The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,893 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12893 movie reviews
  1. The film maintains its edge because el-Toukhy serves up this unsavory dish cold, without any mollifying humanistic judgments or reassurances that people are actually better than this. The central character is as heartless as any treacherous double-crosser in a film noir, but without the constant stylistic reminder that we live in a nasty, dark, dog-eat-dog world.
  2. The film, directed by Danny Gold, offers an alternately moving and amusing exercise in infectious nostalgia that should prove appealing even to viewers who weren't in the 1949 graduating class of DeWitt Clinton High School.
  3. It doesn’t have Jack Nicholson, Stanley Kubrick or even much of the Overlook Hotel, but Rebecca Ferguson and other good actors provide some shine of their own in Doctor Sleep, a drawn-out and seldom pulse-quickening follow-up to The Shining that still has enough going on to forestall any audience slumber.
  4. A highly original and rather touching account of loss, both physical and emotional.
  5. While there are a lot of names, facts and intriguing assertions to absorb here, Gibney and editor Michael Palmer weave the dense narrative into a brisk, gripping and fascinatingly detailed thriller, enhanced by Robert Logan and Ivor Guest's suspenseful score.
  6. Thanks to the efforts of the talented filmmakers and the committed performances by the all-in cast, there are some undeniably spooky moments. But you have to sit through an awful lot of tedium to get to them.
  7. Tiresomely unimaginative feature.
  8. Words can't do justice to the truly lavish sets and costumes on display here which are so dazzling, intricate and bizarre they serve as a useful distraction from the awkward dialogue and plot holes.
  9. Although earnest to a fault and certainly fulfilling its goal of being family-friendly entertainment, The Great Alaskan Race ultimately proves less exciting and not nearly as adorable as Balto, the 1995 animated film inspired by the same events.
  10. Closely based on the director's own troubled youth, Farming is rooted in rich, complex, potentially gripping material. But Akinnuoye-Agbaje slaps this story together with so little subtlety, he ends up seriously diluting its dramatic power.
  11. Despite superb performances by Nat Wolff as a conflicted young soldier and particularly Alexander Skarsgard as a sociopathic platoon leader, the picture proves only sporadically compelling.
  12. A pedestrian thriller whose personal-tech gimmick is even more thinly imagined than one might guess, it's a jumble of cheap jump scares made watchable by likable leads Elizabeth Lail and Jordan Calloway.
  13. It suffers greatly from obeying the imperative the first sequel established: Trying to blow minds and up the ante the way that FX-pioneering adventure did, this one offers a series of action set pieces that go from big to huge to ludicrous, even as the script's additions to fear-the-future mythology underwhelm.
  14. Modine makes it work anyway thanks to his charm and charisma. His enjoyably playful performance helps prevent Miss Virginia from feeling entirely like an issue-of-the-week television movie.
  15. Director Patrick Lussier and co-screenwriter Todd Farmer were previously responsible for such enjoyable guilty pleasures as "My Bloody Valentine" and "Drive Angry." Unfortunately, their latest collaboration, Trick, is definitely no treat.
  16. While he's not hinting around at the kind of systems of control he'll expand on to surreal effect in Dogtooth, The Lobster and elsewhere, Lanthimos enjoys provoking us visually.
  17. There’s barely any let-up in tension throughout the film, even during interviews with subjects who could either be concealing murderous personal histories or potential victims risking their lives to disclose the excesses of law enforcement.
  18. This remarkable true story is a finely crafted exercise in slow-building suspense, though it works better as a gripping mood piece than as journalistic investigation, its raw confessional style slightly compromised by niggling narrative gaps and dramatic contrivances.
  19. Though Turturro turned this small part into a memorable character for the Coens, Quintana is not so reliably funny here, especially headlining a whole film of very intermittent charm.
  20. Shot over four years in Kenya, the film boasts an undeniable authenticity, thanks to its filmmakers' quarter-century of experience making wildlife films in Africa. And while elephants are naturally camera-friendly subjects, their behavior here is captured with a particularly impressive immediacy.
  21. Rounding up all the original's stars and throwing several more surviving human characters into the mix, the pic is plenty entertaining for those of us who, paradoxically, find zombies comforting in dark times.
  22. Every conceivable button is pushed to achieve rote satisfaction in young viewers, while any notion of creating tension and suspense is dutifully ignored. Not for a moment is actual peril considered as something worthy of a dramatic climax.
  23. Fashion designer and immigrant from Belgium Diane von Furstenburg is the film’s tour guide (and also executive produces). A self-appointed “godmother” of the statue, von Furstenburg is a witty, easy-going host whose confidence and curiosity, not to mention her love of taking selfies, is a boon to the documentary.
  24. With no commentary beyond audio clips and visuals composed almost entirely of historical footage, Periot uses the radicals’ own images and words to show how their discourse evolved over ten years from progressive to militant.
  25. Nearly everything misfires here — bizarrely so, since we can see where the laughs should come, how they would work, and how a more competent movie would get from A to Z. (To be fair, some jokes do land, just not as satisfyingly as you'd hope.)
  26. El Camino is a high-quality piece of suspense and action filmmaking carried by Paul's still-tremendous performance as Jesse Pinkman. It looks great, sounds great and if you're a fan, it's full of cameos and references that are sure to amuse.
  27. This solidly crafted Ridley Scott production is sprinkled with classy ingredients, including Alicia Vikander as headline star. But it is also a fairly flat treatment of over-familiar plot elements, and fatally low on the key psycho-thriller elements of suspense, surprise and dread.
  28. What it has going for it in spades is supremely creepy atmosphere. The hospital virtually becomes a major character in the story itself, its washed-out coloring and neon lights making everyone look like they have a sickly pallor.
  29. It would, after all, take a sleuth of Hercule Poirot-like talents to discern what attracted these supremely talented (not to mention, in the case of one of them, Oscar-winning) thespians to such lame, cliched material.
  30. A movie so bland and forgettable it hardly merits a groan from the Frankenstein-like butler called Lurch, The Addams Family strongly suggests that directors Greg Tiernan and Conrad Vernon deserve little credit for 2016's Sausage Party, the hit they directed for writers/producers Seth Rogen and Evan Goldberg.

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