. Tsai's masterpiece, it is an excellent introduction to his oblique narrative style, his favored themes and his careful, lyrical visual sensibility.
  20. It has a familiar, lived-in feel, and if its observations of rural life at a time of political turmoil don't feel terribly original, they are nonetheless absorbing and sometimes powerful.
  21. This minimalist film is slightly hobbled by its minimal plot; it's the crucial difference between a movie with moments of greatness and a great movie.
  22. A political movie that, partly through the powerful lead performance of its star, the relatively young Yves Montand, transcends its own politics.
  23. There's plenty of room for sentimentality here, but the wonder of Salles' film is all in the telling.
  24. Finding hilarity in John Waters's latest movie title is the basic pre requisite for enjoying the goofy ingenuity of his new film.
  25. Hardly a work of state-of-the-art virtuosity, but rather an example of quiet, confident craftsmanship that tells a sweet, charming tale of intergalactic friendship.
  26. Watching The Five Obstructions is at once like witnessing two chess masters playing dominoes and like spying on a series of therapy sessions. Mr. von Trier clearly sees himself as a maniacal psychoanalyst.
  27. Skarsgard and Headey deliver perfectly meshed lead performances in a small, beautifully acted film that will make you squirm.
  28. Mr. del Toro provokes your screams and shudders, but he also earns your tears.
  29. An effective, well-made film that will certainly please its target audience of preteen girls.

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