The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,889 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12889 movie reviews
  1. This is a performance without the histrionics and emotional outbursts that accompany most portrayals of addiction. This feels closer to the truth.
  2. The details are what matters, and thanks to a cast of all-star British elders and a mischievous sense of humor, the filmmakers bring those details to vivid life.
  3. A little more "Grifters" would have gone far here. Not toward making the film palatable for the mainstream, perhaps, but at least toward selling its neo-noir story to an audience already inclined toward such seedy material.
  4. As bland and forgettable as its title.
  5. Just lousy.
  6. One of the best film musicals in years -- exuberant, sexy and life affirming in equal measure.
  7. Unable to decide whether it wants to be a rambunctious family comedy or a tender romantic comedy, the Dennis Quaid-Rene Russo vehicle strains to be both and ends up falling short of both marks.
  8. Johnny Depp makes a riveting antihero in a dark and bawdy period drama.
  9. The character and geographical jumps leave you in a muddle with thinly sketched personalities and confusing plot points. Worse, dialogue dense with nuance and shaded meaning flies by too quickly.
  10. Despite its contemporary sheen, it's very old-fashioned in its storytelling and structure. Unfortunately, it's more muscle than high-formula, and it clanks, sputters and spins out in its pedal-to-the-story medal style.
  11. An unsentimental portrait.
  12. The best one yet.
  13. The decision to approach Johnny's life as a love story causes Mangold to neglect the development of Johnny's music.
  14. The film possesses a quiet but powerful tension.
  15. Fortunately, unlike so many similarly politically themed documentaries, the film makes its case with substantial intelligence and conviction.
  16. Tedious portrait of a troubled Rolling Stone.
  17. The Syrian Bride manages to entertain even as it both moves and amuses.
  18. Turns Jane Austen's nimble satire into a lumbering gothic romance.
  19. This flaccid psychological thriller keeps spoiling its own surprise by constantly signaling the big plot twist.
  20. Favreau again delivers that rare beast -- a family film that even childless adults can enjoy.
  21. Ultimately, its success may depend on how emotionally satisfying audiences find this flirtation with Jewish mysticism.
  22. A splendid idea for a film goes largely wasted despite a brave performance by Naomi Watts as a struggling actress trying to figure it all out in Hollywood.
  23. Definitely acquired-taste material and will perform best in the hipper, bigger rooms.
  24. Refreshingly devoid of politics.
  25. The writer-director's inquiry into this tragedy makes for a moving and intelligent film, but the dark story never feels fully realized.
  26. For all its biographical truth, Get Rich's journey into a ghetto of hustlers, gangstas and mindless violence is all too familiar.
  27. A consistently amusing, often inspired family romp.
  28. Jarhead refuses to engage in its own point of view toward events it depicts. So the film feels empty and tentative, uncertain of what if anything these events add up to.
  29. Ultimately has the air of a home movie project blown up to feature-length proportions.
  30. Before it disappears into a fog of confusion and damaging contradictions within its characters, The Dying Gaul presents an ironic, provocative look at what its creator, Craig Lucas, calls a postmodern Hollywood noir.

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