The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,888 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12888 movie reviews
  1. The heist itself is almost dull, and the characters aren't half as colorful or interesting as they need to be.
  2. Begins by repeating many gags from the previous film. Only now they feel lame and routine.
  3. One of the year's most satisfying films.
  4. A rewarding piece of filmmaking that has all the makings of a classic weepie.
  5. Mildly engaging but never entirely convincing.
  6. A quintessential Hollywood story that might have just as easily been called "Karma."
  7. A story that soars with breakneck pace but slows in all the tender moments. Visually, this train ride is both majestic and edge-of-your-seat.
    • 49 Metascore
    • 50 Critic Score
    What captures the audience's attention is Ardent's mesmerizing performance.
  8. The film doesn't manage to achieve for hip-hop what the great rock concert films of the past have done for their musical genre.
  9. Fascinating and absorbing tale.
  10. Alas, this is a remake without a reason. Alfie can no longer shock us.
  11. Pixar again hitches top-notch storytelling to the very best in CG animation.
  12. Tambini and Sandoval lived in the community for a year and present the story with great immediacy. The film could have benefited from some deeper analysis of why these people feel their way of life is so threatened.
  13. In a season of proliferating issue-oriented documentaries, Voices of Iraq stands out by the sheer nature of its provenance: Iraqis themselves filmed the footage during a six-month period this year.
  14. Daniel Craig, in his meatiest film role to date, delivers his usual incisive performance, even if this intimate drama of contemporary Londoners pushes the boundaries of credibility.
  15. A paranormal mystery without a spine. It has no suspense because it has no belief in itself.
  16. Saw
    Boasts an undeniably original premise and clever plot machinations that lift it several notches above the usual slasher film level.
  17. Ray
    Unlike his songs, the film holds something back. It goes deep into a life filled with as much trouble and pain as triumph and accomplishment but never quite gets at the root of who Ray is.
  18. It is a film that should be required viewing by all citizens, especially students, if we hope not to repeat this awful chapter.
  19. Hysterically funny yet melancholy comedy.
  20. What might have achieved a degree of cult status across the pond when it was aired in 10-minute installments, struggles to pass big-screen scrutiny.
  21. Although not exactly original in its aspirations or execution, the film's engaging performances and occasional funny moments lift it a notch above the pack of similarly themed fare.
  22. Terrific performances by Anthony LaPaglia, Eric Stoltz and Caroleen Feeney infuse this well-written comic drama with a realistic ease.
  23. The naturalistic style of the film is completely at odds with the hokey melodrama.
  24. Simply lets the sinfully gorgeous music and emotions sweep over an audience.
  25. Quite moving thanks to its gorgeous cinematography and a story that manages to be emotionally resonate despite its familiarity.
  26. A brilliantly honed tale of dementia, starring a skeletal Christian Bale as a tormented insomniac wasting away and terrorized by his irreal existence.
  27. Slightly less frightening than the original, but it's still a scary psycho-horror that effectively replicates its bleak and crisp shocks.
  28. A lame comic premise, a tiresome-bordering-on-obnoxious protagonist and a script devoid of humor is a lot to overcome for any movie, and Surviving Christmas is not the one to do it.
  29. A well-intentioned but unconvincing fable about a young boy struggling to overcome his fear of mortality.

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