The Hollywood Reporter's Scores
- Movies
- TV
For 12,922 reviews, this publication has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | The Lord of the Rings: The Two Towers | |
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| Lowest review score: | Dirty Love |
Score distribution:
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Positive: 6,619 out of 12922
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Mixed: 5,136 out of 12922
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Negative: 1,167 out of 12922
12922
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Rooney
Themes of courage, patriotism, faith and unwavering adherence to personal beliefs have been a constant through Gibson's directing projects, as has a fascination with bloodshed and gore. Those qualities serve this powerful true story of heroism without violence extremely well, overcoming its occasional cliched battle-movie tropes to provide stirring drama.- The Hollywood Reporter
- Posted Sep 4, 2016
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Reviewed by
David Rooney
Barry Jenkins' Moonlight pulls you into its introspective protagonist's world from the start and transfixes throughout as it observes, with uncommon poignancy and emotional perceptiveness, his roughly two-decade path to find a definitive answer to the question, "Who am I?"- The Hollywood Reporter
- Posted Sep 3, 2016
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Todd McCarthy
A vigorous and involving salute to professionalism and being good at your job, Sully vividly portrays the physical realities and human elements in the dramatic safe landing of a crippled US Airways jet on the Hudson River on January 15, 2009.- The Hollywood Reporter
- Posted Sep 2, 2016
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Reviewed by
David Rooney
Confidently dovetailing three strands that depict present and past reality, as well as a dark fictional detour that functions as a blunt real-life rebuke, the film once again demonstrates that Ford is both an intoxicating sensualist and an accomplished storyteller, with as fine an eye for character detail as he has for color and composition.- The Hollywood Reporter
- Posted Sep 2, 2016
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John DeFore
There's no way for all this to resolve that isn't fairly absurd. But Morelli's light touch generally keeps the goofiness from becoming tiresome, especially given the help of some quirktronica compositions by Kid Koala on the soundtrack.- The Hollywood Reporter
- Posted Sep 1, 2016
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Reviewed by
Boyd van Hoeij
Taken together, the shorts offer some scraps on Berger the man and the artist and thinker without really supplying a full overview, while also exploring some of his main preoccupations in ways that would benefit from at least some prior knowledge of his work.- The Hollywood Reporter
- Posted Sep 1, 2016
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Justin Lowe
Chan’s English-language dialogue occasionally comes across a bit muffled, but his body language rarely fails to connect. Knoxville thrashes about in a fairly undisciplined manner, but succeeds in providing a sizeable share of the comic relief.- The Hollywood Reporter
- Posted Sep 1, 2016
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Reviewed by
Frank Scheck
The cinematic clumsiness is a shame, because Equal Means Equal makes many powerful points along its diffuse, rambling way. Here is a case in which less would definitely have been more.- The Hollywood Reporter
- Posted Sep 1, 2016
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Reviewed by
Sheri Linden
By the time director Alexandre Aja brings together the pieces with an illuminating pang of emotion, most viewers’ confusion will have given way to indifference.- The Hollywood Reporter
- Posted Sep 1, 2016
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Reviewed by
David Rooney
Anchored by an internalized performance from Amy Adams rich in emotional depth, this is a grownup sci-fi drama that sustains fear and tension while striking affecting chords on love and loss.- The Hollywood Reporter
- Posted Sep 1, 2016
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Reviewed by
Keith Uhlich
In the moment, the film's simplistic spirit is intoxicating. But take my word for it — the real-world hangover that follows is fierce.- The Hollywood Reporter
- Posted Aug 31, 2016
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Todd McCarthy
For Chazelle to be able to pull this off the way he has is something close to remarkable. The director's feel for a classic but, for all intents and purposes, discarded genre format is instinctive and intense.- The Hollywood Reporter
- Posted Aug 31, 2016
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Jon Frosch
The film, poised awkwardly between costume-drama prestige and all-out schmaltz, is so busy sweeping us up in a swirl of music, scenery and beautiful, suffering faces that it forgets to do the actual work of earning our emotions.- The Hollywood Reporter
- Posted Aug 30, 2016
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Boyd van Hoeij
A low-fi but beguiling mixture of intellectual discourse and emotional rollercoaster from Spanish maestro José Luis Guerin.- The Hollywood Reporter
- Posted Aug 30, 2016
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Frank Scheck
A predictable, whimsical exercise that only occasionally produces the sort of bittersweet emotion it seeks to elicit.- The Hollywood Reporter
- Posted Aug 30, 2016
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Boyd van Hoeij
If some anime films also feature more painterly details in the backdrops, especially when depicting nature, what feels new here is the attention to details such as the glow of light sources, including candles and lanterns, that are warmer and more realistically detailed than usual.- The Hollywood Reporter
- Posted Aug 30, 2016
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Sheri Linden
The thrilling premise of Morgan eventually gets muddled amid standard thriller-action, blunting the intended impact of a final sequence that should produce chills, but instead merely provides information. Still, those seeking smart, edgy genre fare will find plenty to savor in this well-cast drama.- The Hollywood Reporter
- Posted Aug 29, 2016
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Stephen Farber
The picture doesn’t fully succeed, but it showcases strong performances.- The Hollywood Reporter
- Posted Aug 28, 2016
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Frank Scheck
The film is certainly watchable, thanks to the elaborately staged action sequences and Statham's killer charisma.- The Hollywood Reporter
- Posted Aug 25, 2016
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John DeFore
At some point, we realize we've stopped counting the '80s dance hits we recognize (or trying to figure out when that Frankie Goes to Hollywood remix will end) and have become invested in the social lives of the men and women on camera.- The Hollywood Reporter
- Posted Aug 25, 2016
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Reviewed by
Frank Scheck
Viewers will likely be as confused as the protagonist as to what is going on, and the vague, episodic proceedings ultimately prove repetitive.- The Hollywood Reporter
- Posted Aug 25, 2016
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- The Hollywood Reporter
- Posted Aug 25, 2016
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Reviewed by
John DeFore
Though too inside-baseball for many casual art fans, it should find some takers in its nationwide tour of bookings at art houses and museums.- The Hollywood Reporter
- Posted Aug 25, 2016
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Reviewed by
Frank Scheck
Diffuse and rambling at times, An Animated Life, which sometimes has the feel of a tribute film shown at an award gala, is not as compelling as such similarly themed docs as "Waking Sleeping Beauty" and "Frank and Ollie." But it nonetheless serves as an entertaining salute to an unsung figure whose considerable accomplishments well deserve recognition.- The Hollywood Reporter
- Posted Aug 25, 2016
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Reviewed by
Frank Scheck
Unfortunately, Kampai! For the Love of Sake is more cheerleading than informative, concentrating largely on personality profiles of three figures—two of them Westerners--obsessed with the Japanese rice wine.- The Hollywood Reporter
- Posted Aug 25, 2016
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Reviewed by
Frank Scheck
While lacking the technical polish necessary to lift it into a more elevated cinematic dimension, Philip T. Johnson's directorial debut earns points for its thematic ambitions and cheeky wit.- The Hollywood Reporter
- Posted Aug 22, 2016
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Reviewed by
John DeFore
Anne Frank's story has always been a moving way of personalizing the horrors of this war, and that remains the case here; but Fouce's dry doc is best suited for screening rooms in history museums.- The Hollywood Reporter
- Posted Aug 22, 2016
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Justin Lowe
If similarities to mumblecore dramedies seem appropriate, be advised that by comparison, that subgenre is way more involving than Never will ever be.- The Hollywood Reporter
- Posted Aug 22, 2016
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Reviewed by
John DeFore
The film is as shapeless as a real life — amusing in an extremely mild way on occasion, but no more goal-oriented than a protagonist who, time and again, shows that all he really cares about is getting high and tossing a ball around.- The Hollywood Reporter
- Posted Aug 22, 2016
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Reviewed by
John DeFore
Kingsglaive: Final Fantasy XV is so lacking in human interest, or even in merely satisfying action, it is difficult to imagine anyone wanting to pay to sit through it. What Takeshi Nozue's movie does offer is massive, vividly rendered landscapes of sci-fi/fantasy pastiche, home to mayhem that is prettier than it is involving.- The Hollywood Reporter
- Posted Aug 22, 2016
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