For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Holden
Mr. Brodsky's final screen performance in one of his richest roles finds overlapping layers of humor and pathos.- The New York Times
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- The New York Times
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Reviewed by
Vincent Canby
The film is superbly acted by Mr. Polanski, Mr. Douglas and Miss Winters, who might not be entirely convincing as a Parisian concierge in a realistic film, but who fits into this nightmare perfectly.- The New York Times
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Reviewed by
Dana Stevens
Very much a writer's film: Mr. Schickel's elegant, occasionally knotty prose, read by Sidney Pollack, offers a clear, nuanced interpretation of the artist's work in relation to his life.- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
Poignant though it is, the movie is the opposite of depressing. There is too much life in it.- The New York Times
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Janet Maslin
Though in essence this is little more than a girls' romance novel brought to life, it has been filled with heart and humor. The place, the people and even the largely predictable situations in which they find themselves are presented in an entirely winning way.- The New York Times
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Reviewed by
Stephen Holden
Ms. Khoury, often filmed in close-up, gives a deeply sensitive, unsentimental performance, and the feelings that crowd on her face (sometimes more than one at a time) run the gamut from despair to ambivalence to hysterical frustration to tenderness and joy.- The New York Times
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Reviewed by
Janet Maslin
With unexpected success, Robert Altman plays a John Grisham mystery in a seductive new key.- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
Simultaneously a thoroughly mannered, mischievously artificial confection and an acute piece of psychological realism. Whose psychology, and which reality, remains ambiguous even after the tart, delicious final twist.- The New York Times
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Reviewed by
Dana Stevens
The real protagonist is the family itself -- a fragile, complex organism undermined by internal conflict and menaced by the cruelty and indifference of the society around them.- The New York Times
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Stephen Holden
The entrancing visual imagery goes a long way toward filling in the screenplay's gaps in logic.- The New York Times
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Reviewed by
Janet Maslin
The film's mix of romance and reading matter is seductive in its own right, providing comfy book-lined settings and people who are what they read and write.- The New York Times
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Reviewed by
Janet Maslin
When it comes to holiday films worth swooning over, here's the one to see.- The New York Times
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Reviewed by
Janet Maslin
Duvall's unobtrusive direction moves the film at a leisurely pace that lets many scenes build the gentle, pleasing rhythms of small-town Southern life. A rare display of spiritual light on screen.- The New York Times
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Reviewed by
Dana Stevens
The Weitz brothers -- notorious as the authors of the "American Pie" series -- handle the sentimentality of the story with a light, sweet touch.- The New York Times
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Reviewed by
Dana Stevens
Strange, intense and moving -- one of the few truly grown-up movies you're likely to see this year.- The New York Times
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Reviewed by
Stephen Holden
If Cremaster 3 is an innovative artwork that has been credited with breaking down the distance between sculpture and film, is it also a great movie? Probably yes.- The New York Times
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A.O. Scott
Effervescent and satisfying, a crowd pleaser that does not condescend.- The New York Times
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Reviewed by
Anita Gates
Nothing more -- and nothing less -- than a collage of decaying, decomposing nitrate film stock...The unexpected thing is that its dying, in this shower of black-and-white psychedelia, is quite beautiful.- The New York Times
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Reviewed by
Stephen Holden
The son's search is one of three strands of a story that the movie weaves into a meticulously structured portrait of a complicated man who remains elusive even after key elements of the puzzle have been pieced together.- The New York Times
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Reviewed by
Stephen Holden
As unrelenting an exploration of isolation and dissociation as Roman Polanski's "Repulsion."- The New York Times
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- The New York Times
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Reviewed by
Lawrence Van Gelder
Brims with understanding of the complexities of relationships, the frailties of humankind and the possibilities of joy.- The New York Times
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Reviewed by
Stephen Holden
Shot in just two weeks with a hand-held digital camera, the movie often looks frayed around the edges. Yet it has a soulful heart and a clear grasp of its rarefied milieu (Manhattan upper-level moneyed academia).- The New York Times
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Janet Maslin
Enough wild-card energy to keep it bright and surprising.- The New York Times
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Reviewed by
Stephen Holden
Invites you to contemplate the symbolic vibration of every hue in its teeming, overcrowded canvas.- The New York Times
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Reviewed by
Dana Stevens
Unlike most movies of this kind, which run out of steam and ideas as they go along, Johnny English gains momentum, nudging you along from a few stray giggles to helpless, giddy laughter.- The New York Times
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