The Hollywood Reporter's Scores
- Movies
- TV
For 12,922 reviews, this publication has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Lord of the Rings: The Two Towers | |
|---|---|---|
| Lowest review score: | Dirty Love |
Score distribution:
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Positive: 6,619 out of 12922
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Mixed: 5,136 out of 12922
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Negative: 1,167 out of 12922
12922
movie
reviews
- By Date
- By Critic Score
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- The Hollywood Reporter
- Posted May 7, 2015
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Reviewed by
Stephen Farber
Despite these lapses and a padded running time, this film does burst with fascinating inside lore.- The Hollywood Reporter
- Posted May 7, 2015
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Reviewed by
David Rooney
Techine's last screen retelling of a sensational tabloid case, The Girl on the Train, was sly, illusive and seductive. This one is just inert.- The Hollywood Reporter
- Posted May 7, 2015
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Reviewed by
Boyd van Hoeij
Though it contains some nice twists, the story is largely predictable and old-fashioned in ways both good (the characters’ unlikely come-what-may camaraderie) and bad (misogyny and machismo abound).- The Hollywood Reporter
- Posted May 7, 2015
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Reviewed by
Leslie Felperin
Reprising the kind of musical performances, campus hijinks, stinging humor and sassy sisterhood put in place by its eminently likeable predecessor, Pitch Perfect 2 remixes the elements and comes up with something even slicker and sharper.- The Hollywood Reporter
- Posted May 7, 2015
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John DeFore
Unfortunately, [Robert Duvall's] attempt to create a multigenerational Lone Star-like mystery doesn't gel as John Sayles's film did, leaving so many dramatic moments unresolved that one wonders how many scenes must have been left on the cutting-room floor.- The Hollywood Reporter
- Posted May 6, 2015
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Frank Scheck
Shines a much deserved spotlight on this unheralded artist.- The Hollywood Reporter
- Posted May 6, 2015
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Frank Scheck
For a film so seemingly interested in educating audiences about the evils of sex trafficking that it provides horrific statistics at the conclusion, it has no compunction about including copious doses of female nudity.- The Hollywood Reporter
- Posted May 6, 2015
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Todd McCarthy
The film is essentially nothing but little and ineffectual bits of recycled shtick with no sense of freshness of invention. And the women never bond in even the most rote or superficial way that's expected in this sort of claptrap.- The Hollywood Reporter
- Posted May 5, 2015
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John DeFore
Neither as frightening as a good horror flick nor as enlightening as a straight documentary, Rodney Ascher's The Nightmare borrows from both worlds in its depiction of the phenomenon known as sleep paralysis.- The Hollywood Reporter
- Posted May 4, 2015
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Deborah Young
It’s a timely topic shot around picnic tables with friends and tramping through vineyards from Tuscany to Piedmont, as thought-provoking as it is informal.- The Hollywood Reporter
- Posted Apr 30, 2015
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Frank Scheck
Featuring endless scenes that defy credibility..Any Day truly succumbs to mawkishness in its final act.- The Hollywood Reporter
- Posted Apr 30, 2015
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John DeFore
This polished, comprehensive-feeling film makes clear how much of the work was done by our neighbors to the north.- The Hollywood Reporter
- Posted Apr 30, 2015
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Frank Scheck
Featuring enough stereotypical characterizations and situations to fuel a dozen artificial rom-coms, After the Ball pretty much drops the ball in every aspect.- The Hollywood Reporter
- Posted Apr 30, 2015
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John DeFore
Digging around in the crannies of his highly unusual home but never becoming intrusive, the doc feels like it was made by a friend, in a good way.- The Hollywood Reporter
- Posted Apr 30, 2015
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Michael Rechtshaffen
Alexs Stadermann, directing from a script by Marcus Sauermann and Fin Edquist, keeps the story humming along genially, while the voice cast, also including Miriam Margoyles as the kindly Queen and Jacki Weaver as her conniving royal advisor, provides the spirited uplift.- The Hollywood Reporter
- Posted Apr 30, 2015
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- The Hollywood Reporter
- Posted Apr 30, 2015
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Reviewed by
Justin Lowe
With a style characterized by strong visual storytelling and a seamless rapport with actors both young and old, Bradley guides the cast with a gentle hand and a well-defined vision.- The Hollywood Reporter
- Posted Apr 29, 2015
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Reviewed by
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- The Hollywood Reporter
- Posted Apr 28, 2015
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Reviewed by
Boyd van Hoeij
Based on a true story that's perhaps less famous than some others but just as intriguing, this serious-minded — no Helen Keller jokes, please — period film is nonetheless quite entertaining and, finally, moving.- The Hollywood Reporter
- Posted Apr 28, 2015
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Neil Young
When in doubt, the director cranks up the assaultively reverberant score from po-faced '80s rockers The The (aka Matt Johnson, the director's brother), which at least provides intermittent pep to this increasingly torpid wallow in the moral mud.- The Hollywood Reporter
- Posted Apr 28, 2015
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David Rooney
Wavering between wry humor and frank tenderness without fully committing to either, the film ends up stranded in an innocuously sweet middle ground. That’s a disappointment, especially since the movie gets off to an amusing start.- The Hollywood Reporter
- Posted Apr 28, 2015
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Deborah Young
The overwritten script has so many subplots it’s hard to keep the stories straight, especially when the ending throws a truly unexpected twist. But little matter; the exceptional tech work gives the film plenty of energy and excitement.- The Hollywood Reporter
- Posted Apr 28, 2015
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David Rooney
What makes the sharp-as-a-tack nonagenarian Apfel such splendid company is that beneath the busy prints and multi-layered accessories is a woman who is less an eccentric than an ineffably sane, sensible commentator on her own colorful life and the world she inhabits.- The Hollywood Reporter
- Posted Apr 28, 2015
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David Rooney
While the film carries no writer credit, the accompanying voiceover commentary from all five band-members feels canned, short on off-the-cuff spontaneity and hindsight perspective. Still, even if it has not much more depth than a VH1 Behind the Music special, the doc holds ample pleasures for '80s cultists.- The Hollywood Reporter
- Posted Apr 28, 2015
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Reviewed by
John DeFore
Grimy and sad but not sensationalistic, the debut feature is like Drugstore Cowboy drained of its hipness and sex appeal.- The Hollywood Reporter
- Posted Apr 28, 2015
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Boyd van Hoeij
Lafleur delivers an affecting, funny and eccentric -- in the best sense of the word -- meditation on that in-between state that people in their early twenties find themselves, as they are technically old enough to participate fully in all of life’s activities but they still lack the experience to know what they really want or what’s really good for them.- The Hollywood Reporter
- Posted Apr 28, 2015
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Jon Frosch
By turns deft and clumsy, inspired and insipid, Ride is a deeply sincere mess of a comedy.- The Hollywood Reporter
- Posted Apr 27, 2015
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Frank Scheck
While it might have made for a mildly diverting stage thriller — the hugely successful Deathtrap, for instance, was built on similarly absurd contrivances — the endlessly talky 3 Holes and a Smoking Gun founders onscreen.- The Hollywood Reporter
- Posted Apr 24, 2015
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Boyd van Hoeij
Sagnier and especially Baye try to locate the heart in their cartoonish maternal characters, and newcomer Lasseron is at least a warm and spunky presence in a role that's severely underwritten, though all of them are frequently upstaged by all the bells and whistles newcomer Neel feels he needs to keep throwing at the screen in order to mask the fact there's not much of story in the first place.- The Hollywood Reporter
- Posted Apr 23, 2015
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Reviewed by