The Hollywood Reporter's Scores
- Movies
- TV
For 12,922 reviews, this publication has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Lord of the Rings: The Two Towers | |
|---|---|---|
| Lowest review score: | Dirty Love |
Score distribution:
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Positive: 6,619 out of 12922
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Mixed: 5,136 out of 12922
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Negative: 1,167 out of 12922
12922
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Boyd van Hoeij
There are some fascinating cracks in his constantly upbeat personality that Rice manages to smuggle in. A little more of this material, or at least a little more carefully edited and juxtaposed with the rest, might have made the film less of a valentine for Oakley fans and more of a fascinating behind-the-scenes look at a relatively new phenomenon in general and this "personality" in particular.- The Hollywood Reporter
- Posted Dec 13, 2015
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Frank Scheck
American Hero, which intermittently uses a faux-documentary style to awkward effect, never quite decides what it wants to be.- The Hollywood Reporter
- Posted Dec 13, 2015
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Justin Lowe
Building on a string of B-movie action titles like Assassin’s Bullet and Ninja, martial arts veteran Florentine doesn’t need any schooling on running an efficient and energetic production.- The Hollywood Reporter
- Posted Dec 13, 2015
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Frank Scheck
Refreshingly free of the tired human-interest personality profiles that afflict sports documentaries on both the big and small screens, director Eryk Rocha has created an impressionistic, visually stunning cinematic essay.- The Hollywood Reporter
- Posted Dec 13, 2015
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Keith Uhlich
No one emerges especially worse for wear because the entire production is wholly apathetic to everything from a compelling story to sharp comic timing.- The Hollywood Reporter
- Posted Dec 13, 2015
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Frank Scheck
For every emotionally resonant scene, there's another that seems to drag on pointlessly, although the filmmaker once again displays a talent for delineating the emotional tensions that develop when disparate characters are thrown together.- The Hollywood Reporter
- Posted Dec 11, 2015
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Frank Scheck
Although the film directed by Jason Moore (Pitch Perfect) mostly concentrates on over-the-top comic mayhem, it's actually funniest in its quieter, subtler moments.- The Hollywood Reporter
- Posted Dec 10, 2015
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Stephen Dalton
This is a solid and detailed record of an extraordinary protest movement.- The Hollywood Reporter
- Posted Dec 10, 2015
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Sheri Linden
The doc’s stunning slo-mo footage of midair locomotion emphasizes these messengers’ grace and mystery.- The Hollywood Reporter
- Posted Dec 10, 2015
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Frank Scheck
If a film's opening credit reads "Presented by Larry King," run screaming for the hills. The venerable talk show host and his wife, Shawn King, are among the producers of this cinematic trifle that proves yet again that Christmas is responsible for more bad movies than any other holiday on the planet.- The Hollywood Reporter
- Posted Dec 10, 2015
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- The Hollywood Reporter
- Posted Dec 10, 2015
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Reviewed by
Jordan Mintzer
It’s a surprising and often thought-provoking effort from a filmmaker who has never chosen to take the simple path, confirming Larrain as one of the more genuine talents working in cinema today.- The Hollywood Reporter
- Posted Dec 10, 2015
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- The Hollywood Reporter
- Posted Dec 10, 2015
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Reviewed by
Jon Frosch
Despite the film's flaws and missteps, there’s a low-key charm and sincerity at play in Cronies, as well as a sly recognition of fragile male egos and the way bravado can mask sexual anxiety.- The Hollywood Reporter
- Posted Dec 8, 2015
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Justin Lowe
Cohn displays deep sympathy with her protagonist’s intersecting emotional crises, scripting a narrative that’s intensely perceptive without becoming mired in mawkishness.- The Hollywood Reporter
- Posted Dec 8, 2015
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David Rooney
Even if the film could be accused of lacking subtlety and overloading on whimsy, it spreads a sobering message in a lucid story that remains visually alive and inventive throughout — its aesthetic keeps constantly shifting yet remains fluid.- The Hollywood Reporter
- Posted Dec 8, 2015
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Boyd van Hoeij
What makes the film so much fun to watch is not only its clear underdog narrative — the story's only halfway told by 2007, with several more surprising twists in store — but also that the no-nonsense commoners are such pleasant company, recounting how things went in candid, soundbite-ready and often amusing ways.- The Hollywood Reporter
- Posted Dec 7, 2015
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Todd McCarthy
That the film itself is nearly as chaotic as the clan it examines can either be regarded as an admirable artistic correlative or a crippling defect, but the splendidly dextrous cast ensures that this goofy success story, which could just easily be titled American Hustle 2, keeps firing on all cylinders in the manner of the writer-director's previous few outings.- The Hollywood Reporter
- Posted Dec 7, 2015
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Todd McCarthy
Pushing both brutal realism and extravagant visual poetry to the edges of what one customarily finds in mainstream American filmmaking, director/co-writer Alejandro G. Inarritu, cinematographer Emmanuel Lubezki and a vast team of visual effects wizards have created a sensationally vivid and visceral portrait of human endurance under very nearly intolerable conditions.- The Hollywood Reporter
- Posted Dec 4, 2015
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Frank Scheck
Lamb proves itself a deeply intriguing psychological drama that should inspire much spirited debate. Let the controversy begin.- The Hollywood Reporter
- Posted Dec 4, 2015
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John DeFore
What starts out as a familiar kind of portrait...eventually grows a layer or two more complex.- The Hollywood Reporter
- Posted Dec 3, 2015
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Frank Scheck
For the most part the film is compelling, with Jones' riveting performance as the alternately sympathetic and nasty protagonist anchoring the proceedings.- The Hollywood Reporter
- Posted Dec 3, 2015
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Frank Scheck
While the violent sequences are very effectively staged, the results are a strange hybrid that doesn't quite work. Lacking the antic, witty humor of something like the similarly conceived Gremlins or the full-out gore of a traditional horror flick, Krampus never really finds it niche.- The Hollywood Reporter
- Posted Dec 3, 2015
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Jordan Mintzer
Victoria is definitely what you would call a passive protagonist, and although the film subtly explores questions of ethnic identity, it doesn't necessarily keep one engaged until the end.- The Hollywood Reporter
- Posted Dec 3, 2015
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Elizabeth Kerr
Ericson Core’s Point Break strips the silly fun and relatively straight-ahead narrative from the original for a humorless, if photogenic spin on extreme crime.- The Hollywood Reporter
- Posted Dec 3, 2015
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Reviewed by
Frank Scheck
Failing to live up to it anarchic convictions by adding sympathetic aspects to its central character shortly before the conclusion, Uncle Nick, much like the sorts of holiday celebrations it depicts, is ultimately too strained to be enjoyable.- The Hollywood Reporter
- Posted Dec 3, 2015
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Todd McCarthy
A sort of maritime Donner Party, In the Heart of the Sea is a rugged but underwhelming true-life drama of a cursed 19th century whaling voyage.- The Hollywood Reporter
- Posted Dec 2, 2015
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Clarence Tsui
Heneral Luna is a sturdy, stirring if perhaps sometimes simplistic historical epic about bravery and treachery in a country at war.- The Hollywood Reporter
- Posted Dec 2, 2015
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- Critic Score
Ali has found his footing as surely as has his protagonist, Ved (Ranbir Kapoor), in this satisfying and emotionally challenging tale of a young New Delhi man struggling to determine which parts of his life are artifice and which are real.- The Hollywood Reporter
- Posted Dec 2, 2015
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Reviewed by
Frank Scheck
At once comical and poignant, this offbeat, true-life show-biz tale deserves instant cult status.- The Hollywood Reporter
- Posted Dec 2, 2015
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