The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,922 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12922 movie reviews
  1. Themes of courage, patriotism, faith and unwavering adherence to personal beliefs have been a constant through Gibson's directing projects, as has a fascination with bloodshed and gore. Those qualities serve this powerful true story of heroism without violence extremely well, overcoming its occasional cliched battle-movie tropes to provide stirring drama.
  2. Barry Jenkins' Moonlight pulls you into its introspective protagonist's world from the start and transfixes throughout as it observes, with uncommon poignancy and emotional perceptiveness, his roughly two-decade path to find a definitive answer to the question, "Who am I?"
  3. A vigorous and involving salute to professionalism and being good at your job, Sully vividly portrays the physical realities and human elements in the dramatic safe landing of a crippled US Airways jet on the Hudson River on January 15, 2009.
  4. Confidently dovetailing three strands that depict present and past reality, as well as a dark fictional detour that functions as a blunt real-life rebuke, the film once again demonstrates that Ford is both an intoxicating sensualist and an accomplished storyteller, with as fine an eye for character detail as he has for color and composition.
  5. There's no way for all this to resolve that isn't fairly absurd. But Morelli's light touch generally keeps the goofiness from becoming tiresome, especially given the help of some quirktronica compositions by Kid Koala on the soundtrack.
  6. Taken together, the shorts offer some scraps on Berger the man and the artist and thinker without really supplying a full overview, while also exploring some of his main preoccupations in ways that would benefit from at least some prior knowledge of his work.
  7. Chan’s English-language dialogue occasionally comes across a bit muffled, but his body language rarely fails to connect. Knoxville thrashes about in a fairly undisciplined manner, but succeeds in providing a sizeable share of the comic relief.
  8. The cinematic clumsiness is a shame, because Equal Means Equal makes many powerful points along its diffuse, rambling way. Here is a case in which less would definitely have been more.
  9. By the time director Alexandre Aja brings together the pieces with an illuminating pang of emotion, most viewers’ confusion will have given way to indifference.
  10. Anchored by an internalized performance from Amy Adams rich in emotional depth, this is a grownup sci-fi drama that sustains fear and tension while striking affecting chords on love and loss.
  11. In the moment, the film's simplistic spirit is intoxicating. But take my word for it — the real-world hangover that follows is fierce.
  12. For Chazelle to be able to pull this off the way he has is something close to remarkable. The director's feel for a classic but, for all intents and purposes, discarded genre format is instinctive and intense.
  13. The film, poised awkwardly between costume-drama prestige and all-out schmaltz, is so busy sweeping us up in a swirl of music, scenery and beautiful, suffering faces that it forgets to do the actual work of earning our emotions.
  14. A low-fi but beguiling mixture of intellectual discourse and emotional rollercoaster from Spanish maestro José Luis Guerin.
  15. A predictable, whimsical exercise that only occasionally produces the sort of bittersweet emotion it seeks to elicit.
  16. If some anime films also feature more painterly details in the backdrops, especially when depicting nature, what feels new here is the attention to details such as the glow of light sources, including candles and lanterns, that are warmer and more realistically detailed than usual.
  17. The thrilling premise of Morgan eventually gets muddled amid standard thriller-action, blunting the intended impact of a final sequence that should produce chills, but instead merely provides information. Still, those seeking smart, edgy genre fare will find plenty to savor in this well-cast drama.
  18. The picture doesn’t fully succeed, but it showcases strong performances.
  19. The film is certainly watchable, thanks to the elaborately staged action sequences and Statham's killer charisma.
  20. At some point, we realize we've stopped counting the '80s dance hits we recognize (or trying to figure out when that Frankie Goes to Hollywood remix will end) and have become invested in the social lives of the men and women on camera.
  21. Viewers will likely be as confused as the protagonist as to what is going on, and the vague, episodic proceedings ultimately prove repetitive.
  22. Both informative and moving.
  23. Though too inside-baseball for many casual art fans, it should find some takers in its nationwide tour of bookings at art houses and museums.
  24. Diffuse and rambling at times, An Animated Life, which sometimes has the feel of a tribute film shown at an award gala, is not as compelling as such similarly themed docs as "Waking Sleeping Beauty" and "Frank and Ollie." But it nonetheless serves as an entertaining salute to an unsung figure whose considerable accomplishments well deserve recognition.
  25. Unfortunately, Kampai! For the Love of Sake is more cheerleading than informative, concentrating largely on personality profiles of three figures—two of them Westerners--obsessed with the Japanese rice wine.
  26. While lacking the technical polish necessary to lift it into a more elevated cinematic dimension, Philip T. Johnson's directorial debut earns points for its thematic ambitions and cheeky wit.
  27. Anne Frank's story has always been a moving way of personalizing the horrors of this war, and that remains the case here; but Fouce's dry doc is best suited for screening rooms in history museums.
  28. If similarities to mumblecore dramedies seem appropriate, be advised that by comparison, that subgenre is way more involving than Never will ever be.
  29. The film is as shapeless as a real life — amusing in an extremely mild way on occasion, but no more goal-oriented than a protagonist who, time and again, shows that all he really cares about is getting high and tossing a ball around.
  30. Kingsglaive: Final Fantasy XV is so lacking in human interest, or even in merely satisfying action, it is difficult to imagine anyone wanting to pay to sit through it. What Takeshi Nozue's movie does offer is massive, vividly rendered landscapes of sci-fi/fantasy pastiche, home to mayhem that is prettier than it is involving.

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