The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,922 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12922 movie reviews
  1. There are some fascinating cracks in his constantly upbeat personality that Rice manages to smuggle in. A little more of this material, or at least a little more carefully edited and juxtaposed with the rest, might have made the film less of a valentine for Oakley fans and more of a fascinating behind-the-scenes look at a relatively new phenomenon in general and this "personality" in particular.
  2. American Hero, which intermittently uses a faux-documentary style to awkward effect, never quite decides what it wants to be.
  3. Building on a string of B-movie action titles like Assassin’s Bullet and Ninja, martial arts veteran Florentine doesn’t need any schooling on running an efficient and energetic production.
  4. Refreshingly free of the tired human-interest personality profiles that afflict sports documentaries on both the big and small screens, director Eryk Rocha has created an impressionistic, visually stunning cinematic essay.
  5. No one emerges especially worse for wear because the entire production is wholly apathetic to everything from a compelling story to sharp comic timing.
  6. For every emotionally resonant scene, there's another that seems to drag on pointlessly, although the filmmaker once again displays a talent for delineating the emotional tensions that develop when disparate characters are thrown together.
  7. Although the film directed by Jason Moore (Pitch Perfect) mostly concentrates on over-the-top comic mayhem, it's actually funniest in its quieter, subtler moments.
  8. This is a solid and detailed record of an extraordinary protest movement.
  9. The doc’s stunning slo-mo footage of midair locomotion emphasizes these messengers’ grace and mystery.
  10. If a film's opening credit reads "Presented by Larry King," run screaming for the hills. The venerable talk show host and his wife, Shawn King, are among the producers of this cinematic trifle that proves yet again that Christmas is responsible for more bad movies than any other holiday on the planet.
  11. [A] blankly heroic, clunkingly predictable portrait.
  12. It’s a surprising and often thought-provoking effort from a filmmaker who has never chosen to take the simple path, confirming Larrain as one of the more genuine talents working in cinema today.
  13. It is irresistibly laugh-out-loud and feel-good.
  14. Despite the film's flaws and missteps, there’s a low-key charm and sincerity at play in Cronies, as well as a sly recognition of fragile male egos and the way bravado can mask sexual anxiety.
  15. Cohn displays deep sympathy with her protagonist’s intersecting emotional crises, scripting a narrative that’s intensely perceptive without becoming mired in mawkishness.
  16. Even if the film could be accused of lacking subtlety and overloading on whimsy, it spreads a sobering message in a lucid story that remains visually alive and inventive throughout — its aesthetic keeps constantly shifting yet remains fluid.
  17. What makes the film so much fun to watch is not only its clear underdog narrative — the story's only halfway told by 2007, with several more surprising twists in store — but also that the no-nonsense commoners are such pleasant company, recounting how things went in candid, soundbite-ready and often amusing ways.
  18. Joy
    That the film itself is nearly as chaotic as the clan it examines can either be regarded as an admirable artistic correlative or a crippling defect, but the splendidly dextrous cast ensures that this goofy success story, which could just easily be titled American Hustle 2, keeps firing on all cylinders in the manner of the writer-director's previous few outings.
  19. Pushing both brutal realism and extravagant visual poetry to the edges of what one customarily finds in mainstream American filmmaking, director/co-writer Alejandro G. Inarritu, cinematographer Emmanuel Lubezki and a vast team of visual effects wizards have created a sensationally vivid and visceral portrait of human endurance under very nearly intolerable conditions.
  20. Lamb proves itself a deeply intriguing psychological drama that should inspire much spirited debate. Let the controversy begin.
  21. What starts out as a familiar kind of portrait...eventually grows a layer or two more complex.
  22. For the most part the film is compelling, with Jones' riveting performance as the alternately sympathetic and nasty protagonist anchoring the proceedings.
  23. While the violent sequences are very effectively staged, the results are a strange hybrid that doesn't quite work. Lacking the antic, witty humor of something like the similarly conceived Gremlins or the full-out gore of a traditional horror flick, Krampus never really finds it niche.
  24. Victoria is definitely what you would call a passive protagonist, and although the film subtly explores questions of ethnic identity, it doesn't necessarily keep one engaged until the end.
  25. Ericson Core’s Point Break strips the silly fun and relatively straight-ahead narrative from the original for a humorless, if photogenic spin on extreme crime.
  26. Failing to live up to it anarchic convictions by adding sympathetic aspects to its central character shortly before the conclusion, Uncle Nick, much like the sorts of holiday celebrations it depicts, is ultimately too strained to be enjoyable.
  27. A sort of maritime Donner Party, In the Heart of the Sea is a rugged but underwhelming true-life drama of a cursed 19th century whaling voyage.
  28. Heneral Luna is a sturdy, stirring if perhaps sometimes simplistic historical epic about bravery and treachery in a country at war.
    • tbd Metascore
    • 80 Critic Score
    Ali has found his footing as surely as has his protagonist, Ved (Ranbir Kapoor), in this satisfying and emotionally challenging tale of a young New Delhi man struggling to determine which parts of his life are artifice and which are real.
  29. At once comical and poignant, this offbeat, true-life show-biz tale deserves instant cult status.

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