The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,888 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12888 movie reviews
  1. Dolls soon becomes overloaded with symbolism, and consequently suffocates the audience.
  2. Stephen Mirrione's fast-paced editing and David Holmes' pop-rock score propel the story ever forward whether one follows the twists or not.
  3. Although A Tale of Two Sisters has some excellent suspense sequences, it falters badly during the dramatic parts.
  4. Wonderfully weird and wistful adventure-comedy about a fish-out-of-water oceanographer.
  5. Repetitive and ultimately a victim of its own hysteria, the U.K. indie is nonetheless an impressive exercise in high-tech gothic style, with a convincingly deranged Lee Evans.
  6. If ever there was a lusty, lowbrow genre film destined for a life on video, this is it.
  7. While the film sometimes plays like an hour TV medical drama padded to reach feature length, Sawant achieves touching, naturalistic performances from a fine ensemble cast.
  8. This is a work of art so deep and resonant that it puts most narrative films to shame.
  9. Should reasonably please fans of the genre before assuming its place in the horror section of your local video store.
  10. A glorious new addition to martial-arts cinema.
  11. Tells a gripping story that resonates with numerous subtexts.
  12. A challenging, thought-provoking debut that compassionately questions the relevance of celibacy in the Catholic Church.
  13. Both intensely thoughtful and wonderful to look at.
  14. The picture is essentially a tearjerker, with little originality or insight.
  15. Pitch-perfect performances bring it all home, particularly that of Danish leading man Mikkelsen.
  16. Definitely third-rate Holocaust material.
  17. Determined to be faithful to the strong, often shocking language and in-your-face drama in Marber's mannered writing, Nichols and his actors find no way to lift Closer into a realm that enlightens.
  18. That a ragtag group of intellectuals and misfits could so blindside the FBI and hold the media in its grip is an especially sobering aspect of this dynamically told story.
  19. Weinstock takes you down a well-trod path in romantic comedy, but her characters are smart and funny, the twists are unexpected.
    • 76 Metascore
    • 80 Critic Score
    Jeunet provides numerous pleasures, particularly visual, along the way.
  20. Things are too predictable. Perhaps the viewpoint is to blame.
  21. Wastes its promising premise with a wavering tone that veers uneasily between camp humor and, pardon the expression, straightness.
  22. A Christmas comedy where laughs and even Christmas joy are in short supply.
  23. Since the movie lacks a vision of what Alexander was really about as a man and a figure in history, it falls back all too frequently on movie spectacle.
  24. If you're going to tell a wildly implausible tale of fortune hunting and unlikely heroes, you could do worse than National Treasure.
  25. The result is an animated adventure that's funnier than "Shark Tale" and more charming than "The Polar Express."
  26. Wavers between would-be satire and romantic drama, inhabiting neither mode convincingly.
  27. Effectively creates a menacing atmosphere within the gleaming white halls of the hospital in which it is set, but its story line and characterizations lack the sufficient originality to lift the film above its many better predecessors.
  28. David Hubbard's script is so steeped in sludgy sentimentality that the film's early hints of quirkiness quickly give way to heavy-handed faith healing.
  29. Does possess some eccentric moments of high camp humor. But other than that, this low-concept slasher/horror film suffers from creaky direction, a tatty story line, and -- even worse, considering the genre -- a lack of suspense and shocks.

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